Notes on Poetry:

Paradoxes and Oxymorons (Critical Overview)

Contents:

Introduction
Author Biography
Poem Text
Poem Summary
Themes
Style
Historical Context
Criticism
Sources
For Further Reading


Critical Overview

Shadow Train (1981), the collection in which “Paradoxes and Oxymorons” appears, received mixed reviews. In his study of Ashbery’s poetry On the Outside Looking Out, critic John Shoptaw calls “Paradoxes and Oxymorons” the most popular poem in Shadow Train and notes that at one point Ashbery considered making it the title poem of the collection but then thought better of it when he realized that many readers might not know what an oxymoron was. Shoptaw writes that “The poem itself voices Ashbery’s populist impulse to reach the common reader, who thinks poems are constructed on many interpretive levels.” In his essay on Ashbery for American Writers, Shoptaw says that “Although Shadow Train is dwarfed by earlier volumes such as Three Poems or As We Know, it may be the right place to begin for the reader who wants to learn Ashbery’s alphabet.” Vernon Shetley, on the other hand, cautions new Ashbery readers not to begin with Shadow Train, writing that “it occupies a curious position in the evolving body of his [Ashbery’s] work. This collection marks another peculiar twist in a protean career, another of the seemingly willful swerves from his natural predispositions that discomfit his admirers almost as much as his detractors.” Ultimately, however, Shetley approves of the collection, writing that Shadow Train shows Ashbery “if not at his most daring and expansive, certainly at his most masterful.” Later in the same article, he remarks that “Shadow Train is a permanent addition to American poetry.”

Reviewing the volume for Commentary, Robert Richman isn’t as kind. Richman claims that Shadow Train “parodies the national mood of retrenchment and specifically the new conservatism of form and representation in the arts.” Writing that “the autonomy of language takes on an especially jejune cast” in the collection, Richman argues against Ashbery boosters, such as critic Helen Vendler, and suggests that the poet’s popularity is undeserved and little more than a con game in which many people willingly participate.


 
 
 

Join the WikiAnswers Q&A community. Post a question or answer questions about "Paradoxes and Oxymorons (Critical Overview)" at WikiAnswers.

 

Copyrights:

Notes on Poetry. © 2006 through a partnership of Answers Corporation. All rights reserved.  Read more

Search for answers directly from your browser with the FREE Answers.com Toolbar!  
Click here to download now. 

Get Answers your way! Check out all our free tools and products.

On this page:   E-mail   print Print  Link