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Professor Longhair

 
Artist: Professor Longhair
See Professor Longhair Lyrics
  • Born: December 19, 1918, Bogalusa, LA
  • Died: January 30, 1980, New Orleans, LA
  • Active: '40s, '50s, '60s, '70s
  • Genres: Blues
  • Instrument: Piano, Vocals, Whistle (Human)
  • Representative Albums: "Fess: The Professor Longhair Anthology," "New Orleans Piano," "Rock 'n Roll Gumbo"
  • Representative Songs: "Tipitina," "Mardi Gras in New Orleans," "Big Chief"

Biography

Justly worshipped a decade and a half after his death as a founding father of New Orleans R&B, Roy "Professor Longhair" Byrd was nevertheless so down-and-out at one point in his long career that he was reduced to sweeping the floors in a record shop that once could have moved his platters by the boxful.

That Longhair made such a marvelous comeback testifies to the resiliency of this late legend, whose Latin-tinged rhumba-rocking piano style and croaking, yodeling vocals were as singular and spicy as the second-line beats that power his hometown's musical heartbeat. Longhair brought an irresistible Caribbean feel to his playing, full of rolling flourishes that every Crescent City ivories man had to learn inside out (Fats Domino, Huey Smith, and Allen Toussaint all paid homage early and often).

Longhair grew up on the streets of the Big Easy, tap dancing for tips on Bourbon Street with his running partners. Local 88s aces Sullivan Rock, Kid Stormy Weather, and Tuts Washington all left their marks on the youngster, but he brought his own conception to the stool. A natural-born card shark and gambler, Longhair began to take his playing seriously in 1948, earning a gig at the Caldonia Club. Owner Mike Tessitore bestowed Longhair with his professorial nickname (due to Byrd's shaggy coiffure).

Longhair debuted on wax in 1949, laying down four tracks (including the first version of his signature "Mardi Gras in New Orleans," complete with whistled intro) for the Dallas-based Star Talent label. His band was called the Shuffling Hungarians, for reasons lost to time! Union problems forced those sides off the market, but Longhair's next date for Mercury the same year was strictly on the up-and-up. It produced his first and only national R&B hit in 1950, the hilarious "Bald Head" (credited to Roy Byrd & His Blues Jumpers).

The pianist made great records for Atlantic in 1949, Federal in 1951, Wasco in 1952, and Atlantic again in 1953 (producing the immortal "Tipitina," a romping "In the Night," and the lyrically impenetrable boogie "Ball the Wall"). After recuperating from a minor stroke, Longhair came back on Lee Rupe's Ebb logo in 1957 with a storming "No Buts - No Maybes." He revived his "Go to the Mardi Gras" for Joe Ruffino's Ron imprint in 1959; this is the version that surfaces every year at Mardi Gras in New Orleans.

Other than the ambitiously arranged "Big Chief" in 1964 for Watch Records, the '60s held little charm for Longhair. He hit the skids, abandoning his piano playing until a booking at the fledgling 1971 Jazz & Heritage Festival put him on the comeback trail. He made a slew of albums in the last decade of his life, topped off by a terrific set for Alligator, Crawfish Fiesta.

Longhair triumphantly appeared on the PBS-TV concert series Soundstage (with Dr. John, Earl King, and the Meters), co-starred in the documentary Piano Players Rarely Ever Play Together (which became a memorial tribute when Longhair died in the middle of its filming; funeral footage was included), and saw a group of his admirers buy a local watering hole in 1977 and rechristen it Tipitina's after his famous song. He played there regularly when he wasn't on the road; it remains a thriving operation.

Longhair went to bed on January 30, 1980, and never woke up. A heart attack in the night stilled one of New Orleans' seminal R&B stars, but his music is played in his hometown so often and so reverently you'd swear he was still around. ~ Bill Dahl, All Music Guide
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Professor Longhair

Background information
Birth name Henry Roeland Byrd
Also known as Fess
Born December 19, 1918(1918-12-19)
Bogalusa, Louisiana
Origin New Orleans, Louisiana
Died January 30, 1980 (aged 61)
New Orleans, Louisiana
Genres Blues, Music of New Orleans
Occupations Musician, songwriter
Instruments Vocals, piano
Years active 1930s-1980
Website professorlonghair.com

Professor Longhair (December 19, 1918 - January 30, 1980) (born Henry Roeland Byrd, also known as Roy "Bald Head" Byrd and as Fess) was a New Orleans, Louisiana blues singer and pianist. Professor Longhair is noteworthy for having been active in two distinct periods, both in the heyday of early rhythm and blues, and in the resurgence of interest in traditional jazz after the founding of the New Orleans Jazz and Heritage Festival.

