Pollock

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Plot

Artist Jackson Pollock revolutionized American painting in the 1940's with his exciting abstract canvases that used dripped and splattered paint in a manner at once excitingly physical and structurally intelligent. While Pollock became a heroic figure in the art world, his private life was nothing to envy, and this biography looks at both his professional triumphs and personal tragedies. In 1941, Pollock (Ed Harris) was a bitter and struggling painter when he met Lee Krasner (Marcia Gay Harden), a fellow artist with whom he was appearing in a joint gallery show. Krasner was intrigued by Pollock, and immediately sensed the importance of his work; they quickly became lovers, and as Krasner realized his superior talent, she began devoting herself to promoting Pollock's work. When Peggy Guggenheim (Amy Madigan) agreed to present a show of Pollock's paintings at her Art of This Century gallery, his name was made, and a profile in Life magazine solidified his reputation as one of the art world's most important figures. But success did not bring Pollock peace of mind; while he long had a taste for alcohol, his new fame sent his drinking out of control, and his infidelity with numerous women (including Guggenheim) eventually destroyed his relationship with Krasner. Pollock was the first feature directed by actor Ed Harris, who also plays the title role; the cast also includes Val Kilmer as artist Willem de Kooning and Jennifer Connelly as Ruth Kligman, one of Pollock's lovers. ~ Mark Deming, Rovi

Review

An auspicious directorial debut from prolific actor Ed Harris, Pollock overcomes its occasional obscurity (a factor that has marred lesser films about painters) to become an effectively detailed look at the unruly soul of an artist. As director, Harris beautifully captures the slowly evolving art world of New York in its time frame with refreshing exactitude, and the screenplay (while sometimes episodic) never resorts to pandering in order to better understand this difficult, often unbearably cantankerous man. Harris excels as Pollock, but Marcia Gay Harden walks off with the picture as his longtime love. Her sublime generosity as a performer, mixed with a passionately rendered portrayal of a woman with no sure next move, combine to forge a unique and truly affecting creation (not to mention an uncanny likeness to the real-life Lee Krasner). The film was the surprise centerpiece picture of the 2000 New York Film Festival, where it played to enthusiastic response, including Harris' much-discussed weight gain (à la Robert De Niro in Raging Bull) for the latter part of the movie. Academy voters acknowledged Harris and Harden with nominations for Best Actor and Supporting Actress; only Harden walked off with a surprise win on Oscar night. ~ Jason Clark, Rovi

Cast

Bud Cort - Howard Putzel; John Heard - Tony Smith; Val Kilmer - William DeKooning; Barbara Garrick - Betty Parsons

Credit

Teresa Mastropiero - Art Director, Todd Thaler - Casting, Cecilia Kate Roque - Co-producer, David C. Robinson - Costume Designer, Jude Gorjanc - First Assistant Director, Ed Harris - Director, Kathryn Himoff - Editor, Peter Brant - Executive Producer, Joseph Allen - Executive Producer, Jeff Beal - Composer (Music Score), Mark Friedberg - Production Designer, Lisa Rinzler - Cinematographer, Ed Harris - Producer, Fred Berner - Producer, Jon Kilik - Producer, Scott Breindel - Sound/Sound Designer, Barbara Turner - Screenwriter, Susan J. Emshwiller - Screenwriter, Susan Ernshwiller - Screenwriter, Steven Naifeh - Book Author, Gregory White Smith - Book Author, Sam Chwat - Dialect Coach

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Pollock
Directed by Ed Harris
Screenplay by Barbara Turner
Susan Emshwiller
Based on Jackson Pollock: An American Saga by
Steven Naifeh and
Gregory White Smith
Starring Ed Harris
Marcia Gay Harden
Music by Jeff Beal
Cinematography Lisa Rinzler
Editing by Kathryn Himoff
Release date(s) September 6, 2000 (2000-09-06)
Running time 122 minutes
Country United States
Language English

Pollock is a 2000 biographical which tells the life story of painter Jackson Pollock. It stars Ed Harris, Jennifer Connelly, Robert Knott, Bud Cort, Molly Regan, Marcia Gay Harden and Sada Thompson.

Contents

Plot

The film begins showing the abstract expressionist Jackson Pollock (1912–1956) autographing illustrations in a copy of Life magazine for a woman at an art exhibit in 1950.

