Outer South

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Review

Conor Oberst's Mystic Valley Band initially seemed a bit like a busman's holiday, a way for him to throw off whatever expectations he had as Bright Eyes, a way to get a bit loose and rowdy. The Mystic Valley Band is turning into something more -- not quite a full-fledged multi-headed beast the way the Byrds were at their peak, but not Dylan pushing through the Rolling Thunder Revue as its undisputed leader, either. The Mystic River Band turns out to be a bit of an oddity: a group with a clear-cut leader that manages to seem egalitarian, particularly here on Outer South where Oberst recedes from the spotlight on a whopping six of the 16 tracks, letting his bandmates sing their own songs. This behavior is atypical for singer/songwriters, but it fits the spirit of Outer South, an album written, recorded and about the road -- a roadworn cliché that always gets reinvigorated whenever its executed with gusto, as it is here, partially due to Oberst spreading the wealth. Having three other singers here makes Outer South a bit messy, but it speaks to what makes the album work: it's about playing, not the song. Which isn't to say that there aren't good songs here, as there are -- the ratio is as strong as they were on Conor Oberst, testament to Oberst's steady work ethic paying back craftsman dividends -- but what impresses is the spirit and the sound, how the band sounds like it's consistently on the move, not quite caring whether they're taking the direct route, as long as it's scenic. Oberst himself seems swept up in the motion -- he's dropped his vocal affectations, his grandiose couplets, he's happy to be leading a group that feels like a band of brothers -- one that might not always sing in the same voice, but share a sensibility, something that gives Outer South a big human heart. ~ Stephen Thomas Erlewine, Rovi

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Outer South
Studio album by Conor Oberst and the Mystic Valley Band
Released May 5, 2009
Recorded December 2008 at Sonic Ranch Studios
Genre Folk rock, indie rock, Americana
Length 70:03
Label Merge
Conor Oberst and the Mystic Valley Band chronology
Conor Oberst
(2008)
Outer South
(2009)
Professional ratings
Review scores
Source Rating
Allmusic 4/5 stars[1]
BLARE Magazine 4/5 stars[2]
Drowned In Sound (8/10)[3]
Pitchfork Media (4.9/10)[4]
Rolling Stone 3.5/5 stars[5]
Sputnikmusic 2/5 stars[6]

Outer South is the fifth solo studio album by American musician Conor Oberst and the second to be credited to Conor Oberst and the Mystic Valley Band. It is Oberst's first solo album to include songs written and sung by his bandmates. Nik Freitas, Taylor Hollingsworth and Jason Boesel each contributed two songs apiece, and bassist Macey Taylor sings a song written for him by Oberst. The album was released through Merge Records on May 5, 2009.

The entire album was made available on April 7, 2009, to stream on the Merge Records website for a limited time.

Tracklisting

All songs written by Conor Oberst, except where noted.

  1. "Slowly (Oh So Slowly)" (Oberst, Nate Walcott) – 3:34
  2. "To All the Lights in the Windows" – 5:42
  3. "Big Black Nothing" (Nik Freitas) – 3:39
  4. "Air Mattress" (Taylor Hollingsworth) – 2:14
  5. "Cabbage Town" – 3:50
  6. "Ten Women" – 3:22
  7. "Difference Is Time" (Jason Boesel) – 5:36
  8. "Nikorette" (Oberst, Freitas) – 4:11
  9. "White Shoes" – 5:50
  10. "Bloodline" (Freitas) – 4:08
  11. "Spoiled" – 3:16
  12. "Worldwide" (sung by Macey Taylor) – 3:31
  13. "Roosevelt Room" – 5:02
  14. "Eagle on a Pole" (Boesel) – 4:38
  15. "I Got the Reason #2" – 7:15
  16. "Snake Hill" (Hollingsworth) – 4:15

Track information

  • The twelfth track, "Worldwide", was written by Oberst and given to Macey Taylor to sing.[7]
  • The fourteenth track, "Eagle on a Pole", was inspired by a comment made by Sean Foley who said, "I saw an eagle on a pole. I think it was an eagle." Simon Joyner, friend and mentor of Oberst, said that line would be great for a song, which planted the seed for others in the band to write a song from the line. Jason Boesel's version is on this record. Oberst's version is on Conor Oberst.[7]

References


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