Tyard, Pontus de (1521-1605). Initially influenced by Scève and later a member of the Pléiade, Tyard was not only a poet, the translator of Leone Ebreo's Dialoghi d'Amore (1551), and a writer of philosophical treatises (often in dialogue form), but a man of science, a Christian Platonist, and a distinguished ecclesiastic (he was bishop of Chalon-sur-Saône from 1578 to 1589). His three books of Erreurs amoureuses (1549, 1551, 1555) employed the Petrarchist canon together with a personal note of Platonic idealism, whilst his Vers lyriques (1552, 1555) revealed the developing influence of Ronsard. The Œuvres poétiques (1573) collected together these previously published collections and added the Recueil des nouvelles œuvres poétiques, predominantly Petrarchist poems addressed to the maréchale de Retz, whose prestigious salon Tyard had frequented from about 1568.
Tyard's philosophical treatises (several of which are Platonic in inspiration) discuss poetry (Solitaire premier, 1552), music (Solitaire second, 1552), time (Discours du temps, de l'an, et de ses parties, 1556), the physical and spiritual universe (L'Univers, 1557), and astrology and divination (Mantice, 1558). These treatises, which received a collective edition in 1587 (Discours philosophiques), bear witness to an encyclopaedic mind and a robust prose style with a mastery of rhetoric.
[Malcolm Quainton]