The film flashes back to nine years earlier (1941). At this time Pollock is usually drunk and makes a living by exhibiting a painting in occasional group art shows. He is living with his brother Charles Pollock, whom he calls Sande, in a tiny apartment in New York City. Sande's wife tells him that they are having a baby, perhaps indicating to Jackson that he needs to move out. Artist Lee Krasner shows up and takes an interest in him. Later, at dinner he learns that his brother is moving to Connecticut, as he's taken a job building army gliders to avoid a rumoured draft of married men not involved in war production. Sande's wife reveals that Jackson's Selective Service status is 4F. This means that Jackson cannot be drafted. Unable to handle conflicting feelings, Jackson has a convulsion and needs to be cared for. Lee learns from Sande that Jackson is diagnosed neurotic. However, Lee takes him home and decides to be his manager. One day, his old friend Ruben comes along with Howard Putzel who works for an art collector Peggy Guggenheim. Jackson seems more interested to meet Reuben than Howard. Peggy Guggenheim comes to see his art. She is initially very frustrated for having to wait, but gives him a contract to sell $2400 of paintings plus a commission to paint a mural of 8 ft by 20 ft on the entrance hall of her town house in New York City. His first exhibit fails to attract any buyers. After a New Year's Eve party, he almost gets in bed with Peggy but is too drunk to properly perform. Jackson returns to Lee in the morning. He is upset again when he learns of the death of Howard, falling back to the street in a drunken stupor and again returning to Lee. Lee, as always, takes him back. Lee then asks Jackson to make a decision: whether to marry her and continue painting art or "split up". Jackson surprisingly insists on a church wedding and Lee says she wants no guests. They decide to move to a country house by the ocean in Springs, NY, on Long Island. Jackson and Lee adopt an abandoned dog whom they name Gyp. Jackson is disheartened when Lee makes clear to Jackson that she does not want to have a baby, partly because she is happy to just live as two painters, partly because of his neurosis, and partly because of the pecuniary situation and his painting needs. At a get-together at Peggy Guggenheim's, despite art critic Clement Greenberg's comments, he shows that it's hard for him to change his finished painting to others' liking. Jackson's pictures still aren't selling. At a poker party, while they talk about the situation, Clement mentions that things will change after Life Magazine's coverage and subsequent art exhibit. Lee gets jealous when Jackson hugs another woman. Meanwhile, Jackson tries doing other business for a living but his drinking gets in the way. He lies to Sande and family about the financial status and waits to see what will happen after Life Magazine's coverage. This time he tries to abstain from alcohol. Things get better after the magazine story. Later, A photographer, Hans Namuth, tries to make a film of Jackson as he paints. Hans' movie-making interrupts the nature of Jackson's work and Jackson feels like a phony acting it out. Jackson loses patience and, much to Lee's disapproval, he takes to drinking again. The alcohol triggers his neurosis and he ruins Thanksgiving dinner. The film returns to the present in the art exhibit in 1950.

Five years later Clement mentions that the Partisan Review is favoring Clyfford Still, and that his original technique of modern art could be the next direction of modern art. Jackson does not take it well. Lee accuses a drunk Jackson that it's because he's (again) taken to drinking. Jackson argues it's all because she won't have a child. Lee knows he's having an affair with Ruth Kligman. Lee says she won't give Jackson a divorce — no matter what. When Lee goes to Venice to visit Peggy Guggenheim, Jackson receives a call from her. After this call Jackson mentions to Ruth, "I owe the woman something". Ruth brings a friend, Edith Metzger, to visit Jackson. They go for a drive, but Jackson is quite drunk. There is a fatal car accident in which Jackson and Edith die; Ruth survives. The film ends with a mention that Lee survives another 28 years, continuing her painting career in Jackson's studio.

Cast

Production

The film was adapted by Barbara Turner and Susan Emshwiller from the book Jackson Pollock: An American Saga by Steven Naifeh and Gregory White Smith. It was directed by Harris.

This film was a long term dream of Ed Harris.[1] After his father gave him a copy of Pollock's biography, he started thinking about the project, which took almost 10 years to bring to fruition.

Filming took a mere 50 days with a six week layoff after forty days so Harris could take time to gain thirty pounds and grow a beard.[2]

Harris himself did all the painting seen in the film.[2]

Awards

Marcia Gay Harden won the Academy Award for Best Supporting Actress for portraying Lee Krasner, Pollock's wife.[3] Ed Harris was also nominated for the Academy Award for Best Actor.[3]

Harden was also nominated at the Independent Spirit Awards and won at the New York Film Critics Circle Awards.[3]

References

External links


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