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One-Eyed Jacks

 
Movies:

One-Eyed Jacks

  • Director: Marlon Brando
  • AMG Rating: starstarstar
  • Genre: Western
  • Movie Type: Revisionist Western
  • Themes: Sheriffs and Outlaws, Obsessive Quests, Criminal's Revenge
  • Main Cast: Marlon Brando, Karl Malden, Pina Pellicer, Katy Jurado, Ben Johnson
  • Release Year: 1961
  • Country: US
  • Run Time: 141 minutes

Plot

Western bandit Kid Rio (Marlon Brando) is betrayed by his partner, Dad Longworth (Karl Malden). Escaping from prison, Rio learns that Longworth has become a wealthy and influential lawman. Rio thirsts for revenge, but bides his time, waiting for the right moment to strike. In the meantime, Rio spitefully seduces Longworth's adopted daughter, Louisa (Pina Pellicer). After killing a man in self-defense, Rio is publicly whipped by the powerful Longworth. When Rio's old gang accidentally kills a child during another holdup, Longworth has the perfect excuse to eliminate the troublesome Rio once and for all by hanging him. But that's not what happens at all. Stripped to its fundamentals, One-Eyed Jacks is a workable Western, worthy of perhaps 90 minutes' running time. But when Marlon Brando succeeded Stanley Kubrick in the director's chair, he allowed the film's 60-day shooting schedule to stretch into six months, and delivered a finished product running in excess of four hours. The current 141-minute version of One-Eyed Jacks isn't as ponderous as some critics have claimed, but it's still too much of a good thing. While Brando the director isn't precisely in the Kubrick class, Brando the actor delivers one of his finest and most focused performances (though he is upstaged throughout by Karl Malden). ~ Hal Erickson, All Movie Guide

Review

Often described by director Martin Scorsese as his favorite Western, Marlon Brando's only foray into directing resulted in one of the most interesting films in the genre. Brando plays an outlaw abandoned on a Mexican mountainside by his partner Karl Malden, while escaping from a posse. After doing a five-year hitch in a Mexican prison, Brando goes looking for revenge. A film whose troubled production history included contributions by Sam Peckinpah and Stanley Kubrick, in many ways it's a precursor to the operatic, slow-motion oaters of Sergio Leone. Basically a standard Western, it's raised a few notches by a great performance from Brando, who is given all he can handle by a memorably sadistic Malden. The pace of the scenes is undeniably slow, and one's enjoyment of the film probably depends on the extent to which viewers find Brando's myriad expressions of slow-burning rage compelling. Either Brando has an excellent eye or he was lucky in his choice of cinematographer Charles Lang, because the photography of Monterey, the Sierras, and the Mexican coastline is spectacular. Katy Jurado, Slim Pickens, Ben Johnson, and the always disturbed Timothy Carey round out the colorful cast. ~ Michael Costello, All Movie Guide

Cast

Slim Pickens - Lon; Larry Duran - Modesto; Sam Gilman - Harvey Johnson; Timothy Carey - Howard Tetley; Miriam Colon - Redhead; Elisha Cook, Jr. - Bank Teller; Rodopho (Rudy) Acosta - Rurales Officer; Ray Teal - Bartender; John Dierkes - Barber; Margarita Cordova - Nika Flamenco Dancer; Hank Worden - Doc; Philip Ahn - Uncle; Nesdon Booth - Townsman; Joe Dominguez - Corral Keeper; Mickey Finn - Blacksmith; William Forrest - Banker; Nacho Galindo - Mexican Townsman; Clem Harvey - Tim; Jorge Moreno - Bouncer in Shack; Harry "Snub" Pollard - Townsman; Felipe Turich - Card Sharp; Henry Wills - Posseman; Margarita Martin - Mexican Vendor; Fenton Jones - Squaredance Caller; John Michael Quijada - Rurales Sergeant

Credit

Hal Pereira - Art Director, J. McMillan Johnson - Art Director, Josephine Earl - Choreography, Rosita Moreno - Consultant/advisor, Rodd Redwing - Consultant/advisor, Yvonne Wood - Costume Designer, Marlon Brando - Director, Archie Marshek - Editor, George Glass - Executive Producer, Walter Seltzer - Executive Producer, Hugo W. Friedhofer - Composer (Music Score), Wally Westmore - Makeup, Philip Rhodes - Makeup, Charles B. Lang - Cinematographer, Frank P. Rosenberg - Producer, Robert R. Benton - Set Designer, Sam Comer - Set Designer, Farciot Edouart - Special Effects, John P. Fulton - Special Effects, Guy Troper - Screenwriter, Calder Willingham - Screenwriter, Charles Neider - Book Author

Similar Movies

The Appaloosa; Nevada Smith; Silverado; Billy the Kid; The Shooting
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Poker Guide: One Eyed Jacks
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These two jacks (hearts & spades) only have one visible eye. As opposed to the other two jacks (clubs & hearts) who have two visible eyes.

SoundPoker Says: In a standard deck of playing cards this consists of the jack of hearts and Jack of spades. In many home game variations one eyed jacks can be used as wild cards.

