One Touch of Venus (1943), a musical comedy by S. J. Perelman (book), Ogden Nash (book, lyrics), Kurt Weill (music). [ Imperial Theatre, 567 perf.] When Whitelaw Savory (John Boles) tells his barber, Rodney Hatch (Kenny Baker), that Savory's statue of Venus is the most beautiful woman in the world, Hatch disagrees. After all, he is engaged to the most beautiful woman in the world, Gloria Kramer (Ruth Bond). To prove his point, he places Gloria's engagement ring on the marble statue, which promptly comes to life. The escapades of Venus (Mary Martin) and Hatch turn Manhattan upside down, with Savory, Gloria and her mother, and a mad Anatolian all in pursuit. The fling destroys the Hatch‐Kramer romance, so Hatch is especially disconsolate after Venus returns to stone. But just as he is about to walk away from Savory's art school, a young girl appears. She is the image of Venus, and Hatch is certain he has an engagement ring to fit her finger. Notable songs: Speak Low; That's Him; The Trouble with Women; Foolish Heart; I'm a Stranger Myself Here. With a book and lyrics among the most literate and witty of any American musical comedy, the John Wildberg–Cheryl Crawford production was also the first musical comedy to use the briefly voguish Agnes de Mille ballets that Oklahoma! had popularized fewer than seven months before. As with Oklahoma!'s dream ballet, the second act, “Venus in Ozone Heights,” contained material that shaped and furthered the action, in this instance convincing Venus that she would be unhappy remaining earthbound. S[idney] J[oseph] PERELMAN (1904–79), the noted Brooklyn‐born humorist, rarely had good luck on Broadway. His first efforts were sketches for the revues The Third Little Show (1931) and Walk a Little Faster (1932), but his plays All Good Americans (1933) and The Night Before Christmas (1941) failed to run. After One Touch of Venus, Perelman's other major work is the literate farce The Beauty Part (1962), which opened in the midst of a newspaper strike and could not find an audience.
One Touch of Venus
| American Theater Guide: One Touch of Venus |
| Wikipedia: One Touch of Venus |
| One Touch of Venus | |
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| Sheet Music Cover | |
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| Music | Kurt Weill |
| Lyrics | Ogden Nash |
| Book | Ogden Nash S. J. Perelman |
| Basis | Thomas Anstey Guthrie's novella The Tinted Venus |
| Productions | 1943 Broadway 1948 Film 1992 The Barbican 1995 BBC Radio 1997 Light Opera Works 2000 The Royal Opera House 2001 The King's Head Theatre |
| Operas by Kurt Weill |
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Der Protagonist (1926) |
One Touch of Venus is a musical with music written by Kurt Weill, lyrics by Ogden Nash, and book by S. J. Perelman and Nash, based on the novella The Tinted Venus by Thomas Anstey Guthrie, and very loosely spoofing the Pygmalion myth. The show satirizes contemporary American suburban values, artistic fads and romantic and sexual mores. Weill had been in America for ten years by the time he wrote this musical, and his music, though retaining his early haunting power, had evolved into a very different Broadway style.[1]
The original Broadway production opened at the Imperial Theatre on October 7, 1943 and closed on February 10, 1945 after 567 performances. The original production was directed by Elia Kazan and featured choreography by Agnes de Mille. It starred Mary Martin, Kenny Baker and Paula Laurence. Marlene Dietrich backed out of the title role during rehearsals, calling it "too sexy and profane," which gave Martin the opportunity to establish herself as a Broadway star.[2]
The musical was made into a 1948 film, directed by William A. Seiter and starring Ava Gardner and Robert Walker. The movie version omits much of the Broadway score and received poor reviews.
As a child, Philip Margo fell in love with the film when shown on New York's television show Picture For a Sunday Afternoon and eventually wrote a 1988 made for TV movie based on The Tinted Venus called The Goddess of Love with Vanna White as Venus.[3]
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Other productions
In 1987, the piece played at the Goodspeed Opera House.[2] Ian Marshall Fisher's Discovering Lost Musicals Charitable Trust has presented the work twice, first in 1992 at The Barbican, and then in 2000 at The Royal Opera House's Linbury Studio Theatre. Louise Gold played the title role on both occasions. Both productions also found Myra Sands playing Mrs Kramer; while Dick Vosburgh put in an appearance in the 2000 production.[4]
In 1995, BBC Radio broadcast the piece with Paige O'Hara in the title role. Other cast members included Kim Criswell, Peter Gale, Myra Sands (as Mrs. Kramer) and Dick Vosburgh.
