(b Lyon, 23 Oct 1876; d Philadelphia, PA, 8 Sept 1945). French architect, active in America. He first studied architecture at the Ecole des Beaux-Arts in Lyon and then at the Ecole des Beaux-Arts in Paris (1897-1903), where he was in the atelier of Jean-Louis Pascal. After receiving his diploma in 1903 he emigrated to the USA to teach architectural design in Philadelphia at the University of Pennsylvania. He taught there until 1937, when he retired due to ill health, and gained a national reputation as a teacher; Louis I. Kahn was his best-known student. A number of influential French critics taught in the USA in the late 19th century and early 20th, but Cret also achieved prominence as a practising architect and received the Gold Medal of the American Institute of Architects in 1938. His designs, even for those competitions that he entered but did not win, such as for the Nebraska State Capitol (1920), Lincoln, NE, the Kansas City Liberty Memorial (1921) and the Smithsonian Gallery of Art (1939), Washington, DC, furthered his distinctive ideas about typology and style. His writings about the Beaux-Arts method of design and about the possibilities of achieving a modern classicism complement and explicate his buildings and teaching.
See the Abbreviations for further details.
Paul Philippe Cret (October 24, 1876 – September 8, 1945) was a French-American architect and industrial designer. For more than thirty years, he headed the Department of Architecture at the University of Pennsylvania.
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Born in Lyon, France, Cret was educated at that city's École des Beaux-Arts, then in Paris, where he studied at the Atelier of Jean-Louis Pascal. He came to the United States in 1903 to teach at the University of Pennsylvania.[1] Although settled in America, he happened to be in France at the outbreak of World War I. He enlisted and remained in the French army for the duration, for which he was awarded the Croix de Guerre and made an officer in the Legion of Honor.
Cret's practice in America began in 1907. His first major commission, designed with Albert Kelsey, was the Pan-American Union Building (now Organization of American States) in Washington DC (1908–10),[2] a breakthrough that led to many war memorials, civic buildings, court houses, and other solid, official structures.
His work through the 1920s was firmly in the Beaux-Arts tradition, but with the radically simplified classical form of the Folger Shakespeare Library (1929–32), he flexibly adopted and applied monumental classical traditions to modernist innovations. (Bertram Goodhue also falls in that category.) Some of Cret's work is remarkably streamlined and forward-thinking, and includes collaborations with sculptors such as Alfred Bottiau and Leon Hermant. In the late 1920s the architect was brought in as design consultant on Fellheimer and Wagner's magnificent Cincinnati Union Terminal (1929–33), the high-water mark of Art Deco style in the United States. He became an American citizen in 1927.
In 1931 the regents of The University of Texas at Austin commissioned Cret to design a master-plan for the campus, and build the Beaux-Art Main Building (1934–37), the university's signature tower. Cret would go on to collaborate on about twenty buildings on the campus.
Cret's contributions to the railroad industry also included the design of the side fluting on the Burlington's Pioneer Zephyr (debuted in 1934) and the Santa Fe's Super Chief (1936) passenger cars.[3]
Cret won the Gold Medal of the American Institute of Architects in 1938.[4] Ill health forced his resignation from teaching in 1937, and after years of inactivity he died in Philadelphia, Pennsylvania of heart disease.
Cret's work will be displayed in the exhibit, From the Bastille to Broad Street: The Influence of France on Philadelphia Architecture, opening at the Athenaeum of Philadelphia April 7, 2011.[5] With a collection of 17,000 drawings and more than 3,000 photographs, The Athenaeum of Philadelphia has the largest archive of Paul P. Cret materials.
Cret headed the Department of Architecture at the University of Pennsylvania for over 30 years, and designed such projects as the Rodin Museum in Philadelphia, the master plan for the University of Texas in Austin, the Benjamin Franklin Bridge in Philadelphia, and the Duke Ellington Bridge in Washington, DC. Louis Kahn studied at the University of Pennsylvania under Cret, and worked in Cret's architectural office, 1929-30. Other notable architects who studied under Cret include Alfred Easton Poor,[6] Charles I. Barber,[7] and Chinese architect Lin Huiyin.[8]
Cret designed war memorials, including the National Memorial Arch at Valley Forge National Historical Park (1914–17), the Pennsylvania Memorial at the Meuse-Argonne Battlefield in Varennes-en-Argonne, France (1927), the Chateau-Thierry American Monument in Aisne, France (1930), and the Flanders Field American Cemetery and Memorial in Waregem, Belgium (1937).[9] On the 75th anniversary of the Battle of Gettysburg, President Franklin D. Roosevelt dedicated Cret's Eternal Light Peace Memorial (1938).
Following Cret's death in 1945, his four partners assumed the practice under the partnership Harbeson, Hough, Livingston & Larson, which for years was referred to by staff members as H2L2. The firm officially adopted this "nickname" as its formal title in 1976. H2L2 celebrated 100 years in 2007.
Pan-American Union (now Organization of American States), Washington, DC (1908-10), (with Albert Kelsey).
National Memorial Arch, Valley Forge National Historical Park, Valley Forge, PA (1914-17).
Indianapolis Central Library, Indianapolis, IN (1916-17), (with Zantzinger, Borie and Medary).
Detroit Institute of Arts, Detroit, MI (1923-27), (with Zantzinger, Borie and Medary).
Rodin Museum, Philadelphia, PA (1926-29), Jacques Gréber, landscape architect.
Pennsylvania Memorial, Meuse-Argonne Battlefield, Varennes-en-Argonne, France (1927).
Folger Shakespeare Library, Washington, DC (1929-32).
Cincinnati Union Terminal, Cincinnati, OH (1929-33), (with Fellheimer & Wagner).
Chateau-Thierry American Monument, Aisne, France (1930).
Henry Avenue Bridge over Wissahickon Creek, Fairmount Park, Philadelphia, PA (1930-32).
Central Heating Plant, Washington, DC (1933-34)
Main Building, University of Texas, Austin, TX (1934-37).
In 1935, Cret designed the Seal of the Board of Governors of the Federal Reserve System.
Flanders Field American Cemetery and Memorial, Waregem, Belgium (1937), Jacques Gréber, landscape architect.
Bethesda Naval Hospital Tower (aka Building 1), Bethesda, MD (1939-42). President Franklin D. Roosevelt picked the location and drew a rough plan and sketches for this building.[10]
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