Palmy Days

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Plot

Eddie Cantor plays Eddie Simpson, a shy and jumpy young fellow who spontaneously bursts into song whenever he gets nervous. He works with the sly Yolando, a phony but successful psychic. The trouble in this lively musical farce begins when Yolando attempts to swindle the owner of the local bakery. ~ Sandra Brennan, Rovi

Review

Palmy Days is an engagingly loopy Eddie Cantor vehicle. It's certainly entertaining, although many of the jokes will cause a wince and the plot is just so much hooey -- complicated hooey, too. There are enough "high concept" ideas here -- Cantor as an efficiency expert, a gang of thieves masquerading as fortune telling mystics, a romantic misunderstanding, a bakery manned by vivacious young women, etc. -- for two or three films. That Palmy doesn't really take full advantage of any of them works to its detriment, but it's still such a good natured film that most viewers won't really mind. Watching Cantor sawing off edges of his desk (ostensibly so that people won't be able to sit or lean on his desk and waste his time) or breaking into song whenever he's nervous makes up for the many problems with the screenplay. As usual, Cantor can't resist donning blackface for one of his songs. While it tends to jolt and jar modern viewers, at least when Cantor is in blackface in Palmy he's still being Cantor (as opposed to suddenly adopting a stereotypical "black" personality). Palmy also benefits from the presence of Charlotte Greenwood, a gifted Amazon of a comedienne whose gifts were rarely well utilized onscreen. Acting like something of a cross between Marjorie Main and Helen Broderick, but much warmer, Greenwood is a great foil for Cantor (and even gets to nonchalantly throw in a couple of her trademark high kicks). And choreographer Busby Berkeley demonstrates that, even this early in his career, he could create some dazzling images. Palmy is terribly slight, but there's a good deal to enjoy. ~ Craig Butler, Rovi

Cast

Charles B. Middleton - Yolando; Paul Page - Steve Clayton; Harry Woods - Plug Moynihan; Walter Catlett; Betty Grable - Goldwyn Girl; Amo Ingraham; Nancy Nash; Dorothy White - Dancer; Dorothy Wellman; Loretta Andrews; Nadine Dore; Ruth Eddings; Betty Lorraine; Nita Pike

Credit

Richard Day - Art Director, Busby Berkeley - Choreography, Coco Chanel - Costume Designer, Alice O'Neill - Costume Designer, Edward Sutherland - Director, Sherman Todd - Editor, Con Conrad - Composer (Music Score), Harry Akst - Composer (Music Score), Alfred Newman - Musical Direction/Supervision, Willy Pogany - Production Designer, Gregg Toland - Cinematographer, Samuel Goldwyn - Producer, Willy Pogany - Set Designer, Morris Ryskind - Screen Story, Eddie Cantor - Screenwriter, Morris Ryskind - Screenwriter, Keene Thompson - Screenwriter, David Freedman - Screenwriter

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Palmy Days
Directed by A. Edward Sutherland
Produced by Samuel Goldwyn
Written by Eddie Cantor
Morrie Ryskind
David Freedman
Starring Eddie Cantor
Charlotte Greenwood
George Raft
Music by Harry Akst
Cinematography Gregg Toland
Editing by Sherman Todd
Studio Samuel Goldwyn Productions
Distributed by United Artists
Release date(s) October 3, 1931 (1931-10-03)
Running time 77 minutes
Country United States
Language English

Palmy Days (1931) is a musical comedy written by Eddie Cantor, Morrie Ryskind, and David Freedman, directed by A. Edward Sutherland, and choreographed by Busby Berkeley (who makes a cameo appearance as a fortune teller). The film stars Eddie Cantor. The famed Goldwyn Girls make appearances during elaborate production numbers set in a gymnasium and a bakery ("Glorifying the American Doughnut"). Betty Grable, Paulette Goddard, Virginia Grey, and Toby Wing are among the bevy of chorines.

Contents

Cast (in credits order)

Reception

New York Times movie critic Mordaunt Hall, described Palmy Days as "a more or less funny diatribe" with "two or three inconsequential melodies and a great deal to gaze, including pretty damsels from the Pacific Coast and effectively photographed groups of dancers."[1]

Product placement

Brand-name products rarely appeared in movies of this period, partly because of the campaign against that practice by the motion picture trade periodical Harrison's Reports. In an editorial, that publication reported the on-screen appearance of an Underwood Typewriter and product of Continental Baking Company. [2]

See also

References

  1. ^ New York Times, Movie Review, "Palmy Days (1931) The Screen; A Frolic, With Mr. Cantor" September 24, 1931
  2. ^ Harrison's Reports 28 November 1931, page 189

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