Penance Soiree

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  • Artist: Icarus Line
  • Rating: StarStarStarStar
  • Release Date: May 04, 2004
  • Type: Contains explicit content
  • Genre: Rock

Review

So serious, they are. Icarus Line have always trumpeted squawk over rock convention, but Penance Soiree jacks that ante from the very first measure of "Up Against the Wall." Sneering like a crack whore Mick Jagger ("Why can't I get some fo' free?!") and swallowing the bassline howl whole, Icarus vocalist Joe Cardamone makes sex the type of thing to be scared of. There's post-punk in here -- that angularness that's the rage with operators too cool for things like "smelling nice" and "having a job." Icarus Line will attract these couture ghouls, no question. But Penance Soiree might also have true and valorous mass appeal, a shelf life past its buzz as an export from the land of inky black hair styles. Don't doubt it: Icarus Line are crazy. But listen to that melodic preen in "Spike Island," and the way its guitars roar and teeter for an unavoidable groove -- this isn't the inaccessible intellectualism of Mars Volta, or Liars' distempered noise quackery. No, Icarus Line are uniters, not dividers. Even when "On the Lash" loses interest in its cracked psychedelia and rides Cardamone's reverbed wail into a pile of ridiculous static muck, it reengages with fresh crackling fury. "I can feeeeeeeel it," he screams over the pound, and it's better than hearing Van Halen for the very first time. The rest of Soiree is no slouch, either, cleverly weaving between the cones of insularity and throbbing accessibility. "Getting Bright at Night" is nine minutes of Karl Wallinger binging on old 4AD records, the beat-damaged "Caviar" invites the world to its druggy key party, and "Virgin Velcro" tears a hole in the disco ball to find strutting heavy metal inside. As serious as things get on Penance Soiree (and the choppy "Spit On" gets pretty serious), there's the happily nagging notion that Icarus Line just want to entertain, and that they're damn good at it. The notion pays off in the last two minutes. "Party the Baby Off," behind all that squelch and trebly production, is just T. Rex classic rock with a message for the kids: "Tonight, take off all your clothes." Icarus Line -- pop's new heartthrobs. ~ Johnny Loftus, Rovi

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Penance Soiree
Studio album by The Icarus Line
Released May 2, 2004 (US)
Genre Alternative
Length 53:40
Label V2 Records
Professional reviews

The reviews parameter has been deprecated. Please move reviews into the “Reception” section of the article. See Moving reviews into article space.

The Icarus Line chronology
Mono
(2001)
Penance Soiree
(2004)
Black Presents
(2006)

Penance Soiree is the second full-length album released by Los Angeles band The Icarus Line. It was one of 2004's most critically acclaimed releases, and its reputation has subsequently earned praise in various publications, including the book 1001 Albums You Must Hear Before You Die.

Due to infighting with the band's U.S. division of their record label at the time, V2 Records, the album, which was recorded in early 2003, was not released until May 2, 2004. Disagreements and aggravations on the band's end stemmed from the label's general lack of interest and support, a nearly non-existent promotional campaign for the album, and the group's control over its artwork. The U.S. division of the record label did not invest in even one advertisement for the release, and also made the band pay for the production of their music videos out of their own pocket. These factors have contributed to the album being cited as one of the most underrated and overlooked rock albums of the past decade.

The album was largely self-produced by the band, and then mixed by Alan Moulder. Moulder also contributed some last minute recording and engineering to the album, while mixing it in London with Aaron North and Joe Cardamone at Eden Studios in west London. Due to running behind on schedule, the band were even forced to record portions of the album at Aaron North's father's home in Torrance, California, before leaving for London with the project still unfinished. The song "On the Lash" was also re-mixed for the album's inclusion by Ken Andrews, due to the band being unhappy with the original mix after returning home. The album was mastered by Howie Weinberg in New York City.

This was the last album by The Icarus Line that featured original founder and lead guitarist Aaron North. He also engineered and edited many portions of the album on his own at home.

Contents

Track listing

  1. "Up Against the Wall Motherfuckers"
  2. "Spit on It"
  3. "On the Lash"
  4. "Caviar"
  5. "Spike Island"
  6. "Kiss Like Lizards"
  7. "Getting Bright at Night"
  8. "Big Sleep"
  9. "White Devil"
  10. "Meatmaker"
  11. "Virgin Velcro"
  12. "Sea Sick"
  13. "Party the Baby Off"

Personnel

  • Joe Cardamone – Vocals
  • Jeff "The Captain" Watson - Drums
  • Don Devore – Bass
  • Alvin DeGuzman - Guitar
  • Aaron North – Guitar

Guest musicians

  • Jon Wahl – Saxophone on "White Devil"
  • "Dirty Lil Louis" – "Pulse"/808 on "Meatmaker"

Production

  • Produced by: The Icarus Line with Mike Mussmano
  • Recorded at: Sunset Sound in Hollywood, Platinum Audio in Hollywood, Wet & Dry in Highland Park, Teri Ave. in Torrance, "The Boat" in Silverlake, and Eden Studios in London
  • Engineered/Recorded by: Mike Mussmano, Francis Miranda, Anthony Ianaro, Chris Reynolds. Alan Moulder, Rick Levy, Danny Kalb, and Aaron North
  • Mixed by: Alan Moulder; except "On the Lash", mixed by Ken Andrews and Aaron North at Extasy Studio South in Hollywood
  • Editing by: Roger Lian
  • Mastered by: Howie Weinberg at Masterdisk in New York
  • Photography by: Jason Nocito
  • Layout by: Matt Sohl

Alternate versions

  • In the U.S., Buddyhead Records released a double-vinyl LP version of the album. This version features the original mix of "On The Lash" by Alan Moulder, as well as the originally intended album closer, "Hold The Killer Straight".
  • Alternate versions of the song "Meatmaker" were included on the various formats of the album, depending on which record label/territory it was released.
  • The Japanese release of the CD is the only version that resembled the band's original vision for the artwork and layout. The concept was to have the album lyrics hidden in the "wings" inside the booklet, which could only be read when a clear red CD tray was held over it. Due to lack of communication with the Japanese label, instead the inserts were printed incorrectly, and the CD tray was clear instead of red.

Vinyl pressing information

  • Buddyhead released a limited pressing of 500 copies. These double LP's were all pressed on multi-colored, swirled vinyl. Colors included pink, purple, red, grey, green, and red. The track-listing on the LP labels were incorrect on many copies.
  • The European pressing was released by Sweet Nothing. The double LP's were pressed on black vinyl and packaged in gatefold jackets.

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Mentioned in

Penance Soiree [Japan Bonus Track] (2004 Album by Icarus Line)
Icarus Line (Rock Band, '90s, 2000s)
Penance (disambiguation)