Patrick Moraz

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  • Genres: Rock

Biography

After playing a role in the success of Yes' Relayer album in 1974, keyboardist Patrick Moraz launched a solo career and became one of the more celebrated keyboardists of his age. During the '70s, when Moraz reached his prime as an artist, the keyboard was still a new and complex instrument. Technology was still evolving in the age before the personal computer. For this reason, Moraz's trailblazing keyboard work startled his audience. He practiced a new and exciting sound that was ahead of its time, owing a bit to the era's prog rock sound. However, that prog rock sound soon lost its novelty as the '70s became the '80s, and Moraz had to adjust to the times on his '80s solo albums. At the same time he found security in the Moody Blues, a legendary band whose ranks he joined for a few albums.

Born in Morgues, Switzerland, Moraz spent his youth studying music at fine European schools as well as classical studies in Latin and ancient Greek later on. His studies cumlimanted with his time spent as a student of Nadia Boulanger, a highly regarded teacher. His first taste of major artistic recognition came when he was awarded Best Soloist at the Jazz Festival of Zurich in 1963 for his piano playing. As a result of his recognition, Moraz began performing as the opening act for major jazz artists. By the late '60s, he was mounting tours of his own across Europe; in 1965, he came for the first time to America; and in 1966 and 1967, he was performing in such far-away locales as Africa and the Middle East.

Moraz then began working in group settings after his success as a solo performer. He formed Mainhorse with Jean Restori in 1968, a somewhat radical group that toured throughout Europe into the early '70s. The group released an eponymous album on Polydor before Moraz moved to London and started another group, Refugee, with Lee Jackson and Brian Davidson. It wasn't long, however, until Moraz was onto something new, his biggest opportunity yet. In August 1974, Yes invited him to join them as the group's keyboardist and Moraz accepted. The group had become quite ambitious by this point and began working on what would become one of their most celebrated albums, Relayer, an album that Yes toured behind for three years.

After so much touring, Yes decided to take a break so the group members could explore solo projects. Moraz worked with 16 Brazilian percussionists in addition to a normal bass/guitar/drums band, creating his first solo album, Story of I (1976), which would become perhaps his most well-known. Atlantic released the album and it impressed many, winning Moraz much admiration. He released several follow-up albums for different labels, the first of which, Out in the Sun (1977), continued to explore his interest in Brazilian music.

Following the success of Out in the Sun, the Moody Blues invited him to join the band on its world tour for the comeback album Octave. Following the tour, Moraz helped the band craft Long Distance Voyager, a huge success for the band. While with the Moody Blues, he continued recording solo albums. Future Memories I (1979) and Future Memories II (1982) were quite revolutionary for their time and were chosen to represent Switzerland at the Montreux Golden Rose Festival. His other early-'80s works were equally as daring, though not always popular. By 1991, Moraz had decided to part ways with the Moody Blues and continued to concentrate on his long-running solo career. ~ Jason Birchmeier, Rovi
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Patrick Moraz

Patrick Moraz in concert with the Moody Blues, 1978
Background information
Birth name Patrick Phillipe Moraz
Born (1948-06-24) June 24, 1948 (age 63)
Morges, Switzerland
Genres Progressive rock, Electronic, Jazz fusion
Occupations Musician, Songwriter
Instruments Keyboard, Piano
Years active 1967–present
Labels Charisma Records
Atlantic Records (U.S.)
Passport Records
Carerre Records
i-Disk/Time Wave Music
Associated acts Refugee, Yes, The Moody Blues, Mainhorse
Website PatrickMoraz.com

Patrick Philippe Moraz (born June 24, 1948, Villars-Ste-Croix, Morges, Switzerland) is a progressive rock keyboard player. He is best known as the keyboardist for the progressive rock band Yes, from 1974 to 1976, and The Moody Blues from 1978 to 1991. He was classically trained at the Conservatory of Lausanne, but played jazz primarily before entering progressive rock and has been highly acclaimed for his virtuosity.[citation needed]

Contents

Career

He first toured as a solo performer opening for major jazz artists throughout Europe in the mid-1960s.[citation needed] He then formed the group Mainhorse with Jean Ristori in 1968, which released a self-titled album on Polydor. He then moved to England and in 1973 formed Refugee with Lee Jackson and Brian Davison. Davison and Jackson had previously teamed with rock keyboardist Keith Emerson (famous for his work in Emerson, Lake & Palmer) in the group The Nice.

