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Peter Altenberg

 
 

Altenberg, Peter, pseudonym of Richard Engländer (Vienna, 1859-1919, Vienna), was the son of a well-to-do Jewish businessman. Abandoning his university studies and an apprenticeship with a bookseller, Altenberg came to regard himself as an outsider and social misfit. A familiar figure of Viennese night life, he had frequently to rely on the help of his literary friends in order to maintain the Bohemian way of life which gradually undermined his health; the Viennese café was his natural terrain. Impressed by the modernity of his work, Karl Kraus promoted the publication of his early prose, Wie ich es sehe (1896); subsequent volumes include Ashantee (1897), Was der Tag mir zuträgt (1901), Märchen des Lebens (1908), Neues und Altes (1911), and the overtly autobiographical collections Semmering 1912 (1913), Vita ipsa (1918), and Mein Lebensabend (1919). Influenced by the French prose poem, Altenberg described his short prose sketches as ‘extracts of life’, produced, as he once remarked to Schnitzler, by a ‘hand-mirror’. Noted for their visual and sensual quality, they depict all manner of everyday scenes encountered in the city, and are no less dedicated to the rediscovery of natural beauty and the haunting attraction of young women. Although his meticulously stringent style was highly effective in its use of irony directed against the Viennese scene, it is because of the life-enhancing atmosphere it succinctly evokes that it has become known as ‘Telegrammstil der Seele’.

Sonnenuntergang im Prater. 55 Prosastücke, ed. with a postscript by H. D. Schäfer, appeared in 1974, Das große Peter Altenberg Buch, ed. with a postscript by W. J. Schweiger, in 1977, Gesammelte Werke (5 vols.), ed. W. J. Schweiger, 1987 ff.

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Wikipedia: Peter Altenberg
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Peter Altenberg 1907 in Café Central
Peter Altenberg (r.) with Adolf Loos (l.), c. 1905

Peter Altenberg (March 9, 1859 - January 8, 1919) was a writer and poet from Vienna, Austria. He was key to the genesis of early modernism in the city.

Contents

Biography

He was born Richard Engländer on March 9, 1859. The nom de plume, "Altenberg", came from a small town on the Danube River. Allegedly, he chose the "Peter" to honor a young girl whom he remembered as an unrequited love (it had been her nickname). Although he grew up in a middle class Jewish family, Altenberg eventually separated himself from his family of origin by dropping out of both law and medical school, and embracing Bohemianism as a permanent lifestyle choice. He cultivated a feminine appearance and feminine handwriting, wore a cape, sandals and a broad-brimmed hat, and despised 'macho' masculinity.

At the fin de siècle, when Vienna was a major crucible and center for modern arts and culture, Altenberg was a very influential part of a literary and artistic movement known as Jung Wien or "Young Vienna." Altenberg was a contemporary of Karl Kraus, Gustav Mahler, Arthur Schnitzler, Gustav Klimt, and Adolf Loos, with whom he had a very close relationship. He was somewhat older, in his early 30s, than the others. In addition to being a poet and prolific letter writer, he was an accomplished short story writer, prose writer, and essayist.

He became well known throughout Vienna after the publication of a book of his fragmentary observations of women and children in everyday street activities. Because most of his literary work was written while he frequented various Viennese bars and coffeehouses, Altenberg is sometimes referred to as a cabaret or coffee house poet. His favorite coffeehouse was the Cafe Central, to which he even had his mail delivered.

Altenberg's detractors (many of whom were anti-Semitic) said he was a drug addict and a womanizer. Altenberg was also rumored to have problems with alcoholism and mental illness. Yet his admirers considered him to be a highly creative individual with a great love for the aesthetic, for nature, and for young girls. He is certainly known to have made had a large collection of photographs and drawings of young girls, and those who knew him well (such as the daughter of his publisher) wrote of his adoration of young girls.

Altenburg was never a commercially successful writer, but he did enjoy most if not all of the benefits of fame in his lifetime. Some of the aphoristic poetry he wrote on the backs of postcards and scraps of paper were set to music by composer Alban Berg. In 1913, Berg's Five songs on picture postcard texts by Peter Altenberg were premiered in Vienna. The piece caused an uproar, and the performance had to be halted: a complete performance of the work was not given until 1952.

Altenberg, like many writers and artists, was constantly short of money, but he was adept at making friends, cultivating patrons, and convincing others to pay for his meals, his champagne, even his rent, with which he was frequently late. He repaid his debts with his talent, his wit, and his charm. Many academics consider him to have been a "bohemian's Bohemian."

Most of Altenberg's work is published in the German language and, outside of anthology pieces, is difficult to find. Much of it remains in university libraries or private collections. Two selections have been translated, Evocations of Love (1960) and Telegrams of the Soul: Selected Prose of Peter Altenberg (2005).

Altenberg, who never married, died January 8, 1919. He was 59 years old. He is buried at Central Cemetery in Vienna, Austria.

Famous Quotes

  • Art is life, life is life, but to lead life artistically is the art of life.
  • Spectators: people who are interested in something they are not interested in at all
  • A happy couple: he does what she wants and she does what she wants
  • Religion is a kind of ideal application of persecution complex on human nerves
  • There is only one thing indecent with nakedness, and that is to find nakedness indecent.

Further reading

  • Simpson, Josephine Mary Nelmes (1987). Peter Altenberg: A Neglected Writer of the Viennese Jahrhundertwende. Peter Lang GmbH.
  • Wittels, Fritz (1995). Freud and the Child Woman: The Memoirs of Fritz Wittels. Yale University Press. (Has the best account of the erotic subculture of Vienna at the time).

External links


 
 

 

Copyrights:

German Literature Companion. The Oxford Companion to German Literature. Copyright © 1976, 1986, 1997, 2005 by Oxford University Press. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Peter Altenberg" Read more