Osborn, Paul (1901–88), playwright. Born in Evansville, Indiana, the son of a minister, he was educated at the University of Michigan, then studied with Professor George Pierce Baker at Yale. Osborn taught at both schools before seeing his first plays produced: the campus drama Hotbed (1928) and the melodrama A Ledge (1929). He scored his first hit when he turned to comedy with The Vinegar Tree (1930), followed by the short‐lived Oliver Oliver (1934) and the popular fantasy On Borrowed Time (1938). The warm domestic comedy Morning's at Seven (1939) failed to run very long but decades later became Osborn's most‐produced play when it was a hit on Broadway and in theatres across the country. His remaining works to reach Broadway were successful adaptations of novels: The Innocent Voyage (1943), A Bell for Adano (1944), Point of No Return (1951), and The World of Suzie Wong (1958). The diversity of his writing makes it difficult to characterize Osborn, but his best original works were filled with sharply and affectionately drawn figures.
| 1930 | The Vinegar Tree. Osborn's first Broadway success considers the subject of free love from the perspective of a middle-aged married woman. |
| 1938 | On Borrowed Time. Based on Lawrence Edward Watkin's novel (1937), this dramatic fantasy concerns an aging curmudgeon who holds off the Angel of Death by chasing him up an apple tree until his grandson falls to his death from the same tree. The play establishes the reputation of its young director, Joshua Logan (1908-1988). |
| 1939 | Morning's at Seven. Osborn's most enduring original work is a comedy concerning the complex relationships among four sisters in a Midwestern town. Revived in 1980, it would be hailed by Harold Clurman as "one of the best American comedies." |
| 1951 | Point of No Return. Osborn adapts J. P. Marquand's novel about a businessman who regains his integrity by revisiting his hometown and reviewing his past. |