Moraz rose to prominence in 1974 when he replaced Rick Wakeman in Yes, playing on their album Relayer and world tour. Moraz also played with the group "Refugee" on the self titled album in 1974. Although Vangelis was the first candidate to join the band, he was finally discarded in favour of Moraz, because of legal issues related to work permits in the United Kingdom. On the Relayer album, Moraz brought in a more jazz/fusion sound that was a departure from Yes' more classical approach. In 1976, all then-members of Yes released solo albums, and the Moraz album, titled Story of I, received acclaim from musicians. Additionally he assisted Chris Squire on his solo album Fish Out of Water. In the interim, Moraz had moved to Brazil, and incorporated Brazilian rhythms and performers on the album, making it an important staple of world music. He would then leave Yes in 1976 prior to the formal start of recording on Going For The One. He then recorded another album, Out in the Sun.

Moraz began touring with The Moody Blues on their Octave tour in 1978, replacing their former keyboardist Mike Pinder. He subsequently played on their 1981 album Long Distance Voyager, which reached #1 on the US charts. He continued touring and recording with the Moody Blues until 1991. During this time, Moraz was also credited as co-writer on the Moody Blues song "The Spirit", along with drummer Graeme Edge, and it appeared on their 1986 album The Other Side of Life.

Patrick Moraz's Aquarius Studios in Geneva, Switzerland with engineer Jean Ristori, was a creative magnetic for recording signed European progressive rock bands,[citation needed] including John McLaughlin and the Swiss progressive rock band, Flame Dream.

Even while with the Moody Blues, Moraz toured and recorded extensively. He toured with his group from Brazil, recorded with Chick Corea and released two prominent albums of duets with drummer Bill Bruford, another former member of Yes. His solo albums Future Memories I, Future Memories II and Windows of Time have been critically well received.

In 1992, Moraz left the Moody Blues, and subsequently sued them for royalties he felt were owed to him as a member of the band for nearly 15 years. The Moody Blues denied that he was a member of the band, but rather a hired musician, despite the fact that his name was listed with the band members on the original record sleeves and booklets. The case went to court in California and was shown on Court TV. Although Moraz won a judgment, it was for a minor amount rather than the millions that the suit claimed.

Since then, Moraz has primarily concentrated on solo works, particularly solo piano. In 1995, Moraz performed throughout the USA on his C.H.A.T. tour (Coming Home to America). The tour was unusual in that Moraz booked everything himself, and for a flat fee of $800 would come to your home, club or other venue, and play a private or semi-private solo piano concert. All that had to be provided was a place to play, and a suitable piano. Moraz played for anywhere from 2 to 100 people at these shows, one of which was recorded and released as PM In Princeton, on both CD and video. Other solo piano recordings from this period include Windows of Time (1994) and ESP (2003), as well as a solo piano album titled Resonance (2000).

He now lives on the west coast of Florida with his wife.

Discography

Solo Albums

  • 1976 - Story of I
  • 1977 - Out in the Sun
  • 1978 - Patrick Moraz
  • 1979 - Future Memories Live On TV
  • 1980 - Coexistence
  • 1983 - Music for Piano and Drums (with Bill Bruford)
  • 1984 - Timecode
  • 1984 - Future Memories II
  • 1985 - Future Memories I & II
  • 1985 - Flags (with Bill Bruford)
  • 1987 - Human Interface
  • 1987 - Les musiques de la Première
  • 1989 - Libertate (re-issue of Coexistence)
  • 1994 - Windows of Time
  • 1995 - PM in Princeton
  • 2000 - Resonance
  • 2003 - ESP
  • 2009 - Change of Space
  • 2012 - PianissiMoraz (compilation from Windows Of Time, Resonance and ESP)
  • 2012 - Live At Abbey Road (1987 "live")
  • 2012 - Music for Piano and Drums: Live in Maryland (11/9/1984 live with Bill Bruford)

References

Patrick Moraz at the Internet Movie Database
Patrick Moraz at AllRovi

External links


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Mentioned in

Mainhorse (Rock Band, '60s, '70s)
Visions (1995 Album by Rick Wakeman)
Human Interface (1987 Album by Patrick Moraz)