de Cordoba, Pedro (1881–1950), actor. A tall, brooding performer, de Cordoba played a wide variety of roles on stage between 1903 and 1934 and later aristocratic Latins in the movies. He was born in New York to Cuban‐French parents and learned his acting skills first in stock companies and then as a member of E. H. Sothern's classics company. De Cordoba later graduated to leading roles, such as Orlando in As You Like It (1914 and 1918) and Sir Lancelot in Lancelot and Elaine (1921), but he was more frequently seen in meaty supporting parts, such as the conniving Cassius in Julius Caesar (1914, 1927, and 1931) and the cocky Maj. Sergius in Arms and the Man (1925).
Career Highlights: The Enemies of Women, Comanche Territory, Omoo Omoo, the Shark God
First Major Screen Credit: The Inner Chamber (1921)
Biography
Gaunt, deep-voiced American actor Pedro De Cordoba was often cast as a Spanish don or a kindly Mexican padre on the basis of his last name and aristocratic bearing. Actually he was born in New York City of French and Cuban parents. His priestlike manners came naturally; when not acting, he was a highly regarded Catholic layman, and at one point president of the Catholic Actors Guild of America. He made his film debut in a 1913 version of Carmen, but preferred the stage to silent films, co-starring with such Broadway legends as Jane Cowl and Katharine Cornell. De Cordoba's mellifluous stage-trained voice was perfect for talking pictures, and from 1930 through 1950 he was one of the busiest of character actors. On occasion he would be seen as a villain, but most of De Cordoba's roles were as gentle and courtly as the actor himself. Alfred Hitchcock cast De Cordoba in perhaps his most memorable part, as the fair-minded sideshow "living skeleton" who allows fugitive Robert Cummings to hide out in his carnival wagon in Saboteur (1942). The actor's last film was the posthumously released Crisis (1950), a political drama set in an unnamed South American dictatorship. ~ Hal Erickson, All Movie Guide
Pedro de Cordoba, who appeared in his first film, a 1915 version of Carmen, was actually a classically trained theatre actor who confessed he did not enjoy appearing in silent films nearly as much as he liked working on stage. However, de Cordoba's career during the early silent film era was prolific and he soon became a popular leading man in early Hollywood motion pictures. His Broadway career cast him with such legendary stage actresses as Jane Cowl and Katharine Cornell.
His deeply–resonant speaking voice made him perfectly suited to talking pictures, unlike many silent film stars who had neither foreseen, nor prepared for, the day when sound would meet celluloid. He enjoyed a career as one of the busiest character actors in Hollywood, from the 1930’s through the ‘50’s. He was most often cast as aristocratic, or clerical characters of Hispanic origin, as in The Keys of the Kingdom (1944), because of his last name, as well as his royal bearing.
In actuality he was born in New York City of parents who were French and Cuban in origin. He was a devout Catholic, which no doubt contributed to his priest-like demeanor. He was very well read and knowledgeable about the Catholic faith, and even served for a time as president of the Catholic Actors Guild of America. On rare occasions he would be cast in the role of a villain, but most of the characters he portrayed were as refined as was the man himself, in real life.
De Cordoba’s most memorable part is probably his portrayal of the "living skeleton" sideshow character who hides fugitive Robert Cummings in his carnival wagon in the Alfred Hitchcock film, Saboteur (1942). The last film in which the actor appeared, a political drama set in an unnamed South American dictatorship, Crisis (1950), was released shortly after his death.