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Power, Corruption & Lies

 
Album Review: Power, Corruption & Lies

  • Artist: New Order
  • Rating: StarStarStarStarHalf Star
  • Release Date: 1983
  • Total Time: 57:21
  • Genre: Rock

Review

A great leap forward from their funereal debut album, Power, Corruption & Lies cemented New Order's place as the most exciting dance-rock hybrid in music (and it didn't even include the massive "Blue Monday" single, released earlier that year). Confident and invigorating where Movement had sounded disconsolate and lost, the record simply pops with energy from the beginning "Age of Consent," an alternative pop song with only a smattering of synthesizers overlaying an assured Bernard Sumner, who took his best vocal turn yet. Unlike the hordes of synth pop acts then active, New Order experimented heavily with their synthesizers and sequencers. What's more, while most synth pop acts kept an eye on the charts when writing and recording, if New Order were looking anywhere (aside from within), it was the clubs -- "The Village" and "586" had most of the technological firepower of the mighty "Blue Monday." But whenever the electronics threatened to take over, Peter Hook's grubby basslines, Bernard Sumner's plaintive vocals, and Stephen Morris' point-perfect drum fills reintroduced the human element. Granted, they still had the will for moodiness; the second track was "We All Stand," over five minutes of dubbed-out melancholia. Aside from all the bright dance music and production on display, Power, Corruption & Lies also portrayed New Order's growing penchant for beauty: "Your Silent Face" is a sublime piece of electronic balladry. ~ John Bush, All Music Guide

Tracks

Track TitleComposersPerformersTime
Age of Consent (Lyrics) New Order New Order (5:15)
We All Stand New Order New Order (5:14)
The Village New Order New Order (4:36)
586 New Order New Order (7:30)
Blue Monday (Lyrics) Peter Hook, Stephen Morris, Bernard Sumner, Gillian Gilbert New Order (7:29)
Your Silent Face New Order New Order (5:59)
Ultraviolence New Order New Order (4:51)
Ecstasy New Order New Order (4:25)
Leave Me Alone New Order New Order (4:40)
The Beach New Order New Order (7:17)

Credits

New Order (Producer), New Order (Main Performer), Barry Sage (Assistant Engineer), Jose Latour (Artwork), Peter Saville (Art Direction), Peter Saville (Design), Mark Boyne (Assistant Engineer), Michael Johnson (Engineer), London National Gallery (Artwork), Fantin La Tour (Artwork)
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Wikipedia: Power, Corruption & Lies
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Power, Corruption & Lies
Studio album by New Order
Released 2 May 1983
Recorded Britannia Row Studios, Islington (1982/3)
Genre Post-punk
Synth-pop
New Wave
Length 42:35
Label Factory
UK - FACT 75
US - FACTUS 12
Producer New Order
Professional reviews
New Order chronology
Movement
(1981)
Power, Corruption & Lies
(1983)
Low-Life
(1985)

Power, Corruption & Lies is the second album by Manchester band New Order, released in May 1983. The album achieved more widespread popularity than any of the band's previous releases, including those of previous band Joy Division. The music is more electronic-based than previous albums, with heavy use of synthesizers. In 1989, it was ranked #94 on Rolling Stone magazine's list of the 100 greatest albums of the 1980s.

In 2008 the album was re-released in a Collector's Edition with a bonus disc.

Contents

Title

The title of the album was chosen by Bernard Sumner from a 1981 conceptual art exhibition in Cologne, Germany. On the opening night of the exhibition the artist Gerhard Richter vandalized the exterior of the Kunsthalle by spray painting the text, "Power, Corruption, and Lies".[citation needed]

Cover

Peter Saville's design for the album had a colour-based code to represent the band's name and the title of the album, but they were not actually written on the sleeve itself (they were, however, present on the North American sleeve). The decoder for the code was featured prominently on the back cover of the album and can also be used for the "Blue Monday" and "Confusion" singles. Saville also used it on Section 25's album From the Hip, which is in many ways aligned stylistically with Power, Corruption & Lies and produced partly by New Order's Bernard Sumner.

The cover is a reproduction of the painting "A Basket of Roses" by French artist Henri Fantin-Latour, which is part of the National Gallery of London's permanent collection[2]. The art director Peter Saville intended to create a collision between the overly romantic and classic image which made a stark contrast to the typography based on the modular, colour-coded alphabet he created solely for the band. It is also said [3] that the owner of the painting (The National Heritage Trust) first refused Factory Records access to it. Tony Wilson, the head of the label, then called them up to ask who actually owned the painting and were given the answer that the Trust belonged to the people of Britain, at some point. Wilson then famously replied, "Well, the people of Britain now want it."

Track listing

All songs written by New Order.

Side one

  1. "Age of Consent" – 5:16
  2. "We All Stand" – 5:14
  3. "The Village" – 4:37
  4. "5 8 6" – 7:31

Side two

  1. "Your Silent Face" – 6:00
  2. "Ultraviolence" – 4:52
  3. "Ecstasy" – 4:25
  4. "Leave Me Alone" – 4:40

2008 Collector's Edition bonus disc

  1. "Blue Monday" – 7:32
  2. "The Beach" – 7:22
  3. "Confusion" – 8:15
  4. "Thieves Like Us" – 6:38
  5. "Lonesome Tonight" – 5:13
  6. "Murder" – 3:57
  7. "Thieves Like Us" (Instrumental)" – 6:59
  8. "Confusion" (Alt Version) (Instrumental) – 7:36

American versions of the album up until the Collector's Edition featured "Blue Monday" at the end of side one, and "The Beach" at the end of side two.

Personnel

  • Bernard Sumner – Vocals, guitars, melodica, synthesizers & programming
  • Peter Hook – 4 & 6 stringed bass, electronic percussion
  • Stephen Morris – Drums, synthesizers & programming
  • Gillian Gilbert – Synthesizers & programming, guitars
  • New Order – Production
  • Michael Johnson – Engineering
  • Barry Sage and Mark Boyne – Assistants

Release details

  • UK 12" – Factory Records (FACT 75)
  • UK cassette – Factory Records (FACT 75C)
  • US 12" – Factory Records/Rough Trade Records (FACTUS 12)
  • UK CD (1993 re-release) – London Records (520 019-2)

Chart positions

  • UK – #4
  • AUS – #38

See also

External links

References

  1. ^ WOM magazin (November 08): 27. 
  2. ^ http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/work?workNumber=NG3726
  3. ^ Peter Saville, Tony Wilson. (2002). 24 Hour Party People. [DVD (commentary)]. Pathé. http://www.imdb.com/title/tt0274309/. 

 
 

 

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