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Pare Lorentz

 
Director: Pare Lorentz
  • Born: Dec 11, 1905 in Clarksburg, West Virginia
  • Died: Mar 05, 1992 in Armonk, New York
  • Occupation: Director
  • Active: '30s-'40s
  • Major Genres: History, Culture & Society
  • Career Highlights: The River, The Plow That Broke the Plains, The Fight for Life
  • First Major Screen Credit: The Plow That Broke the Plains (1934)

Biography

Director Pare Lorentz has made several important contributions to American cinema. Both The Plow That Broke the Plains and The River made in support of Roosevelt's New Deal are considered seminal works in the development of the American documentary and earned Lorentz international acclaim. After first working as a journalist and a film critic, Lorentz became a director in the 1930s and was appointed as film advisor to the U.S. Resettlement Administration. It was during his tenure in this position that he made the two highly praised films. The Plow That Broke the Plains was a poetic chronicle of the Roosevelt Administration's efforts to help drought-devastated Oklahoma farmers, while The River provided a lyrical history of the Mississippi Basin that emphasized the ruin caused by soil erosion. Though both films received the highest praise, some in the film industry protested them because they had received government sponsorship. In 1939, Lorentz wrote the narration and treatment for The City, another landmark documentary. That year, Lorentz founded and began running the U.S. Film Service. While in that capacity, he made another great documentary, The Fight for Life, a devastating look at infant mortality among the impoverished. After making a few more well-received documentaries, Congress denied the Film Service funds and it fell apart. In 1941, Lorentz produced a few short, undistinguished films for RKO. During the war, Lorentz turned to making training films for the military. He also was in charge of supervising film, music, and theater arts re-education programs in occupied countries following the war. Following service in two more government agencies, Lorentz went to New York and began producing commercial and industrial films dividing his time between that and college lecture tours during which he would talk about making documentaries. ~ Sandra Brennan, All Movie Guide
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Pare Lorentz (December 11, 1905 – March 4, 1992) was an American filmmaker. Born Leonard MacTaggart Lorentz in Clarksburg, West Virginia, he was educated at Wesleyan College and West Virginia University.

In 1936, after working as a critic in Hollywood, he was asked by U.S. President Franklin D. Roosevelt to make a film about the Oklahoma Dust Bowl. While in Hollywood, Lorentz had written several articles on censorship and a work on the first year of Roosevelt's presidency (The Roosevelt Year: 1933), both of which had impressed Roosevelt. Despite not having any film credits, Lorentz was appointed to the Resettlement Administration as a film consultant. He was given US$6,000 to make a film, which became The Plow That Broke the Plains, a film that showed the natural and man-made devastation caused by the Dust Bowl. Though the tight budget and his inexperience occasionally showed through in the film, Lorentz's script, combined with Thomas Chalmers's narration and Virgil Thomson's score, made the 30-minute movie powerful and moving. Roosevelt was impressed and, after his re-election in 1936, gave Lorentz the opportunity to make a film about one of the President's favorite subjects--conservation. Lorentz made The River, a film celebrating the exploits of the Tennessee Valley Authority. The TVA mitigated flooding but, more importantly to Lorentz and to Roosevelt, it put a stop to the prodigious pillaging of the forests by providing cheap, readily-available hydro-electric power to a wide area. This film won the "best documentary" category at the Venice International Film Festival and, somewhat incongruously, was nominated for the Pulitzer Prize in poetry the same year. It is generally considered his most masterful work. When Republicans gained seats in Congress in 1938, and the Congressional balance of power shifted in a more conservative direction, the pipeline of Federal commissions for projects like Lorentz's was abruptly halted. He made one more movie before the 1939-1945 War, The Fight for Life (1940)), a semi-documentary on the struggle to provide adequate natal care at the Chicago Maternity Center, based on a book by Paul de Kruif. John Steinbeck worked on the project with Lorentz.

Lorentz went on to serve in the US Army Air Corps during World War II, eventually being promoted to the rank of colonel. While serving, he made 275 navigational films and minor documentaries for the Office of War Information and the US Information Agency. In 1946, Lorentz made Nuremberg about the Nuremberg Trials with Federal money, but, in the prosperity of the post-War period, there was no revival of partnerships with the Federal government. He had ambitious plans to make documentaries about the New Deal and the United Nations, but funding was not available from government or private sources. His final film was Rural Co-op, which he wrote and directed in 1947.

Lorentz seems to have lived a quiet life after this period, working as a film consultant and living 60km north of New York City in the quiet town of Armonk until his death in 1992.

Filmography

References

  • Meyer, Michael J. "Pare Lorentz." A John Steinbeck Encyclopedia. Eds. Brian Railsback and Michael J. Meyer. Westport: Greenwood, 2005. 216–17.
  • Renshaw, Patrick. "Pare Lorentz." The Independent. March 20, 1992.

External links


 
 
Learn More
City (1939 Culture & Society Film)
Dust Bowl: When Weather Changed History (TV Episode) (2008 TV Episode)
Willard van Dyke (Director, Actor, Film/TV & Radio/History)

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