Pandro S. Berman

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Pandro S. Berman

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Biography

Pandro S. Berman's father Henry was general manager of Universal Pictures during Hollywood's formative years. The younger Berman spent most of the 1920s as an assistant director, learning the business from such masters as Mal St. Clair and Tod Browning. In 1930, Berman was hired as a film editor at fledgling RKO Radio Pictures, then became an assistant producer. When RKO supervising producer William LeBaron walked out during production of the ill-fated The Gay Diplomat (31), Berman took over LeBaron's responsibilities, remaining in the driver's seat until 1939. During the Berman regime, the Fred Astaire/Ginger Rogers musicals hit their peak, Katharine Hepburn rose to prominence, and such RKO classics as The Hunchback of Notre Dame (39) and Gunga Din (39) came to fruition. Berman was willing to give creative people plenty of elbow room, but there were limits; having been coaxed by Katharine Hepburn and director George Cukor to push through production of the 1936 film Sylvia Scarlett, Berman reacted to the poor audience response to that film (the worst in RKO's history) by telling Hepburn and Cukor that he never wanted to see their faces again! Upset when an RKO power-play diminished his authority, Berman left for MGM in 1940, where he oversaw such productions as Ziegfeld Girl (41), National Velvet (44), Father of the Bride (50), The Blackboard Jungle (55) and Butterfield Eight (58). He survived several executive shake-ups at MGM and remained there until 1963, then went into independent production, closing out his career with the unsuccessful Move (70). The winner of the 1977 Irving G. Thalberg Memorial Award, Pandro S. Berman became a sort of guru to film historians in his twilight years, providing crystal-clear insights into the day-to-day operations of the old Hollywood Studio System. Berman died of congestive heart failure on July 13, 1996 in his Beverly Hills home; he was 91. ~ Hal Erickson, Rovi
Filmography:

Pandro S. Berman

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George Stevens: A Filmmaker's Journey

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A Patch of Blue

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The Prize

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Sweet Bird of Youth

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Butterfield 8

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The Brothers Karamazov

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The Reluctant Debutante

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Jailhouse Rock

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Something of Value

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Bhowani Junction

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Tea and Sympathy

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Blackboard Jungle

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The Long, Long Trailer

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Battle Circus

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Knights of the Round Table

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All the Brothers Were Valiant

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Ivanhoe

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The Prisoner of Zenda

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Father's Little Dividend

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Father of the Bride

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Madame Bovary

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The Three Musketeers

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The Sea of Grass

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Living in a Big Way

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Undercurrent

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The Picture of Dorian Gray

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Dragon Seed

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National Velvet

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The Seventh Cross

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Rio Rita

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Somewhere I'll Find You

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Honky Tonk

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Love Crazy

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Ziegfeld Girl

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Bachelor Mother

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Gunga Din

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The Hunchback of Notre Dame

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The Story of Vernon and Irene Castle

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The Flying Irishman

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Carefree

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The Mad Miss Manton

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Room Service

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A Damsel in Distress

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Quality Street

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Shall We Dance?

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Stage Door

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Follow the Fleet

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Mary of Scotland

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Swing Time

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Winterset

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Alice Adams

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Break of Hearts

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Roberta

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Star of Midnight

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Sylvia Scarlett

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Top Hat

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The Gay Divorcee

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The Little Minister

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Of Human Bondage

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Christopher Strong

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Morning Glory

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Wikipedia on Answers.com:

Pandro S. Berman

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Pandro Samuel Berman
Born Pandro Samuel Berman
March 28, 1905(1905-03-28)
Pittsburgh, Pennsylvania, U.S.
Died July 13, 1996(1996-07-13) (aged 91)
Beverly Hills, California, U.S.
Years active 1923 - 1970
Spouse Kathryn Hereford (1960-1993)

Pandro Samuel Berman (March 28, 1905 – July 13, 1996), was an American film producer.

Biography

His father, Henry Berman, was general manager of Universal Pictures during Hollywood's formative years. The younger Berman, Pandro Samuel, was an assistant director during the 1920s under Mal St. Clair and Ralph Ince. In 1930, Berman was hired as a film editor at RKO Radio Pictures, then became an assistant producer. When RKO supervising producer William LeBaron walked out during production of the ill-fated The Gay Diplomat (1931), Berman took over LeBaron's responsibilities, remaining in the post until 1939. He managed to survive David O. Selznick's general firing of most of the staff.[citation needed]

The Fred Astaire/Ginger Rogers musicals were in production during the Berman regime, Katharine Hepburn rose to prominence, and such RKO classics as The Hunchback of Notre Dame and Gunga Din (both 1939) were completed. Berman was willing to give creative people plenty of elbow room, but there were limits; having been coaxed by Katharine Hepburn and director George Cukor to push through production of the 1936 film Sylvia Scarlett, Berman reportedly reacted to the poor audience response to that film (the worst in RKO's history[citation needed]) by telling Hepburn and Cukor that he never wanted to see their faces again![citation needed]

Upset when an RKO power-play diminished his authority, Berman left for MGM in 1940, where he oversaw such productions as Ziegfeld Girl (1941), National Velvet (1944), The Bribe (1949), Father of the Bride (1950), Blackboard Jungle (1955) and BUtterfield 8 (1960).

He survived several executive shake-ups at MGM and remained there until 1963, then went into independent production, closing out his career with the unsuccessful Move (1970).

Berman was the winner of the 1976 Irving G. Thalberg Memorial Award. He died of congestive heart failure on July 13, 1996 in his Beverly Hills home, aged 91.

Six of his films were nominated for Academy Award for Best Picture: The Gay Divorcee (1934), Alice Adams and Top Hat (both 1935), Stage Door (1937), Father of the Bride (1950), and Ivanhoe (1952).

Selected filmography

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Copyrights:

Mentioned in

Soldiers Three (1951 Adventure Film)
The Brothers Karamazov (1958 Drama Film)
The Texas Tornado (1928 Film)
I Dream Too Much (1935 Drama Film)
Gunga Din (1939 Adventure Film)