Stravinsky's Pastorale, a song without words for soprano and piano, was composed at the Stravinsky family's estate in Ustilug, in Ukraine, in 1907. It is one of a group of early works written under the supervision of Rimsky-Korsakov (the work is even dedicated to Rimsky's daughter Nadia). Unlike his other early works -- the Symphony in E flat major (1905 - 1907), Op. 1, or the Scherzo fantastique (1907), the Pastorale not only bears no opus number, it bears none of Rimsky's compositional fingerprints. A limpid and poised vocal line set above a simple yet asymmetrical piano accompaniment, the Pastorale seems much more like a work from Stravinsky's cool objective maturity than one from his subjective and (relatively) hot-blooded youth. Compare the Tchaikovsky- and Wagner-influenced sensuality of the songs of Faune et Bergère (Faun and Shepherdess) of 1906 with the restrained Pastorale: the one could only have been written by the young Stravinsky, while the other could have been written any time between 1920 and 1940. Indeed, Stravinsky did re-set the Pastorale several times: first in 1923 for soprano and four wind instruments, then for violin and piano in 1933 and again for violin and four wind instruments in 1933. ~ James Leonard, Rovi