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- Born: April 05, 1954
- Active: '80s, '90s, 2000s
- Genres: Rock
- Instrument: Vocals, Harmonica, Guitar
- Representative Albums: "Torn Again," "Thank You St. Jude," "The Man with the Blue Post Modern Fragmented Neo-Traditionalist Guitar"
Biography
After his tenure in the proto- power pop band the Nerves and following the dissolution of his early-'80s Los Angeles rock & roll band the Plimsouls, Peter Case launched a career as an influential American singer/songwriter specializing in finger-picked acoustic guitar and redemptive story-songs about society's outcasts and drifters, delivered in a uniquely soulful, folk-rock style. Case's secret weapon is his powerhouse voice; combined with his imaginative and visionary songwriting and his ability to blow real harmonica licks, he's well-respected among his peers and a perennial favorite among serious listeners. By the turn of the century, longevity was working in his favor as he continued to set the bar for contemporary singer/songwriter music.Case grew up in the small town of Hamburg (near Buffalo), NY. Like any number of young men of his generation,
In 1996, the Plimsouls re-formed for some reunion shows and a recording session which yielded Kool Trash (Shaky City, 1998). Case remained active on the acoustic scene and hosted an evening for songwriters at Santa Monica's revived Ash Grove folk club. Between records for Vanguard -- Full Service No Waiting (1997) and Flying Saucer Blues (2000) -- Case curated a musical program for the Getty Museum and performed Beatles songs with Sir George Martin live at the Hollywood Bowl. In spring of 2001, he produced Avalon Blues, a Grammy-nominated tribute to his childhood hero, Mississippi John Hurt, featuring contributions from Lucinda Williams, Dave Alvin, and Steve Earle. That same year he self-released Thank You St. Jude, a collection of songs from his catalog recorded in solo acoustic arrangements with fiddle. Fall 2002 saw release of his ninth solo album, Beeline, which combined his rock-folk style with new rhythms and prepared guitar sounds. In 2004, Case celebrated 20 years as a solo artist (and ten years with Vanguard Records) with the release of the compilation Who's Gonna Go Your Crooked Mile, featuring highlights from his catalog there, as well as three new recordings. In 2005, the Plimsouls performed another series of reunion shows; they remain on the touring circuit. In 2006, a three-disc, 47-track tribute to Case's songs, A Case for Case, featured versions of his songs recorded by fellow musicians, Richard Buckner, James McMurtry, and Amy Rigby, among others. It was only a matter of time before Case would enter the spoken word/literature realm: turning his poetic visions into a six-song suite, Bomb Light Prayer Vigil was released on the literary audio magazine Verb in early 2006 and by mid-year was preparing a studio album for 2007 release. ~ Denise Sullivan, All Music Guide