In 1996, City Center's Encores! series presented the piece, directed by Leonard Foglia with Melissa Errico in the title role. In 1997, Light Opera Works in Illinois produced the work.[5]
In 2001, London's first major theatrical run opened at The King's Head Theatre in Islington. With a new adaptation by Director Tim Childs it starred Peter Land as Whitelaw Savory, Michael Gyngell, and newcomer Kim Medcalf as Venus. It opened to glowing reviews but failed to transfer to the West End, probably because Childs, with an eye to opening the same production on Broadway, workshopped it with Land reprising his role and Sara Ramirez as Venus in New York two weeks after September 11, 2001. Not surprisingly, New York Producers did not want to commit to producing the piece at that time.[1]
Opera North produced the piece in 2004 at the Leeds Grand Theatre, directed by Tim Albery.[6]
42nd Street Moon produced the musical in 2007 at Eureka Theatre in San Francisco, directed by Greg MacKellan,[7] with musical direction & accompaniment by Dave Dobrusky, choreography by Tom Segal, lighting by Ellen Brooks, scenic decoration by Mike Figueira, and costume design by Louise Jarmilowicz. The cast included: Nina Josephs as Venus, Anil Margsahayam as Rodney Hatch, Peter Budinger as Whitelaw Savory, Amy Louise Cole as Molly Grant, Tom Orr as Julius E. "Taxi" Black, Juliet Heller as Gloria Kramer, Chris Macomber as Mrs. Florabelle Kramer, Tyler Kent as Stanley/Zuvetli/Dr. Rook, Jarrod Quon as Sam and Elise Youssef as Rose.
Metal Monkey Theatre Company produced a revival of the musical for the 2009 Edinburgh Festival Fringe, Scotland, directed by Michael Hall,[8] with musical direction & accompaniment by Duncan White. The cast included: Chrissy Quinn as Venus, Michael Trakas as Rodney Hatch, John Kirkman as Whitelaw Savory, Emily Grogan as Molly Grant, Alex Murphy as Julius E. "Taxi" Black, Jo Britton as Gloria Kramer, Morven Rae Mrs. Florabelle Kramer, David Sanders as Stanley/Dr. Rook, Simon Motz as Zuvetli, Christopher Rorke as Sam, Sarah Block as Mrs Moats and Claire Kennard as Rose. They performed the show at Augustine's (Venue 152)in August 2009[9] and received a 5 Star review from www.musicaltalk.co.uk [10]
2010 - Shaw Festival Theatre - Niagara on the Lake - Ontario - Canada -Royal George Theatre - MAy 16 to October 10 [2]
Synopsis
A long-lost, priceless statue of the goddess Venus is found and placed on display in an art museum in New York. A shy barber, Rodney Hatch, looking through the museum, puts a ring on the finger of the statue. The sculpture comes to life, and the two fall in love, although Rodney is already engaged. Farcical complications ensue, and Rodney and the newly animated beauty are eventually thrown in jail for stealing the statue.
Venus dreams that her life will become boring in suburban Ozone Heights if she stays with the barber, so she decides that it will be better to return to her marble state. The barber is dismayed, but he soon meets a young woman who is an exact double of the statue and also loves life in Ozone Heights.
Musical numbers
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Principal roles
- Whitelaw Savory, a wealthy art collector (baritone)
- Molly Grant, Mr. Savory's secretary (mezzo-soprano)
- Rodney Hatch, a barber (tenor)
- Venus (mezzo-soprano)
- Gloria Kramer, Rodney's fiancée (mezzo-soprano)
- Mrs. Kramer, Gloria's mother (mezzo-soprano)
- Taxi Black and Stanley, two thugs
- Police Lieutenant
- Dr. Rook, a psychiatrist
- Zuvetli, a 'thoroughly unreconstructed' Anatolian
Notes
- ^ a b Review of the 2001 London production
- ^ a b New York Times review of 1987 production
- ^ Who Are The Tokens?
- ^ Information about the 2000 production
- ^ NY Times review of the 1996 Encores! production
- ^ Opera Today article reviewing Opera North's 2004 production
- ^ Review of the 42nd Street Moon 2007 production
- ^ Website - www.onetouchofvenus.co.uk
- ^ Edinburgh Fringe Ticket Site
- ^ [1]
References
- Information from the NODA website, including a detailed synopsis
- Information from the Musical Heaven website
External links
This entry is from Wikipedia, the leading user-contributed encyclopedia. It may not have been reviewed by professional editors (see full disclaimer)
 | Mary Martin (American entertainer, filmmaker & actress) |
| One Touch of Venus/Lute Song (1996 Album by Mary Martin) |
| Kurt Weill Revisited, Vol. 1 (1989 Album by Various Artists) |
 | How long is one day on the Venus? Read answer... |
| How long is one day on Venus? Read answer... |
| What is one of Venus' Nick Name? Read answer... |
 | What is the length of one year in Venus? |
| What is the temperture in venus for one day? |
| How many volcanoes are one venus? |
Copyrights:
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 | American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved. Read more |
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| Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "One Touch of Venus". Read more |
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Mentioned in
- Mary Martin (American entertainer, filmmaker & actress)
- One Touch of Venus/Lute Song (1996 Album by Mary Martin)
- Kurt Weill Revisited, Vol. 1 (1989 Album by Various Artists)
- Mainbocher (American theater)
- One Touch of Venus (1944 Album by Original Broadway Cast)
- Niobe (1915 Comedy Film)
- One Touch of Venus (Classical Album)
- One Touch of Venus, musical play (Classical Work)
- Ogden Nash (American poet)
- Cheryl Crawford (American Theater)
- Kurt Weill Revisited, Vol. 2 (1989 Album by Various Artists)
- Bert Freed (Actor, Drama/Comedy)
- Living in a Big Way (1947 Musical Film)
- Speak Low, song for voice & piano (from "One Touch of Venus") (Classical Work)