See Also: Hooks, Jaybirds, One Eyed King, Paint

Wikipedia: One-Eyed Jacks
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One-Eyed Jacks

One Eyed Jacks promotional poster
Directed by Marlon Brando
Produced by George Glass
Walter Seltzer
Frank P. Rosenberg
Written by Charles Neider (novel)
Guy Trosper
Sam Peckinpah (uncredited)
Calder Willingham
Rod Serling (early draft)
Starring Marlon Brando
Karl Malden
Katy Jurado
Pina Pellicer
Ben Johnson
Slim Pickens
Music by Hugo Friedhofer
Cinematography Charles Lang
Editing by Archie Marshek
Distributed by Paramount Pictures
Release date(s) 1961
Running time Theatrical cut:
141 minutes
Director's cut:
300 minutes (Has been destroyed, original cut footage does not exist anymore)
Language English

One-Eyed Jacks, a 1961 Western, is the only film directed by actor Marlon Brando, who also played its lead character, Rio.

The film was originally to be directed by Stanley Kubrick. Other members of the cast include Karl Malden, Slim Pickens, Katy Jurado and Ben Johnson.

Contents

Production

Rod Serling, already famed as the creator of The Twilight Zone series, wrote an adaptation of the novel The Authentic Death of Hendry Jones by Charles Neider (1956) — which was itself simply a novelization of the career of Billy the Kid relocated to Monterey, California — at the request of producer Frank P. Rosenberg. The treatment was rejected.

Rosenberg next hired Sam Peckinpah, who finished his first script on 11 November 1957. Marlon Brando's Pennebaker Productions had paid $40,000 for the rights to Authentic Death and then signed a contract with Stanley Kubrick to direct for Paramount Pictures. Peckinpah handed in a revised screenplay on 6 May 1959. Later, Brando fired Peckinpah and hired Calder Willingham, but he and Brando stalled, so both Willingham and Kubrick were canned. Guy Trosper became the new screenwriter and worked on the story with Brando, who hired himself as director.

The movie had very little resemblance to the Neider novel, and what remains has much more resonance with history than fiction. At various times, the two credited screenwriters and the uncredited Peckinpah have claimed (or had claimed for them) a majority of the responsibility for the film, and Karl Malden has answered the query about who really wrote the story: "There is one answer to your question — Marlon Brando, a genius in our time."

Plot

Rio (also called "The Kid"), his partner Dad Longworth and a third man, Doc, rob a bank. It is successful, but some Mexican Rurales attack and kill Doc. Dad and Rio escape in the desert followed by a posse.

Rio figures the Rurales will be "swarming all over us inside an hour." One partner might take the remaining pony and ride to a little jacalito down the canyon about five miles and return with fresh mounts. They shake for it, with Rio fixing the deal so his pal Dad can be the one to go.

Dad gets to a corral, strapping the swag bag onto a fresh pony, but he gets second thoughts. He casts one eye towards that point on the ridge sure to be taken by the Rurales, and with the other he gazes off in the opposite direction out past a low-lying treeline towards the border and safety. One way leads to danger and a poor chance at surviving with half the booty, the other towards a virtual certainty with all of it. After a decidedly short moment of reflection, he takes the latter and leaves his friend to be taken by Rurales.

Rio spends five years in a "stinkin' Sonora prison," which allows him to concentrate on Dad's having abandoned him. When he locates his former partner in crime, Longworth has become the sheriff of Monterey, California. Dad finally gets a chance to "explain" why he left his friend back in Mexico but tries again to deceive Rio by lying about why he never returned.

Rio plans a bank robbery in Monterey with his new partners Chico Modesto and Bob Emory. But his plans are sidetracked when he falls in love with Longworth's stepdaughter, Louisa, and when Dad administers a vicious beating with a whip in front of the entire town.

While recovering from his wounds near the ocean, Rio struggles with his conflicting desires to love the girl and to kill her stepfather for revenge. He decides to forgo vengeance and leave, but Emory kills Chico and pulls off the robbery. Rio is falsely accused and locked up by Longworth, who desperately wants to kill Rio in an attempt to absolve his own guilt over the earlier betrayal.

Jailed and sentenced to hang, Rio overpowers a sadistic deputy, Lon Dedrick, and escapes. In the center of town, under fire and left with no choice, he kills Longworth in a final showdown.

Cast

Trivia

The film was Paramount Pictures' last feature released in VistaVision.

Cinematographer Charles Lang received an Academy Award nomination in the Best Cinematography, Color category that year.

It is presumed that the title refers to one-eyed jacks: the jacks in a deck of playing cards who are only showing one eye: the Jack of Hearts and the Jack of Spades. More than one of the principals has claimed to have supplied the title during a poker game on the set. These reports are slightly diminished by the name of the restaurant on the street of the jail where the Kid was held in the Neider novel: One-Eyed Charlie's.

At one point in the movie, Rio calls Longworth "a one-eyed jack," a reference to seeing only one side of a person's personality or life. The Kid is referring to Dad's reputation with the townspeople as a straight-laced, no-nonsense lawman, a view Rio does not share. "To these people you're a one-eyed jack, but I've seen the other side of your face."

Brando shot five hours of additional footage that was later destroyed.

It was the first American film for Pina Pellicer, who died in 1964 at age 30, a presumed suicide.

Doc is played by Hank Worden, who was Mose Harper in The Searchers.

Rio is asked to explain the poor quality of his new associates and notes there were "slim pickins" after Dad left.

External links

References


 
 

 

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