Private Lessons

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Private Lessons

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Plot

Penned by Dan Greenburg, Private Lessons details the plight of a rich, fifteen-year-old boy (Eric Brown) whose French maid (Sylvia Kristel of the Emmanuelle series) is hired to teach him the finer points of l'amour. A contrived subplot involving a blackmail scheme complicates matters but really only serves as padding between the erotic scenes. In the end, the boy ends up wiser for the wear in more ways than one as he learns all the sordid details. Typical of many early '80s adolescent-oriented T & A films, this entry includes plenty of leering nudity and debauchery, although it seems comparatively tame compared with many others. Surprisingly, Private Lessons was a box-office hit at the time of its release; presumably, many film-goers had seen Kristel in her role as Emmanuelle, although they would have been disappointed to learn a body-double stood in during her love scenes in this case. A similarly-themed film, My Tutor, was released soon after. ~ Jeremy Beday, Rovi

Review

Private Lessons is the prototypical example of 'young man, older woman' subgenre of the teen sex comedy. The teen-seduced-by-older-woman plot hook was novel at the time, and the ambitiously plotted script mixes some blackmail and suspense elements in with the usual sex-comedy high jinx. Even better, Private Lessons is a very well-cast film: Sylvia Kristel fulfills the fantasy-woman role nicely, Eric Brown makes a believably hormonal teen and reliable performers like Howard Hesseman and Ed Begley Jr. flesh out the cast nicely. Unfortunately, Private Lessons doesn't deliver on its modest amount of promise. Dan Greenburg's script fails to craft its workable elements into a tight story, and the limp direction by television vet Alan Myerson makes this a film that crawls at a snail's pace when it should be full of energy. The only parts of Private Lessons that are memorable are the scenes where Kristel seduces Brown and those are more unnerving than they are sexy when one learns Brown was only 16 years old at the time. In short, Private Lessons might function as a wish-fulfillment fantasy for teen boys, but it isn't all that worthwhile as entertainment. ~ Donald Guarisco, Rovi

Cast

Meredith Baer - Miss Phipps; Peter Elbing - Waiter; Dan Barrows - Green; Marian Gibson - Florence; Dan Greenburg - Hotel Owner; Carroll Baker; Crispin Glover; Hal Le Roy

Credit

Linda Pearl - Art Director, Beau Marks - First Assistant Director, Russell Vreeland - First Assistant Director, Alan Myerson - Director, Fred A. Chulack - Editor, Jack Barry - Executive Producer, Don Enright - Executive Producer, Air Supply - Songwriter, Crazy Horse - Songwriter, Earth, Wind & Fire - Songwriter, Eric Clapton - Songwriter, John Mellencamp - Songwriter, Rod Stewart - Songwriter, Willie Nile - Songwriter, Rudy VanWarner - Songwriter, Earl Klugh - Songwriter, Jan de Bont - Cinematographer, R. Ben Efraim - Producer, Irving Oshman - Producer, Dan Enright - Producer, Air Supply - Singer, Crazy Horse - Singer, Earth, Wind & Fire - Singer, Eric Clapton - Singer, John Mellencamp - Singer, Rod Stewart - Singer, Willie Nile - Singer, Rudy VanWarner - Singer, Earl Klugh - Singer, Dan Greenburg - Screenwriter, Dan Greenburg - Book Author

Previous:Private Jones (1933 Film), Private Izzy Murphy (1926 Film)
Next:Private Lessons (2008 Film), Private Lessons: Skiing with Bob Muran (1990 Film)
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  • Genres: Rock

Biography

Conceptual pop duo Private Lessons consists of Jesse Atchison and Darren Tablan, both ex-members of the Minty Fresh new wave band Floraline. Emitting a sound reminiscent of old video games and early-'80s coming-of-age films, the pair's 2004 debut record, False Alarms, was recorded in a small loft in Atlanta, GA, using vintage keyboards, drum machines, and layered Beach Boys-style vocals. It is the first release for No No Records. ~ James Christopher Monger, Rovi
Wikipedia on Answers.com:

Private Lessons (1981 film)

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Private Lessons

Private Lessons theatrical poster
Directed by Alan Myerson
Produced by R. Ben Efraim
Written by Dan Greenburg
Starring Sylvia Kristel
Howard Hesseman
Eric Brown
Ed Begley, Jr.
Pamela Jean Bryant
Meridith Baer
Peter Elbling
Music by Willie Nile
Cinematography Jan de Bont
Editing by Fred A. Chulack
Distributed by Citadel Films
Jenson Farley Pictures
Paramount Pictures
Release date(s) August 26, 1981
Running time 87 minutes
Country United States
Language English
Budget $2,800,000 (estimated)

Private Lessons is the title of an American comedy film released in 1980. The film starred Sylvia Kristel, Howard Hesseman, Eric Brown, and Ed Begley, Jr.[1]

The screenplay was written by Dan Greenburg, who wrote the original source novel, Philly. Greenburg appears as the manager of a fleabag motel in the film.

