Perpendicular style

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Phase of late Gothic architecture in England roughly parallel in time to the French Flamboyant style. The style, concerned with creating rich visual effects through decoration, was characterized by a predominance of vertical lines in stone window tracery, enlargement of windows to great proportions, and conversion of the interior stories into a single unified vertical expanse. Fan vaults, springing from slender columns or pendants, became popular. The oldest surviving example of the style is probably the choir of Gloucester Cathedral (begun 1335). Other major monuments include King's College Chapel, Cambridge (14461515), and the chapel of Henry VII in Westminster Abbey. In the 16th century, the grafting of Renaissance elements onto the Perpendicular style resulted in the Tudor style.

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Oxford Grove Art:

Perpendicular Style

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Term used to describe a style of Gothic architecture, peculiar to England, that flourished from the 14th century to the early 16th (see GOTHIC,

See the Abbreviations for further details.



McGraw-Hill Dictionary of Architecture & Construction:

Perpendicular style, Rectilinear style

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The last and longest phase of Gothic architecture in England, ca. 1350–1550, following upon the Decorated style and eventually succeeded by Elizabethan architecture. Characterized by vertical emphasis in structure and frequently elaborate fan vaults. Its final development (1485–1547) is often referred to as Tudor architecture.


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A style of architecture found in Britain in the late 14th century ad through to the 16th century ad in which there is a strong emphasis on the vertical elements of construction and decoration. Pointed arches common in earlier centuries are flattened and arches and windows become framed by rectangular outlines. Towers of great height are added to ecclesiastical buildings and ceilings and roofs are often richly decorated.

Columbia Encyclopedia:

perpendicular style

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Perpendicular style, term given the final period of English Gothic architecture (late 14th-middle 16th cent.) because of the predominating vertical lines of its tracery and paneling. It is also called rectilinear for the prevailing angularity of the designs. The work produced after 1485 is sometimes classified as Tudor style. The use at the Gloucester Cathedral, about the middle of the 14th cent., of numerous vertical panels of tracery for both windows and walls led to a rapid spread of the style. Its climax was reached in Henry VII's chapel, Westminster (c.1500-1525), where panelings cover both exterior and interior surfaces. At Winchester they cover the whole west front. In some cases church windows were of great size, making the west end practically a wall of glass with mullions running vertically for the entire height. Elaborate traceried fan vaulting was one of the distinctive creations of the style, and roofs of complex open-timber construction were numerous. A number of elaborate chapels were built in this period, especially at Oxford and at Cambridge (where King's College Chapel is a notable example), as well as various academic buildings, such as the divinity school at Oxford (completed 1480).


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