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Orpheus Descending

 
Notes on Drama: Orpheus Descending

Contents:

Author Biography
Plot Summary
Characters
Themes
Style
Historical Context
Critical Overview
Criticism
Sources
Further Reading


Tennessee Williams
1957

Orpheus Descending, a play by Tennessee Williams (New York, 1958, currently in print, published by Dramatist's Play Service), opened in 1957 in New York City. Although Williams was at the time an established playwright, having had huge success with The Glass Menagerie (1944), A Streetcar Named Desire (1947), and other plays, Orpheus Descending was harshly criticized and widely considered a failure. It was a play that Williams had labored over for more than seventeen years. The earliest version was called Battle of Angels, and was first produced in 1940. After Battle of Angels was almost universally condemned by critics, Williams rewrote it five times, reshaping it as a modern version of the legend of Orpheus and Eurydice.

In Orpheus Descending, a young charismatic musician descends on a small, repressive southern town. He forms a relationship with a passionate woman who is trapped in a bad marriage and who has a tragic past. The play exhibits many of the playwright's typical themes: loneliness and desire, sexuality and repression, the longing for freedom. Violence lurks just below the surface, and it bursts into the open at the play's end. The play is also rich in imagery, lyrical language, and symbolism. It is now recognized as one of Williams's weightier plays, although perhaps not on the level of his finest work.

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Wikipedia: Orpheus Descending
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Orpheus Descending is a play by Tennessee Williams. It was first presented on Broadway in 1957 where it enjoyed a brief run with only modest success. The play is basically a rewrite of an earlier play by Williams called Battle of Angels, which was written in 1940 but had been poorly received.

When the play appeared in 1957, Williams wrote, "[o]n the surface it was and still is the tale of a wild-spirited boy who wanders into a conventional community of the South and creates the commotion of a fox in a chicken coop. But beneath that now familiar surface it is a play about unanswered questions that haunt the hearts of people and the difference between continuing to ask them...and the acceptance of prescribed answers that are not answers at all."

The play is a modern retelling of the ancient Greek Orpheus legend and deals, in the most elemental fashion, with the power of passion, art, and imagination to redeem and revitalize life, giving it new meaning. The story is set in a dry goods store in a small southern town marked, in the play, by conformity, sexual frustration, narrowness, and racism. Into this scene steps Val, a young man with a guitar, a snakeskin jacket, a questionable past, and undeniable animal-erotic energy and appeal. He gets a job in the dry goods store run by a middle-aged woman named Lady, whose elderly husband is dying. Lady has a past and passions of her own. She finds herself attracted to Val and to the possibility of new life he seems to offer. It is a tempting antidote to her loveless marriage and boring, small-town life. The play describes the awakening of passion, love, and life -- as well as its tragic consequences for Val and Lady.

The play deals with passion, its repression and its attempted recovery. On another level, it is also about trying to live bravely and honestly in a fallen world. The play is replete with lush, poetic dialogue and imagery. On the stage, the opening sections seem somewhat lacking in dramatic movement, but the play picks up power as the characters are developed and it moves to its climax. Val, representing Orpheus, represents the forces of energy and eros, which, buried as they are in compromise and everyday mundanity, have the tragic power to create life anew.

In 1959, a screen adaptation under the title The Fugitive Kind was directed by Sidney Lumet.

A more faithful version starring Vanessa Redgrave was made in 1990. This was a film adaptation of the Peter Hall stage production.

See also


 
 
Learn More
Maureen Stapleton (American actress)
Peter Hall (Director, Drama/Music)
Orpheus Descending (Further Reading) (play)

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