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Peter Ivers

 
Artist: Peter Ivers

Similar Artists:

Larry Troutman, Marvin Yancy, Mtume, William "Billy" Beck, James Eubanks, Nathan East, Pete Luboff, Ray Lewis, Ron Tyson, Harold Payne

Performed Songs By:

Timothy S. Mayer
  • Active: '70s, '80s
  • Genres: Rhythm & Blues
  • Instrument: Harmonica
  • Representative Albums: "Peter Ivers", "Knight of the Blue Communion", "Terminal Love

Biography

A cult waiting to happen, musician and performance artist Peter Ivers was born in Boston in 1946. During the mid-1960s, while studying political science at Harvard University, he launched his performing career playing harmonica in the local band Beacon Street Union, one of a number of Boston-area psychedelic bands influenced by San Francisco's Haight-Ashbury scene. Signing to MGM, Beacon Street Union issued the little-noticed LP The Clown Died in Mervin Gardens before dissolving; Ivers then surfaced as a member of the Street Choir before mounting a solo career. He signed to Epic in 1969 to issue Knight of the Blue Communion, certainly one of the strangest major label releases of its time--combining rock with classical instrumentation (oboe, contrabass and bassoon) and electronics (an intermodulator), the disc also featured opera singer Yolande Bevan, profoundly spiritual lyrical themes and, to top it all off, Ivers own piercingly nasal vocals. Suffice to say it was not a hit, and a second Epic LP, Take It Out on Me, was completed but shelved by the label; only a single, "Ain't That Peculiar," ever saw commercial release. Signing to Warner Brothers in 1974, Ivers and his co-producer, free-jazz bassist Buell Neidlinger, delivered Terminal Love, which at times suggests the work of Captain Beefheart--indeed, Magic Band/Frank Zappa collaborator Eliot Ingber appears on several tracks. A self-titled album for Warners followed in 1976, and a year later Ivers earned arguably his most enduring fame, writing and recording "In Heaven (The Lady in the Radiator Song)" for David Lynch's classic film Eraserhead. (The song was later covered by another Boston act of some note, the Pixies.) A 1980 single, "Love Theme from Filmex," closed out his recording career, and during the early 1980s, Ivers hosted New Wave Theatre, broadcast on the fledgling USA cable network as part of their Friday evening Night Flight anthology--the series provided the first (and in some cases only) national TV exposure for Los Angeles area bands like the Blasters, Dead Kennedys and dozens of others. With his outrageous wardrobe, philosophical interview questions and rapid-fire social commentaries, Ivers was a most unconventional host, and many of the artists featured on the show made their distaste for him painfully clear. Sadly, when Ivers was bludgeoned to death in his L.A. apartment in 1983, many suspected the murderer was a member of the local punk scene. Ivers' killer was never found, but in his memory, Harvard University initiated the Peter Ivers Visiting Artist Program. The retrospective Nirvana Peter appeared on WB in 1985. ~ Jason Ankeny, All Music Guide
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Wikipedia: Peter Ivers
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Cover of Terminal Love by Peter Ivers

Peter Scott Ivers (September 1946 - March 3, 1983) was an American musician, best known as the host of New Wave Theatre.

Ivers was born in Illinois, but raised in Brookline, a suburb of Boston, Massachusetts. He attended the Roxbury Latin School and then Harvard University, majoring in classical languages, but chose a career in music. He started playing harmonica with the Boston-based Beacon Street Union (although he does not appear on their album, The Clown Died In Marvin Gardens). He embarked on a solo career in 1969 with the Epic release of his debut, Knight of the Blue Communion (also featuring Sri Lankan jazz diva Yolande Bavan, who many erroneously believe was married to Ivers).

Contents

Early career

In 1971 Ivers replaced Yolande with Asha Puthli on Take It Out On Me, his second album for Epic. The single from this second album, a cover of the Marvin Gaye number, Ain't That Peculiar, backed by Ivers' original, Clarence O' Day, was released and briefly entered the Top 100 Singles Billboard charts but the album was shelved by Epic (only finally seeing the light of day in 2009). Subesquently, Peter signed with Warner Bros., where he recorded two more albums.

In 1971 and 1972, WNET and WGBH presented Jesus, A Passion Play for Americans, a play produced by Jac Venza, Christopher Sarson and written and directed by Timothy Mayer. The music and lyrics were Ivers' from Knight of the Blue Communion. Other important roles are played by Andreas Teuber, Asha Puthli, Steve Kaplan and Laura Esterman. The work was broadcast as part of the WNET American Playhouse series. As a rock retelling of the story of Jesus, the work was a precursor to classics of that genre, such as Godspell and Jesus Christ Superstar.

In 1976, Ivers was asked by David Lynch to write a song for his movie, Eraserhead. Ivers penned In Heaven (The Lady in the Radiator Song), which became the most well-known composition from the film.

Ivers' best friend was Harvard classmate Douglas Kenney, founder of the National Lampoon. Ivers was also close friends with John Belushi. Both men preceded Ivers in death.

In 1981 Ivers was tapped by David Jove to host New Wave Theatre on Los Angeles TV station KSCI which was shown irregularly as part of the weekend program Night Flight on the fledgling USA Network. The program was a frantic cacophony of music, theater and comedy, lorded over by Ivers with his manic presentation. Using a method of filming known as "live taped", the show was the first opportunity for many alternative musicians to receive nationwide exposure. Notable bands who appeared on the show included The Angry Samoans, The Dead Kennedys, 45 Grave, Fear and The Plugz.

In 1983, he performed on the Antilles Records release Swingrass '83.[1]

Death and Biography

In 1983, Peter Ivers was found bludgeoned to death in his Los Angeles apartment. Harvard established the Peter Ivers Visiting Artist Program in his memory.

Josh Frank and Charlie Buckholtz have written a book about Ivers' life, art and mysterious death, In Heaven Everything Is Fine: The Unsolved Life of Peter Ivers and the Lost History of New Wave Theatre. On the basis of new information unearthed during the creation of this book, the Los Angeles Police Department has reopened their investigation into Ivers' death.

Frank's site peterivers.com is rich multimedia resource for those interested in Ivers' life and art.

Discography

  • Knight of the Blue Communion (Epic, 1969)
  • Take It Out on Me (recorded for Epic in 1971 but not released until 2009, by Wounded Bird Records)
  • Terminal Love (Warner Bros., 1974)
  • Peter Ivers (also known as Peter Peter Ivers) (Warner Bros., 1976)
  • Nirvana Peter (Warner Bros., 1985)*
  • The Untold Stories (K2B2 Records, 2008)

* Compilation of previous Warner recordings with bonus tracks

Other appearances

  • Buellgrass - Big Night at Ojai (K2B2 Records, 1983); released on CD as Buellgrass - Across the Tracks

Bibliography

References

External links


 
 
Learn More
Best of New Wave Theatre, Vol. 1 (1985 Music Film)
Swingrass '83 (1984 Album by Swingrass)
Big Day at Ojai (1981 Album by Buell Neidlinger)

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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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