Chéreau, Patrice (b. 1944). French theatre director. Co-director (1972-82) of the TNP with Planchon, and director of the Théâtre des Amandiers, Nanterre, since 1982. Sharing Planchon's Marxist tendencies, he aims to re-situate texts historically in their social and political context. His controversial but influential productions of Wagner's Ring cycle at Bayreuth (1976-80) applied similar principles to opera.
[David Whitton]
| Patrice Chéreau | |
|---|---|
| Born | 2 November 1944 Lezigne, France |
| Occupation | director, screenwriter, actor, producer |
| Years active | 1964–present |
Patrice Chéreau (pronounced: [pa.tʁis ʃe.ʁo]; born 2 November 1944) is a French opera and theatre director, filmmaker, actor, and producer.
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Patrice Chéreau was born in Lézigné, Maine-et-Loire, and went to school in Paris. At a young age he became well-known to Parisian critics as director, actor, and stage manager of his high-school theatre (lycée Louis-le-Grand). At 15, he was enthusiastically celebrated as a theatre prodigy. In 1964, at the age of 19, he began directing for the professional theatre. In 1966 he created a very busy Public-Theatre at the Parisian suburb of Sartrouville. In 1969, he staged his first opera. The following year he established a close relationship with the leadership of the Piccolo Teatro in Milan, Paolo Grassi and Giorgio Strehler. In 1975 he worked in Germany for the first time directing Edward Bond's Lear. He often collaborated with Claude Stratz. He began his relationship with his lover and favorite actor Pascal Greggory in 1987.
Chereau's most discussed production was his 1976 centennial staging of Richard Wagner's tetralogy Der Ring des Nibelungen at the Bayreuth Festival, conducted by Pierre Boulez. Polarizing fans and critics, Chereau chose to set the operas during the 19th-century Industrial Revolution, and was thought to have emphasized the dramatic rather than the musical elements of the works.[1]
His influence on opera productions around the world was increasingly visible ever since that milestone production, having substantial impact on concepts of other directors and designers who had chosen to follow the path of the so-called "Regietheater", which may involve the transposition of the stage action into a different historical context by means of anachronistic or abstract costumes and set designs.
Chereau assumed a guest curator role with the Louvre in 2010. He incorporated dance, opera, theater, film and painting into his show, “Faces and Bodies”.[2]
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(for his company "Azor Films")
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