pietà

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also Pie·tà (pyā-tä') pronunciation
n.
A painting or sculpture of the Virgin Mary holding and mourning over the dead body of Jesus.

[Italian, pity, pietà, from Latin pietās. See piety.]



a representation of the dead Christ held by his mother, is pronounced pi-ay-tah and printed in roman type with an accent on the a.

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Pietà, marble sculpture by Michelangelo, 1499; in St.
(click to enlarge)
Pietà, marble sculpture by Michelangelo, 1499; in St. (credit: SCALA/Art Resource, New York)
Depiction of the Virgin Mary supporting the body of the dead Christ. The theme grew out of that of the Lamentation, the moment between the Descent from the Cross and the Entombment. It first appeared in Germany in the early 14th century. It enjoyed greater popularity in northern Europe than in Italy through the 15th century, yet the supreme representation is Michelangelo's sculpture (1499) in St. Peter's Basilica. The Piet was widely represented in both painting and sculpture. Michelangelo's conception of Mary bearing Jesus' body on her knees was standard until the 16th century, when artists began to place Jesus at Mary's feet. Though most religious art declined after the 17th century, the Piet retained its popularity through the 19th century.

For more information on Piet, visit Britannica.com.

(pyay-tah; pee-ay-tah)

A painting, drawing, or sculpture of Mary, the mother of Jesus, holding the dead body of Jesus. The word means “pity” in Italian. (See photo, next page.)

  • The most famous of four Pietàs by Michelangelo is a sculpture at Saint Peter's Basilica in the Vatican.

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    pronunciation

    IN BRIEF: n. - A representation of the Virgin Mary mourning over the dead body of Jesus.

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    Mentioned in

    Michelangelo: Self-Portrait (1987 Visual Arts Film)
    Passion cycle (in art, Christianity)
    Gregório Fernández (Spanish sculptor)
    Giottino (Italian painter)