Contents: IntroductionPlot Summary Characters Themes Style Critical Overview Criticism Sources Further Reading |
Historical Context
The Moorish Ambassador and the Banishment of Africans
One of the large questions facing Shakespeare scholars was that of Elizabethan attitudes toward Moors and others of different races. It is difficult to determine how many English people had actually even ever seen someone with a different color skin than their own. It is known that in 1596, Queen Elizabeth I ordered the banishment of ten "blackamoors" from her country. Shortly after this, English prisoners being held in Spain and Portugal were traded for "blackamoors." Thus, while there were evidently people of color in England at the time, it seems likely they were exceedingly rare.
In 1600, in an odd turn of events, Abd el-Ouahed ben Messaoud Anoun, the Moorish ambassador of Elizabeth I, came to England with his entourage. In a series of letters between Elizabeth and the king of the Barbary Coast, the two colluded for ways the North Africans and the English could work together against the Spanish. After a year or so of this fruitless negotiation as well as the frustration of the Englishman whose house had been commandeered as an embassy, the ambassador and his entourage left England. In the same year of 1601, Elizabeth ordered further expulsion of "blackamoors." It seems likely that the two events were related; it also seems likely that Shakespeare would have been aware of the Moorish ambassador's presence in London. How much of his play was influenced by these events is debatable, however.
Trade and Exploration
The Elizabethan and Jacobean ages were times of great exploration and trade. Like the Venetians of Othello, Elizabethans were merchants and traders, eager to open new avenues for raw goods and materials. Sometimes these goods also included traffic in human beings; from 1562 through 1568, Sir John Hawkes and others began slave trading from Africa to the West Indies. This disturbing practice continued unabated throughout the sixteenth century, and by 1600, an estimated 900,000 Africans had been transported to the Americas as slaves.
In the 1580s, English gentlemen such as Sir Humphrey Gilbert and Sir Walter Raleigh financed colonies in Newfoundland and Roanoke Island in an attempt to make a permanent presence on the North American mainland. In 1607, the Jamestown colony was founded in Virginia.
In 1600, Elizabeth also chartered the British East India Company for trade in the Eastern Hemisphere in an attempt to expand the British spice trade. Ultimately, the English conquered the whole of the Indian subcontinent through their ongoing mercantile expansion.
Shakespeare's interest in these explorations shows up clearly in the character of Othello as well as in plays such as The Tempest. The fascination with new frontiers and with new landscapes is also evident in the popularity of travel literature. For example, The History and Description of Africa, by Leo Africanus, was published in 1600. Thus, the seeds of empire and colonialism were sown during the sixteenth century; their harvest would be the globe-spanning British Empire of the nineteenth century.
COMPARE & CONTRAST
- 1600s: By this date, it is estimated that some 900,000 Africans have been transported by English and other European slavers to the Americas.
2000s: Slavery has been abolished throughout the world, although many countries and people still feel the effects of the African Diaspora. - 1600s: Women generally have little or no career options other than marriage and motherhood and are subordinate to men in every way.
2000s: Women have equal rights with men and are able to pursue careers outside the home. - 1600s: Women are legally prohibited from acting on the stage so all female characters in Shakespeare's plays are acted by young boys.
2000s: Women actors play all female characters in Shakespeare; at times, women actors even play men's roles. - 1600s: England is an absolutist state, although Elizabeth I demonstrates great ability to reach compromises with her various constituencies. James I, her successor, however, is a proponent of the absolute monarchy and attempts to control all functions of state.
2000s: The British monarchy is largely a figure-head, and Queen Elizabeth II, while important to her country as a symbol, has little or no political power.




