Novel by Bernardin de Saint-Pierre, published in Volume 4 of his Études de la nature in 1788, and separately in the following year.
Paul and Virginie are brought up by their mothers on the tropical island of Mauritius as if they were brother and sister, even though their mothers are from opposite ends of the social scale. At puberty Virginie is sent to join her great-aunt in France and is educated there for some years. Nevertheless she rejects the idea of marrying anyone but Paul. On her return the ship carrying her is wrecked on the coast of Mauritius. A sailor offers to carry her to the shore if she takes off her clothes, but out of modesty she refuses, and is drowned. Paul and the other main characters on the island die of grief shortly afterwards, but the great-aunt lives on in Paris, tormented by remorse.
Despite its didacticism, its excessive sentimentality, and the oddity of its denouement, Paul et Virginie owes its continuing popularity with readers to its powerful orchestration of a number of deep mythical elements—the lost earthly paradise, the Tristan legend and even, at a subconscious level, the taboo on incest. At the heart of this pastorale is a Rousseauistic indictment of the corruption of modern Europe and an elegy for the lost Edenic childhood innocence of mankind. The descriptions of Mauritius are strikingly beautiful.
[Dennis Wood]
Paul et Virginie (or Paul and Virginia) is a novel by Jacques-Henri Bernardin de Saint-Pierre, first published in 1787. The novel's title characters are very good friends since birth who fall in love. The story is set in the island of Mauritius under French rule, then named Île de France, which the author had visited. Written on the eve of the French Revolution, the novel is hailed as Bernardin's finest work. It records the fate of a child of nature corrupted by the false, artificial sentimentality that prevailed at the time among the upper classes of France.
The Nuttall Encyclopedia says of it, "[it is a novel in which] there rises melodiously, as it were, the wail of a moribund world: everywhere wholesome Nature in unequal conflict with diseased, perfidious art; cannot escape from it in the lowest hut, in the remotest island of the sea."This quotation is from Thomas Carlyle, The French Revolution, Chapter VIII "Printed Paper": Second last paragraph, Sentence 3
Saint-Pierre attacked the issues of divided social classes present in eighteenth century French society (see Estates general). In Paul et Virginie, Saint-Pierre describes perfect equality occurring on Mauritius, where inhabitants share the same possessions, have equal amounts of land, and all work to cultivate it. They live in harmony, without violence or unrest. These beliefs of Saint-Pierre's echo those of Enlightenment philosophers such as Jean-Jacques Rousseau. Furthermore, Saint-Pierre argues for the emancipation of slaves; in real life, he was a friend of Mahe de Labourdonnais, the governor of Mauritius who provided training and encouragement for the island's natives. Although Paul and Virginie own slaves, they appreciate their labor and do not treat them badly. When other slaves in the novel are mistreated, the book's heroes confront the cruel masters.
The book also presents an Enlightenment view of religion: that God, or "Providence," had perfectly designed the world to be harmonious and pleasing. The characters of Paul et Virginie live off the land without needing technology or man-made interference. For instance, they tell time by looking at the shadows of the trees. Norman Hampson mentions that Saint-Pierre’s idea of divine Providence was evident in that he "admired the forethought which ensured that dark-coloured fleas should be conspicuous on white skin", believing "that the earth was designed for man’s terrestrial happiness and convenience".
English author William Hurrell Mallock named his 1878 satirical novel The New Paul and Virginia after Saint-Pierre's work. Victor Massé wrote a very successful opera on the subject in 1876.
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