The journalist Tony Russell, in his book The Blues - From Robert Johnson to Robert Cray, stated "The vivacious rhumba-rhythmed piano blues and choked singing typical of Fess were too weird to sell millions of records; he had to be content with siring musical offspring who were simple enough to manage that, like Fats Domino or Huey "Piano" Smith. But he is also acknowledged as a father figure by subtler players like Allen Toussaint and Dr. John."[1][2]

Contents

Biography

Professor Longhair was born on December 19, 1918 in Bogalusa, Louisiana.[1] He made a living as a street hustler until he started to play piano seriously in his thirties.[1]

Professor Longhair began his career in New Orleans in 1948, earning a gig at the Caldonia Club, where the owner, Mike Tessitore, bestowed Longhair with his stage name (due to Byrd's shaggy coiffure).[3] Longhair first recorded in 1949, creating four songs (including the first version of his signature song, "Mardi Gras in New Orleans," complete with whistled intro) for the Dallas, Texas based Star Talent label. His band was called the Shuffling Hungarians, for reasons lost to time. Union problems curtailed their release, but Longhair's next effort for Mercury Records the same year was a winner.[3] Throughout the 1950s, he recorded for Atlantic Records, Federal Records and other, local labels. Professor Longhair had only one national commercial hit, "Bald Head" in 1950, credited to Roy Byrd & His Blues Jumpers.[3] He also recorded his pet numbers "Tipitina", "Big Chief" and "Go to the Mardi Gras".[1] However, He lacked the early crossover appeal of Fats Domino for white audiences.[1]

After recuperating from a minor stroke, Professor Longhair came back in 1957 with "No Buts - No Maybes."[3] He revived his "Go to the Mardi Gras" in 1959; this is the version that surfaces every year at Mardi Gras in New Orleans.[3]

In the 1960s Professor Longhair's career faltered.[1] He became a janitor to support himself, and fell into a gambling habit.[4]

He appeared at the 1971 New Orleans Jazz and Heritage Festival to restore his standing, and played at the 1973 Newport Jazz Festival and the Montreux Jazz Festival.[1] His recorded live set, Live on the Queen Mary (1978) came from a party given by Paul and Linda McCartney.[1] His single visit to the UK in 1978, was commemorated by The London Concert.[1]

By the 1980s his albums, such as Crawfish Fiesta on Alligator and New Orleans Piano for Atlantic, became readily available across the country.[4] He appeared on the PBS series Soundstage (with Dr. John, Earl King, and The Meters) and co-starred in the film documentary, Piano Players Rarely Ever Play Together.[3] The latter became a memorial tribute when Longhair died in the middle of its filming and his funeral footage was included.[3]

In 1980, Professor Longhair died in his sleep from a heart attack.[3][4]

In 1981 he was inducted into the Blues Hall of Fame. He was awarded a posthumous Grammy for his early recordings released as House Party New Orleans Style, and in 1992 was inducted into the Rock and Roll Hall of Fame.[5]

Discography

References

  1. ^ a b c d e f g h i Russell, Tony (1997). The Blues - From Robert Johnson to Robert Cray. Dubai: Carlton Books Limited. pp. 157. ISBN 1-85868-255-X. 
  2. ^ "Introduction". www.history-of-rock.com. http://www.history-of-rock.com/indx.html. Retrieved June 23, 2008. 
  3. ^ a b c d e f g h "Biography by Bill Dahl". Allmusic.com. http://www.allmusic.com/cg/amg.dll?p=amg&sql=11:gjfpxq85ldke~T1. Retrieved May 28, 2009. 
  4. ^ a b c Oliver (ed.), Paul (1989). The Blackwell Guide to Recorded Blues. Cambridge, MA: Blackwell Publisher. pp. 280–281. ISBN 0-631-18301-9. 
  5. ^ Allaboutjazz.com - accessed May 2009

External links


 
 

 

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