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Plaza Suite

 

Plaza Suite (1968), three one‐act plays by Neil Simon. [ Plymouth Theatre, 1,097 perf.] In “Visitor from Mamaroneck,” the first of three playlets set in a lavish suite at Manhattan's Plaza Hotel, suburbanites Karen (Maureen Stapleton) and Sam Nash (George C. Scott) take the same suite at the Plaza that they had on their honeymoon twenty‐four years before. But Karen discovers that Sam's secretary is his mistress, and when he leaves for a rendezvous with the girl, she is left alone with a bottle of champagne and two glasses. “Visitor from Hollywood” concerns the efforts of movie producer Jesse Kiplinger (Scott) to seduce Muriel Tate (Stapleton), his old high school sweetheart. The farcical “Visitor from Forest Hills” deals with the frantic attempts by Roy (Scott) and Norma Hubley (Stapleton) to coerce their daughter, Mimsey (Claudette Nevis), out of the locked bathroom minutes before her wedding ceremony. The plays prompted Otis L. Guernsey Jr. to write of Simon, “He is the Molière of the high‐rise era; he knows his contemporaries intimately and he treats them affectionately, but never too gently.” The successful triplet comedy prompted Simon to write the sequels California Suite (1976), London Suite (1995), and Hotel Suite (2000), none of which were as accomplished or as popular.

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For the the film adaptation of this play, see Plaza Suite.
Plaza Suite

Broadway poster
Written by Neil Simon
Characters Sam Nash
Karen Nash
Jesse Kiplinger
Muriel Tate
Roy Hubley
Norma Hubley
Date premiered February 14, 1968 (1968-02-14)
Place premiered Plymouth Theatre
New York City
Original language English
Genre Comedy
Setting Suite 719
Plaza Hotel
New York City
IBDB profile

Plaza Suite is a comedy play by Neil Simon.

Contents

Plot

The play is composed of three acts, each involving different characters but all set in Suite 719 of New York City's Plaza Hotel. The first act, Visitor From Mamaroneck, introduces the audience to not-so-blissfully wedded couple Sam and Karen Nash, who are revisiting their honeymoon suite in an attempt - by Karen - to bring the love back into their marriage. Her plan backfires and the two become embroiled in a heated argument about whether or not Sam is having an affair with his secretary. The act ends with Sam leaving (allegedly to attend to urgent business) and Karen sadly reflecting on how much things have changed since they were young.

The second act, Visitor from Hollywood, involves a meeting between movie producer Jesse Kiplinger and his old flame, suburban housewife Muriel Tate. Muriel - aware of his reputation as a smooth-talking ladies' man - has come for nothing more than a chat between old friends, promising herself she will not stay too long. Jesse, however, has other plans in mind and repeatedly attempts to seduce her.

The third act, Visitor from Forest Hills, revolves around married couple Roy and Norma Hubley on their daughter Mimsey's wedding day. In a rush of nervousness, Mimsey has locked herself in the suite's bathroom and refuses to leave. This is the most comic of the acts, filled with increasingly outrageous slapstick moments depicting her parents' frantic attempts to cajole her into attending her wedding while the gathered guests await the trio's arrival downstairs.

Background

The play originally had four acts, one of which was cut during pre-production. Simon later expanded it for the 1970 feature film The Out-of-Towners. [1]

Production

After two previews, the Broadway production, directed by Mike Nichols, opened on February 14, 1968 at the Plymouth Theatre, where it ran for 1097 performances. George C. Scott and Maureen Stapleton appeared in each of the three acts. Later in the run, they were replaced by Dan Dailey, E. G. Marshall, Don Porter, Nicol Williamson, Barbara Baxley, and Peggy Cass.

Mike Nichols won the Tony Award for Best Direction of a Play. Neil Simon was nominated for the Tony Award for Best Play but lost to Tom Stoppard for Rosencrantz and Guildenstern Are Dead. Maureen Stapleton was nominated for the Tony Award for Best Performance by a Leading Actress in a Play but lost to Zoe Caldwell in The Prime of Miss Jean Brodie.

Film adaptations

Simon adapted his play for a 1971 film starring Walter Matthau, Stapleton, Barbara Harris, and Lee Grant, but he was unhappy with the outcome. He felt the conceit of one actor playing the lead role in all three acts worked on stage but not on screen, especially if the actor was Matthau, whom he felt was the right choice only for the beleaguered father-of-the-bride, Roy Hubley. [1]

In 1987, Carol Burnett produced a television movie in which she portrayed all three female roles. Starring opposite her were Hal Holbrook as Sam Nash, Dabney Coleman as Jesse Kiplinger, and Richard Crenna as Roy Hubley.

References

External links


 
 

 

Copyrights:

American Theater Guide. The Oxford Companion to American Theatre. Copyright © 2004 by Oxford University Press, Inc. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Plaza Suite" Read more