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Pithecanthropus Erectus

 
Album Review: Pithecanthropus Erectus

  • Artist: Charles Mingus
  • Rating: StarStarStarStarHalf Star
  • Release Date: 1956
  • Total Time: 60:13
  • Type: Instrumental
  • Genre: Jazz

Review

Pithecanthropus Erectus was Charles Mingus' breakthrough as a leader, the album where he established himself as a composer of boundless imagination and a fresh new voice that, despite his ambitiously modern concepts, was firmly grounded in jazz tradition. Mingus truly discovered himself after mastering the vocabularies of bop and swing, and with Pithecanthropus Erectus he began seeking new ways to increase the evocative power of the art form and challenge his musicians (who here include altoist Jackie McLean and pianist Mal Waldron) to work outside of convention. The title cut is one of his greatest masterpieces: a four-movement tone poem depicting man's evolution from pride and accomplishment to hubris and slavery and finally to ultimate destruction. The piece is held together by a haunting, repeated theme and broken up by frenetic, sound-effect-filled interludes that grow darker as man's spirit sinks lower. It can be a little hard to follow the story line, but the whole thing seethes with a brooding intensity that comes from the soloist's extraordinary focus on the mood, rather than simply flashing their chops. Mingus' playful side surfaces on "A Foggy Day (In San Francisco)," which crams numerous sound effects (all from actual instruments) into a highly visual portrait, complete with honking cars, ringing trolleys, sirens, police whistles, change clinking on the sidewalk, and more. This was the first album where Mingus tailored his arrangements to the personalities of his musicians, teaching the pieces by ear instead of writing everything out. Perhaps that's why Pithecanthropus Erectus resembles paintings in sound -- full of sumptuous tone colors learned through Duke Ellington, but also rich in sonic details that only could have come from an adventurous modernist. And Mingus plays with the sort of raw passion that comes with the first flush of mastery. Still one of his greatest. ~ Steve Huey, All Music Guide

Tracks

Track TitleComposersPerformersTime
Pithecanthropus Erectus Charles Mingus Charles Mingus (10:35)
A Foggy Day Ira Gershwin, George Gershwin Charles Mingus (7:48)
Profile of Jackie Charles Mingus Charles Mingus (3:09)
Love Chant Charles Mingus Charles Mingus (14:53)

Credits

Nat Hentoff (Liner Notes), Bob Defrin (Art Direction), Charles Mingus (Liner Notes), Willie Jones III (Drums), Tom Dowd (Engineer), Bob Defrin (Design), Charles McPherson (Sax (Alto)), Eddie Preston (Trumpet), Yves Bigot (Liner Notes), Hal Lustig (Engineer), Nesuhi Ertegun (Supervisor), Curtice Taylor (Hand Coloring), Nesuhi Ertegun (Producer), Thierry Amsallem (Re-Release Coordinator), Bobby Jones (Sax (Tenor)), Dannie Richmond (Drums), Claude Nobs (Re-Release Coordinator), Urs Tschuppert (Booklet Design), Elvin Jones (Drums), Willie Jones (Drums), Jackie McLean (Sax (Alto)), Claude Nobs (Liner Notes), Ahmet Ertegun (Liner Notes), Hal Lustig (Engineer), Charles Mingus (Bass), Jean Ristori (Mastering), David Spitzer (Photography), J.R. Monterose (Sax (Tenor)), Mal Waldron (Piano), Stephen Innocenzi (Mastering)
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Wikipedia: Pithecanthropus Erectus (album)
Top
Pithecanthropus Erectus
Studio album by Charles Mingus
Released 1956
Genre Jazz
Length 36:36
Label Atlantic
America
Producer Nesuhi Ertegün
Professional reviews
Charles Mingus chronology
Pithecanthropus Erectus
(1956)
The Clown
(1957)

Pithecanthropus Erectus is a 1956 album by jazz composer and bassist Charles Mingus.

Track listing

All tracks composed by Charles Mingus except where noted. Recorded at Atlantic Studios in New York City.

  1. "Pithecanthropus Erectus" – 10:36
  2. "A Foggy Day" – 7:50 {George Gershwin}
  3. "Profile of Jackie" – 3:11
  4. "Love Chant" – 14:59

According to Mingus' liner notes, the title song is a ten minute tone poem, depicting the rise of man from his hominid roots (Pithecanthropus erectus) to an eventual downfall due to, "his own failure to realize the inevitable emancipation of those he sought to enslave, and his greed in attempting to stand on a false security." The song's title translates into "Upright Ape-Man", which holds a dual meaning with "upright" referring to Mingus' bass. Listening to "A Foggy Day", listeners should envision the saxophone part as a man encountering all the other sounds while walking down a foggy street.

Reception

  • Q magazine (12/01, p.160) - 4 stars out of 5 - "The essential early Mingus set."
  • Vibe (12/99, p.162) - Included in Vibe's 100 Essential Albums of the 20th Century

Personnel


 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Pithecanthropus Erectus (album)" Read more