Released in 1981, Private Lessons was highly controversial from the time of its release, for its plot line of a sexual relationship between a boy in his early teens and his 30-something housekeeper. It was one of Kristel's few major American film appearances; she was best known for her Emmanuelle films in Europe. In early 2006, a 25th anniversary DVD release was issued in North America.

Contents

Plot

Philip "Philly" Fillmore (Eric Brown) is the 15-year-old son of a rich businessman who has left town on an extended summer trip, leaving the young man in the passing care of Nicole Mallow (Sylvia Kristel), a sexy French housekeeper, and Lester Lewis (Howard Hesseman), the family's chauffeur.

Philly becomes infatuated with Nicole. When she spots him peeping into her room, she tells him to close her door. To Philly's utter shock, she means for him to close her door from the inside and then watch her undress. However, it is too much for him when a topless Nicole asks him to touch her breasts. When he objects, she steps back and instead takes off her underwear. Philly panics and leaves.

Later on, he is surprised to find her in his father's bathtub. Once again to his amazement, she asks him to join her in. He objects, but she keeps sweet-talking him until he finally gives in. However, he decides to wear boxer shorts. Once in the bathtub, she spoons and kisses him from behind. When she tries to take off his boxers from behind, he conditions it with turning off the lights. But once she reaches for his private area, he again panics and rushes out. She follows him to apologize, kisses him and directly invites him to sleep with her, the sexual element of which he fails to comprehend at first. After they flirt in a movie theater the following day, he gives in but backs down when she reacts without fondness to the notion of marrying him. One day later, she tells him she guesses they can at least date for a while. After they flirt during their first date in a restaurant, they come back home and finally do sleep with each other.

At this point, the plot thickens. We learn that Nicole is an illegal alien (the film does not specify the circumstances), and she has been blackmailed by the crooked chauffeur, Lester, to help in a larger blackmail plan against Philly. The plot is for Nicole to seduce Philly into sleeping with her and then fake her own death during their intercourse. Lester then "helps" the panicked Philly to secretly bury Nicole. One day later her body disappears and a mysterious note orders Philly to steal $10,000 from his father's safe and pay up to keep the secret.

Nicole has second thoughts, but Lester reminds her that he can expose her to the police as both an illegal alien and a child molester. Nicole has truly fallen in love with Philly, and so she comes back to tell him the truth. Philly convinces his tennis coach (Ed Begley, Jr.) to pose as a police detective, who then intimidates Lester with questions about Nicole’s whereabouts. Eventually Lester is caught with the money before he can fly out of the country. Nicole and Philly return the money to the safe, but they decide not to expose Lester's treachery. In turn, he reluctantly decides not to expose Nicole's illegal alien status nor her acts of child molestation, and as a result, he keeps his job.

As for Nicole's job, she feels Philly's father is bound to discover their affair eventually and decides to leave. But before she does, she finally completes her interrupted intercourse with Philly. The movie ends as Philly returns to high school, thanks his teacher for advising him to find girls whose age is more appropriate for him, and successfully asks her out for dinner, to which his chauffeur will drive them. Then, Philly smiled with excitement, and the film freeze framed.

Music

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Production details

Dan Greenburg wrote the film's screenplay, which he adapted from his own 1969 novel Philly. Producer R. Ben Efraim would produce a number of additional Private... movies over the next decade, including another cult favorite, 1983's Private School (which features Sylvia Kristel in a bit role), and two in-name-only sequels to Private Lessons in 1993 and 1994.

During the bedroom striptease, Judy Helden body-doubled for Sylvia Kristel.

The film was sponsored primarily by Jack Barry & Dan Enright Productions, even though its two chief producers, Jack Barry and Dan Enright, were better known for their game shows on television, of which Barry was the on-camera host and Enright the primary behind-the-scenes producer. The company's primary announcer at the time, Jay Stewart, provided the narration for the commercials and the movie trailers for the film.

The film was also the first picture for Jensen Farley Pictures, a movie studio founded by Rayland Jensen (founder of Sunn Classic Pictures) and his fellow employee, Clair Farley.[2] Sunn and Jensen Farley, both subsidiaries of the Schick razor company, would be sold to Taft Broadcasting in 1980, shortly before this film's release.[3]

Director Alan Myerson and the cinematographer he hired, Jan de Bont, shot their principal photography for the film in Arizona and New Mexico.

In 1985, the film was made in Italian as Il peccato di Lola, starring Donatella Damiani.

References

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