Post horn

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A small brass instrument, originally with a fundamental about b ♭′, used in the past by postillions and guards on mail coaches. In Germany it reached its standard form, circular and with three turns, in the late 18th century. As it graduated to use in concert music it acquired crooks, keys and finally valves. Telemann and Bach imitated it. Mozart, Beethoven and Mahler actually wrote for it. The English instrument, long and straight, in A or A♭, is still made; it is used in performances of Koenig's famous Post Horn Galop (1844).



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  • Wind Instruments - post horn: straight or coiled metal horn with no valves or slide


German postbox with post horn logo (old logo bottom, new logo top)
Post horn
Post horn logo from Sweden
Muted post horn from The Crying of Lot 49.

The post horn (also posthorn, post-horn, or coach horn) is a valveless cylindrical brass or copper instrument with cupped mouthpiece, used to signal the arrival or departure of a post rider or mail coach. It was used especially by postilions of the 18th and 19th centuries.

The instrument commonly had a circular or coiled shape with three turns of the tubing, though sometimes it was straight. It is therefore an example of a natural horn. The cornet was developed from the post horn by adding valves.[1]

Mozart, Mahler, and others incorporated the instrument into their orchestras for certain pieces. On such occasions, the orchestra's horn player usually plays the instrument. One example of post horn use in modern classical music is the famous off-stage solo in Mahler's Third Symphony. Due to the scarcity of this instrument, however, music written for it is usually played on a trumpet or flugelhorn.

In 1844, the German cornet player Hermann Koenig wrote Post Horn Galop (Post Horn Gallop) as a solo for post horn with orchestral accompaniment.[2] In the 20th century it became a popular piece for brass bands.[3] During World War I wooden post-horns were used as a means of collecting war donations via a method called the Nail Men. People would donate and in exchange be allowed to hammer a nail into the horn, until the horn was completely covered.

The instrument is still used as the logo of national post services in many countries.

Contents

List of postal services that include the post horn in their logos

See also

Notes

  1. ^ Curt Sachs, The History of Musical Instruments (New York: W. W. Norton & Company, Inc., 1940), 428.
  2. ^ The Posthorn Gallop, Entry in "The Concise Oxford Dictionary of Music", 4th edn., Kennedy (ed.), Oxford University Press.
  3. ^ Taylor, Arthur (1983). Labour and love: an oral history of the brass band movement. Elm Tree Books. 

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