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Piggies

 
Wikipedia: Piggies
"Piggies"
Song by The Beatles

from the album The Beatles

Released 22 November 1968
Recorded 19 September 1968
Genre Baroque pop
Length 2:04
Label Apple Records
Writer George Harrison
Producer George Martin
The Beatles track listing
Side one
  1. "Back in the U.S.S.R."
  2. "Dear Prudence"
  3. "Glass Onion"
  4. "Ob-La-Di, Ob-La-Da"
  5. "Wild Honey Pie"
  6. "The Continuing Story of Bungalow Bill"
  7. "While My Guitar Gently Weeps"
  8. "Happiness Is a Warm Gun"
Side two
  1. "Martha My Dear"
  2. "I'm So Tired"
  3. "Blackbird"
  4. "Piggies"
  5. "Rocky Raccoon"
  6. "Don't Pass Me By"
  7. "Why Don't We Do It in the Road?"
  8. "I Will"
  9. "Julia"
Side three
  1. "Birthday"
  2. "Yer Blues"
  3. "Mother Nature's Son"
  4. "Everybody's Got Something to Hide Except Me and My Monkey"
  5. "Sexy Sadie"
  6. "Helter Skelter"
  7. "Long, Long, Long"
Side four
  1. "Revolution 1"
  2. "Honey Pie"
  3. "Savoy Truffle"
  4. "Cry Baby Cry"
  5. "Revolution 9"
  6. "Good Night"

"Piggies" is a Beatles song from double-disc album The Beatles (also known as The White Album). It was written by George Harrison as social commentary on class and corporate greed.

Contents

Production

Instrumentation

"Piggies" features a Baroque-style harpsichord and string quartet — which take an unexpected turn at one point playing a blues riff.

Chris Thomas (producing in George Martin's absence on some of the White Album sessions) played the harpsichord part.

Lyrical input

Harrison's mother provided the line "What they need's a damn good whacking,"[1] and Lennon contributed with the line "clutching forks and knives to eat their bacon."[1]

Alternative lyrics

There was an additional verse written for the song in 1968 but omitted during the actual recording. It involved the "piggies" playing "piggy pranks" in order to achieve its rhyming couplet of "piggy banks." Harrison reinstated this verse in all live performances of the song in the 1990s. A version can be heard on his double album Live in Japan.

Yeah, everywhere there's lots of piggies
Playing piggy pranks
And you can see them on their trotters
Down at the piggy banks
Paying piggy thanks
To thee pig brother

The original lyrics read "to cut their pork chops" (as heard on the Anthology 3 album). Lennon created the tape loop for the pig noises that were sampled for this song.

Track placement

"Piggies" is sandwiched between two other songs with animals in their titles ("Blackbird" and "Rocky Raccoon"). This was a deliberate decision on the part of Lennon and McCartney while preparing the sequencing of the songs for the album.[citation needed]

Mono version

The mono version (originally released on an LP mono incarnation of The Beatles) has the pig sounds positioned differently from that of the stereo recording. The Beatles in Mono box set contains a version of The Beatles featuring this mono mix.

Interpretations

Though Harrison intended the song as social commentary, it was often misinterpreted as an anti-police anthem, due to the commonly used term "pig" which is used as slang for policeman.[citation needed]

Charles Manson family

Charles Manson, the infamous American serial killer derived personal meaning from many songs of The White Album (see Helter Skelter (Manson scenario)). "Piggies" was used in particular to justify attacks on the White establishment, with the lyrics "what they need's a damn good whacking" reflecting the attacks on Blacks in what Manson envisioned would be an apocalyptic race war. During the murders of Sharon Tate, Leno and Rosemary LaBianca, Gary Hinman and others, the words 'political piggy', 'pig' and 'death to pigs' were written with the victims' blood on the walls. In the case of the LaBianca murders, knives and forks were actually inserted into the victims in reference to the lyric "Clutching forks and knives to eat their bacon"[2].

Critical reception

Ian MacDonald in the book Revolution In The Head describes "Piggies" as a "bludgeoning satire on straight society", dismissing the song as "dreadful" and "an embarrassing blot on (Harrison's) discography."[3]

Credits

  • George Harrison - Acoustic Guitar, Vocals and Arrangements
  • Paul McCartney - Bass and Backing Vocals
  • Ringo Starr - Tambourine
  • John Lennon - Backing Vocal, Tape Effects and Arrangements
  • Chris Thomas - Harpsichord
  • George Martin - Arrangements

Notes

  1. ^ Here Comes the Sun: The Spiritual and Musical Journey of George Harrison; Joshua M. Greene; Bantam Books; 2006
  2. ^ Bugliosi, Vincent with Curt Gentry. Helter Skelter: The True Story of the Manson Murders.
  3. ^ MacDonald, Ian (2003). Revolution in the Head:The Beatles' Records and the Sixties. Pimlico. pp. 317–18. ISBN 1-8441-3828-3. 

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