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One-Dimensional Man

 

The title and central concept of an influential study of modern society by critical theorist Herbert Marcuse (1964). One-dimensionality refers to the progressive closing off of the possibility of radical difference and opposition in modern society. This occurs at the level of social groups (with the decline of working-class radicalism) and, much more insidiously, at the level of thought itself, which increasingly operates within preformed channels of consumer choice and superficial difference. Such a society absorbs and neutralizes dissent, and thereby loses its capacity for critical reflection on the goals of society and the possibility of radical change. The end of this dialectical capacity for reflection signals the collapse of “two-dimensional” man into one-dimensional man—a figure dominated by the singular mode of instrumental rationality that characterizes modern capitalism . On the basis of this work and his earlier Eros and Civilization (1955), Marcuse became a major icon of the 1960s counterculture.

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One-Dimensional Man

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One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society is a 1964 book by philosopher Herbert Marcuse.

The work offers a wide-ranging critique of both contemporary capitalism and the society in the Soviet Union, documenting the parallel rise of new forms of social repression in both these societies, as well as the decline of revolutionary potential in the West. Marcuse argues that "advanced industrial society" created false needs, which integrated individuals into the existing system of production and consumption via mass media, advertising, industrial management, and contemporary modes of thought.[1]

This results in a "one-dimensional" universe of thought and behaviour, in which aptitude and ability for critical thought and oppositional behaviour wither away. Against this prevailing climate, Marcuse promotes the "great refusal" (described at length in the book) as the only adequate opposition to all-encompassing methods of control. Much of the book is a defense of "negative thinking" as a disrupting force against the prevailing positivism.[1]

Marcuse also analyzes the integration of the industrial working class into capitalist society and new forms of capitalist stabilization, thus questioning the Marxian postulates of the revolutionary proletariat and the inevitability of capitalist crisis. In contrast to orthodox Marxism, Marcuse champions non-integrated forces of minorities, outsiders, and radical intelligentsia, attempting to nourish oppositional thought and behavior through promoting radical thinking and opposition. He considers the trends towards bureaucracy in supposedly Marxist countries to be as oppositional to freedom as those in the capitalist West.[1]

Critical theorist Douglas Kellner has claimed in his book Herbert Marcuse and the Crisis of Marxism that One-Dimensional Man was one of the most important books of the 1960s and one of the most subversive books of the twentieth century. Despite its importance, it was—due to its subversive nature—severely criticized by both orthodox Marxists and academic theorists of various political and theoretical commitments.[citation needed] Despite its pessimism, it influenced many in the New Left as it articulated their growing dissatisfaction with both capitalist societies and Soviet communist societies.[1]

Contents

Consumerism as a form of social control

Marcuse strongly criticizes consumerism, arguing that it is a form of social control. He suggests that the system we live in may claim to be democratic, but it is actually authoritarian in that a few individuals dictate our perceptions of freedom by only allowing us choices to buy for happiness.[2] In this state of "unfreedom",[3] consumers act irrationally by working more than they are required to in order to fulfill actual basic needs, by ignoring the psychologically destructive effects, by ignoring the waste and environmental damage it causes, and by searching for social connection through material items.[4]

It is even more irrational in the sense that the creation of new products, calling for the disposal of old products, fuels the economy and encourages the need to work more to buy more. An individual loses his or her humanity and becomes a tool in the industrial machine and a cog in the consumer machine. Additionally, advertising sustains consumerism, which disintegrates societal demeanor, delivered in bulk and informing the masses that happiness can be bought, an idea that is psychologically damaging.

There are other alternatives to counter the consumer lifestyle. Anti-consumerism is a lifestyle that demotes any unnecessary consumption, as well as unnecessary work, waste, etc. But even this alternative is complicated by the extreme interpenetration of advertising and commodification because everything is a commodity, even those things that are actual needs.

See also

References

  1. ^ a b c d Marcuse, Herbert (1991). "Introduction to the Second Edition". One-dimensional Man: studies in ideology of advanced industrial society. London: Routledge. pp. xi. ISBN 978-0415074292. 
  2. ^ Marcuse, Herbert (1991). "Introduction to the Second Edition". One-dimensional Man: studies in ideology of advanced industrial society. London: Routledge. pp. 3. ISBN 978-0415074292. 
  3. ^ Marcuse, Herbert (1991). "Introduction to the Second Edition". One-dimensional Man: studies in ideology of advanced industrial society. London: Routledge. pp. 1,7. ISBN 978-0415074292. 
  4. ^ Marcuse, Herbert (1991). "Chapter 1". One-dimensional Man: studies in ideology of advanced industrial society. London: Routledge. ISBN 978-0415074292. 
  5. ^ Ushev, Théodore (2008). "Drux Flux". Animated short. National Film Board of Canada. http://www.nfb.ca/film/drux_flux_en. Retrieved 29 December 2009. 

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 Oxford Dictionary of Social Sciences. Dictionary of the Social Sciences. © 2002 Oxford University Press. All rights reserved.  Read more
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