Skinner, Otis (1858–1942), actor. The son of a Cambridge, Massachusetts, minister, he made his debut at the Philadelphia Museum in 1877, then performed with the stock company at the Walnut Street Theatre for two seasons, making his first Manhattan appearance when the troupe visited New York. After playing small roles opposite Edwin Booth and Lawrence Barrett he spent four seasons with the famous company of Augustin Daly. In 1889 he joined Helena Modjeska and Booth to play such roles as Claudio, Bassanio, Laertes, and Macduff, later touring with Modjeska as her leading man. Skinner embarked on a career as star in 1894 and played such notable parts as the Count of Grammont in His Grace de Grammont (1894); Lanciotto in his celebrated 1901 revival of Francesca da Rimini; the swaggering bully Col. Philippe Bridau in The Honor of the Family (1908); the scampish, conniving beggar Hajj in Kismet (1911); the fun‐loving Italian Antonio Camaradonio in Mister Antonio (1916); and the doomed bullfighter Juan Gallardo in Blood and Sand (1921). Writing of Skinner's Hajj, Walter Prichard Eaton noted, “Mr. Skinner is, in this country, the man of destiny for the part—abounding energy, triumphant clarity of speech, romantic swagger, physical picturesqueness, all are his.” George Middleton characterized him as “flamboyant and scene‐filling, like rich claret running over everything.” In his later years Skinner frequently returned to his older hits, besides starring in a number of classic revivals. Alone or with his wife, Maud, he was also the author of numerous books on theatre, including Mad Folk of the Theatre (1928), One Man in His Time (1938), and The Last Tragedian (1939). Autobiography: Footlights and Spotlights, 1924.




