Pietro Novelli
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Pietro Novelli
(b Monreale, 2 March 1603; d Palermo, 27 Aug 1647). Italian painter. He trained with his father, Pietro Antonio Novelli (1568-1625), a painter and mosaicist, then in 1618 in Palermo with Vito Carrera (1555-1623). He also studied perspective with the mathematician Carlo Maria Ventimiglia. Paolini (1980) suggested that in his early years Novelli may have contributed, with Domenico Fiasella and Nicolas Tournier, to a cycle of paintings in the oratory of S Stefano in Palermo and that he made a first journey to Rome between 1622 and 1625. His first dated work is from 1626: St Anthony Abbot (Palermo, S Antonio Abate). The development of his style owed much to Anthony van Dyck, who visited Sicily in 1624 and whose altarpiece, the Madonna of the Rosary (Palermo, oratory of S Maria del Rosario), was of fundamental importance to Novelli. Van Dyck's influence, which remained with Novelli throughout his career, is most apparent in the Death of the Just Man (Palermo, Gal. Reg. Sicilia), the Apparition of the Virgin to St Andrea Corsini (1630; Palermo, Chiesa del Carmine) and the Coronation of the Virgin (Palermo, oratory of S Maria del Rosario).
See the Abbreviations for further details.
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Pietro Novelli
| Pietro Novelli | |
|---|---|
 |
|
| Born | March 2, 1603 Monreale , Sicily |
| Died | August 27, 1647 (aged 44) Palermo, Sicily |
| Nationality | Italian |
| Field | Painting |
| Movement | Baroque |
Pietro Novelli (March 2, 1603 – August 27, 1647) was an Italian painter of the Baroque period, active mainly in Palermo. Also known as il Monrealese or Pietro "Malta" Novelli to distinguish him from his father, Pietro Antonio Novelli.
He was born in Monreale, and died in Palermo. He initially trained with his father, a painter and mosaicist, then in 1618, he moved to Palermo and apprenticed with Vito Carrera (1555–1623). His first dated work is from 1626: St. Anthony Abbot for the church of Sant' Antonio Abate. The development of his style owed much to Anthony van Dyck, who visited Sicily in 1624 and whose altarpiece, the Madonna of the Rosary in the oratory of Santa Maria del Rosario in Palermo was highly influential for local artists. He was also commissioned works and paintings for many churches in Piana degli Albanesi, and various works to adorn the villas of the Sicilian nobility. Other influences on Novelli were the Caravaggisti or tenebrists active in Naples (for example, Ribera). Novelli also painted for the church of Santa Zita in Monreale, and painted a Marriage of Cana for the refectory of the Benedictines in Monreale.
His pupils included Francesco Maggiotto. He was also an architect and stage set designer.
References
- Bryan, Michael (1889). Walter Armstrong & Robert Edmund Graves. ed. Dictionary of Painters and Engravers, Biographical and Critical (Volume II L-Z). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007: George Bell and Sons. pp. page 217. http://books.google.com/books?id=K2cCAAAAYAAJ&pg=PA1&dq=Michael+Bryan+Painters+Engravers#PPP7,M1.
- Grove Encyclopedia entry
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- Cain and Abel
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Oxford Grove Art
The Concise Grove Dictionary of Art. Copyright © 2002 by Oxford University Press, Inc.. All rights reserved.
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Francesco Maggiotto
(art)
Andrea Vaccaro
(art)
Agostino Beltrano
(art)
Art in Naples
(history 1450-1789)
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