Term applied to a group of painters in Vienna, who had met shortly after the end of World War II in the class given by Albert Paris G?tersloh at the Akademie der Bildenden K?nste in the 1940s. It was first used by the Austrian art critic Johann Muschik in the late 1950s to describe the group, which included Arik Brauer, Ernst Fuchs, Rudolf Hausner, Wolfgang Hutter (b 1928), G?tersloh's illegitimate son, and Anton Lehmden (b 1929).
See the Abbreviations for further details.
