In December 1997, the Gin Blossoms announced their breakup, and the lines of communication were severed so severely that the band didn't realize their former label was assembling a hits collection, Outside Looking In: The Best Of. The album may not have been compiled with the complete authorization of the band, but that doesn't mean it isn't good or useful. Aside from the live version of "Whitewash," a sap to collectors, this is a tight distillation of the band's two A&M albums, noteworthy for the first album appearance of "Til I Hear It From You." Some might think that a compilation of two albums is stretching the definition of compilation a little bit too much, but that's really just a reflection of the industry in the '90s -- two albums and one non-LP single was the end result of a decade's worth of work. Ultimately, Outside Looking In is a good listen, from the hits to the album tracks, and it confirms that the Gin Blossoms were one of the first bands to really carve out the sound later known as adult alternative pop/rock. ~ Stephen Thomas Erlewine, All Music Guide
Andy Barrett (Engineer), Doug Hopkins (Guitar), Robin Wilson (Photography), Stefan Jermann (Photography), C.J. Chenier (Accordion), Bill Leen (Vocals (Background)), Danny Clinch (Photography), Jesse Valenzuela (Harmonica), Andy McKaie (Compilation Producer), Robert Becker (Piano), Gin Blossoms (Producer), Geary Chansley (Photo Research), Jesse Valenzuela (Guitar), Jesse Valenzuela (Vocals), Vartan (Art Direction), Scott A. Johnson (Guitar), Mike Ragogna (Compilation Producer), Mike Ragogna (Liner Notes), John Hampton (Producer), Phillip Rhodes (Drums), Jesse Valenzuela (Mandolin), Scott A. Johnson (Vocals (Background)), Bill Leen (Bass), Robin Wilson (Guitar (Acoustic)), Phillip Rhodes (Vocals (Background)), Bob Mehr (Editorial Assistant), Erik Flettrich (Engineer), John Hampton (Engineer), John Hampton (Mixing), Art Neville (Organ (Hammond)), Robin Wilson (Guitar), Phillip Rhodes (Percussion), Erick Labson (Digital Remastering), Beth Stempel (Production Coordination), Barry Korkin (Master Research), Robin Wilson (Vocals), David Richman (Editorial Assistant)
