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Prelude to War

 
Wikipedia: Prelude to War
For the similarly titled novel by Leslie Charteris, see Prelude for War.
Why We Fight: Prelude to War
Directed by Frank Capra
Produced by Frank Capra
Written by Anthony Veiller; Eric Knight
Narrated by Walter Huston
Cinematography Robert Flaherty
Distributed by War Activities Committee of the Motion Pictures Industry
Release date(s) 27 May 1942
Running time 53 min
Country United States
Language English
Followed by The Nazis Strike

Prelude to War was the first film of Frank Capra’s Why We Fight propaganda film series, commissioned by the Office of War Information (OWI) and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. The film was based on the idea that those in the service would be more willing and able fighters if they knew the background and reason for our participation in the war. It was later released to the general American public as a rallying cry for support of the war.

Contents

Synopsis

The Axis aim of total world conquest, as shown in Prelude to War.

In an edit added to the film before public release, a comment by Henry L. Stimson, the Secretary of War at the time, was quoted to create trust with the audience, “the purpose of these films is to give factual information as to the causes, the events leading up to our entry into the war and the principles for which we are fighting.”

The purpose of the OWI was to use mass communication to sell the war and to define our perception of the reality of war; therefore, they released Prelude to War to further these goals.[1] The film commences with an explanation of how Americans were brought into the war through heroic motives to protect countries unable to protect themselves. America had this duty to righteousness and Christian values throughout history, according to the values and beliefs set forth by the founding fathers.[2]

The documentary makes use of compare and contrast methods throughout the film in order to transmit its ethnocentric messages. The primary images used within the film to portray the opponents of America are introduced by Henry Wallace as the “free world” - a brightly-illuminated planet of the Allies, and a “slave world” as a planet deep in shadow of the Axis Powers.

It examines the differences between this free, democratic state and the slave, fascist state represented by Mussolini, Hitler and Yamamoto working together as gangsters to conquer the world. In order to do this, Capra made use of footage from Triumph of the Will, but with different narration designed to support the Allied cause.

It is brought to the audience’s attention that after the Nazis smashed the opposing political parties and labor unions they turned their attention to their last remaining obstacle-the church. In one scene a stained glass window is shattered by a brick to reveal a “Heil Hitler!” poster behind. To emphasize this depiction of Hitler as an antichrist figure, a class of German schoolchildren is shown singing:

"Adolf Hitler is our Saviour, our hero"
"He is the noblest being in the whole wide world."
"For Hitler we live,"
"For Hitler we die."
"Our Hitler is our Lord"
"Who rules a brave new world."

Historical Background and Isolationism in America

Protestors rallied under slogans like “No Foreign Entanglements”

In the two decades following World War I and the failure of the League of Nations, a spirit of isolationism became prevalent throughout the United States that persisted up to the attack on Pearl Harbor.[3] This presented a major obstacle in garnering support for the war, as the people of the United States did not feel a sense of unity with other nations of the world, most notably, Europe. In an effort to dispel this isolationist way of thinking, Prelude to War was produced in order to raise the enthusiasm and interest of US troops for the international struggle.[4][5]

The film addressed the need for change in current American citizens’ standpoint on the war through interviews with civilians. In response to whether or not America should get involved in the war, Americans were depicted saying “I think we should stay out of it entirely,” and “They mean nothing to us.” Protestors against the war rallied under slogans like “No Foreign Entanglements.” The film argues that, contrary to the public opinion of the time, the problems of the United States “were and always will be dependent upon the problems of the entire world and our peace is gained when there is peace for all.”

Significance in the War

The U.S. Army used “Prelude to War” as a training film for indoctrinating soldiers before its release in theaters. Prior to deployment, it was compulsory for all U.S. soldiers to view the film. The goal when showing it to the general public was to unify the country and to encourage that everyone should do their part in the war effort. The films produced by Capra inspired the society of the time to mobilize as a nation and rally around their country, their troops, and their president.[6]

The film series was a useful tool in motivating the public and boosted support for the war. It was so well perceived that on March 4, 1943, the Academy of Motion Picture Arts and Sciences awarded an Academy Award, or Oscar, to Capra for “Prelude to War” as the Best Documentary film of 1942. This award illustrates how the government and military successfully and cohesively relayed their message of national unity to the American people through popular culture.[7]


See also

References

Notes

  1. ^ Kurash, J. (1 Mar 2009). A Prelude to War. Retrieved from http://www.army.mil
  2. ^ Wilkins, J.N. America’s Christian Foundation. Retrieved from http://reformed-theology.org*German, Kathleen. “Frank Capra’s Why We Fight Series and the American Audience.” Western Journal of Speech Communication 54. (1990): 237-248.
  3. ^ Auchincloss, Kenneth (8 March 1999). "Americans Go To War". Newsweek (New York).
  4. ^ Rollins, Peter C (ed.). (2003) “Indoctrination and Propaganda, 1942-1945” The Columbia companion to American history on flim: How the movies have portrayed the American past. Columbia University Press. pp. 118.
  5. ^ Thomas, Nicholas (ed.). (1990) [1st. Pub. 1965] “Why We Fight”. International dictionary of films and filmmakers (2nd ed). St. James Press. pp.976-979.
  6. ^ Kurash, J. (1 Mar 2009). A Prelude to War. Retrieved from http://www.army.mil
  7. ^ Kurash, J. (1 Mar 2009). A Prelude to War. Retrieved from http://www.army.mil

Bibliography

  • Wilkins, J.N. America’s Christian Foundation. Retrieved from http://reformed-theology.org*German, Kathleen. “Frank Capra’s Why We Fight Series and the American Audience.” Western Journal of Speech Communication 54. (1990): 237-248.
  • Kurash, J. (1 Mar 2009). A Prelude to War. Retrieved from http://www.army.mil
  • Rollins, Peter C (ed.). (2003) “Indoctrination and Propaganda, 1942-1945” The Columbia companion to American history on flim: How the movies have portrayed the American past. Columbia University Press. pp. 118.
  • Thomas, Nicholas (ed.). (1990) [1st. Pub. 1965] “Why We Fight”. International dictionary of films and filmmakers (2nd ed). St. James Press. pp.976-979.
  • Auchincloss, Kenneth (8 March 1999). "Americans Go To War". Newsweek (New York).


External links


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