Skinner, Otis (1858–1942), actor. The son of a Cambridge, Massachusetts, minister, he made his debut at the Philadelphia Museum in 1877, then performed with the stock company at the Walnut Street Theatre for two seasons, making his first Manhattan appearance when the troupe visited New York. After playing small roles opposite Edwin Booth and Lawrence Barrett he spent four seasons with the famous company of Augustin Daly. In 1889 he joined Helena Modjeska and Booth to play such roles as Claudio, Bassanio, Laertes, and Macduff, later touring with Modjeska as her leading man. Skinner embarked on a career as star in 1894 and played such notable parts as the Count of Grammont in His Grace de Grammont (1894); Lanciotto in his celebrated 1901 revival of Francesca da Rimini; the swaggering bully Col. Philippe Bridau in The Honor of the Family (1908); the scampish, conniving beggar Hajj in Kismet (1911); the fun‐loving Italian Antonio Camaradonio in Mister Antonio (1916); and the doomed bullfighter Juan Gallardo in Blood and Sand (1921). Writing of Skinner's Hajj, Walter Prichard Eaton noted, “Mr. Skinner is, in this country, the man of destiny for the part—abounding energy, triumphant clarity of speech, romantic swagger, physical picturesqueness, all are his.” George Middleton characterized him as “flamboyant and scene‐filling, like rich claret running over everything.” In his later years Skinner frequently returned to his older hits, besides starring in a number of classic revivals. Alone or with his wife, Maud, he was also the author of numerous books on theatre, including Mad Folk of the Theatre (1928), One Man in His Time (1938), and The Last Tragedian (1939). Autobiography: Footlights and Spotlights, 1924.
| Otis Skinner | |
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Cabinet Card circa 1900-1910 NYPL Digital Gallery |
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| Born | Otis A. Skinner June 28, 1858 Cambridge, Massachusetts, USA |
| Died | January 4, 1942 (aged 83) New York City, New York, USA |
| Resting place | Woodstock, Vermont |
| Occupation | actor |
| Spouse | Maud Durbin 1895-1936 (her death) |
| Children | Cornelia Otis Skinner |
Otis Skinner (June 28, 1858 – January 4, 1942) was a popular American stage actor active during the late nineteenth and early twentieth centuries.
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Otis A. Skinner was born on June 28, 1858 in Cambridge, Massachusetts[1] the middle of three boys raised by Charles and Cornelia Skinner. He was later brought up in Hartford, Connecticut where Charles Skinner served as a Universalist minister.[2] His older brother, Charles Montgomery Skinner, would later become a noted journalist and critic in New York, while his younger brother William, an artist. Otis Skinner was educated in Hartford with an eye towards a career in commerce. A visit to the theater left him stage-struck. He secured his father's blessing for a theatrical career, and his father not only approved but also obtained from P. T. Barnum an introduction to William Pleater Davidge. Davidge employed him at eight dollars a week, and Skinner's career was launched. In the latter half of the 1870s, he played various bit roles in stock companies, and alongside stars such as John Edward McCullough. He built up his repertoire for several years in New York and Boston, including three years with Lawrence Barrett.
By the mid-1880s, he was touring first with Augustin Daly, then, in 1889, with the troupe of Edwin Booth and Helena Modjeska. After that season, he played Romeo in London opposite Margaret Mather. His association with Mather lasted two years; after, with Booth dead, he returned to Modjeska, starring opposite her in her most famous roles. He also originated the role of Schwartz in Hermann Sudermann's Magda, and played Armand in Dumas's Camille.
By the middle of the 1890s, he was a star in his own right. In 1894, he produced and starred in Clyde Fitch's His Grace de Grammont; the same year, he performed in his brother's translation of Victor Hugo's Le roi s'amuse. In 1895 in Chicago, he succeeded as Hamlet; his performance was praised as natural and unaffected, without elocutionary tricks. From 1895, he was associated with the troupe of Joseph Jefferson.
He excelled in Shakespearean roles like Shylock, Hamlet, Richard III and Romeo, and his Colonel Phillipe Brideau in The Honor of the Family was considered one of the greatest comedic performances of the first quarter of the twentieth century. Skinner's signature role was as Hajj the beggar in Kismet (1911) on Broadway, and he continued playing it on stage for twenty years, recreating his performance both in the 1920 and 1930 film versions of the play.
Later roles included Albert Mott in Humpty Dumpty (1918), the title role in Sancho Panza in Melchior Lengyel's adaptation of Don Quixote (featuring Lucille Kahn in a supporting role), Sir John Falstaff in both Henry IV, part 1 (1926) and The Merry Wives of Windsor (1928), and Shylock opposite the Portia of Maude Adams (1931–32) in The Merchant of Venice. Like that of Charles Irving, his Shylock was naturalistic and at least partly sympathetic; he avoided the melodramatic excess characteristic of earlier interpretations of the character.
Skinner was also a successful writer whose books included Footlights and Spotlights and Mad Folk of the Theatre. His daughter, actress and author Cornelia Otis Skinner, was born in 1901.
He was portrayed onscreen by a somewhat miscast Charlie Ruggles, in the film version of Cornelia Otis Skinner's autobiography, Our Hearts Were Young and Gay. In life Skinner had a cultured but raspy voice that sounded similar to actor James Mason.
Otis Skinner died at his home in New York City on January 4, 1942, nearly a month after he had fallen ill while attending a benefit performance of “The Wookey” held at the Plymouth Theatre (today Gerald Schoenfeld Theatre). He had last appeared on stage in 1935 reciting the Forward in a revival of George M. Cohan’s Seven Keys to Baldpate. Actress Maud Durban, his wife for over forty years, died on Christmas Day, 1936.[3] [4]
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