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Psalm 23

 
Album Review: Psalm 23

  • Artist: Eddie James & Colourblind
  • Rating: StarStarStarHalf Star
  • Release Date: March 10, 1998
  • Type: Lyrics are included with the album
  • Genre: Gospel

Review

Eddie James & Colourblind's third album, Psalms 23 is an impressive collection of contemporary Christian music that runs the gamut from traditional performances to urban soul and back to CCM pop. While their songwriting is hit-or-miss, the group's musical skills are exceptional, and that's what makes Psalms 23 such a rewarding, inspirational listening experience. ~ Rodney Batdorf, All Music Guide

Tracks

Track TitleComposersPerformersTime
Psalm 23 James Eddy Eddy James & ColourBlind (5:43)
Colourblind Eddie James Eddy James & ColourBlind (4:27)
Don't Stop Eddie James Eddy James & ColourBlind (4:46)
The Rapture Song Eddie James Eddy James & ColourBlind (4:28)
Oh How I Love You Eddie James Eddy James & ColourBlind (5:17)
A House Eddie James Eddy James & ColourBlind (4:13)
Come and Go with Me Eddie James Eddy James & ColourBlind (4:57)
I Don't Know Eddie James Eddy James & ColourBlind (3:46)
Don't Give Up Eddie James Eddy James & ColourBlind (4:31)
Alright Eddie James Eddy James & ColourBlind (4:11)
His Eye Is on the Sparrow Eddie James Eddy James & ColourBlind (4:28)

Credits

John Gray (Engineer), James Barnes (Engineer), Glenn Barratt (Engineer), Glenn Barratt (Mixing), Paul David (Guitar), Eddie James (Percussion), Eddie James (Arranger), Eddie James (Vocals), Eddie James (Vocals (Background)), Eddie James (Producer), Eddie James (Main Performer), Eddie James (?), Eddie James (Adaptation), Eddie James (Sequencing Production), Jef Lee Johnson (Guitar), Aaron Lindsey (Arranger), Aaron Lindsey (Keyboards), Aaron Lindsey (Producer), Aaron Lindsey (Drum Overdubs), John Reed (Hair Stylist), Jim Simmons (Bass), Bruce Talbot (Photography), Colourblind (Vocals (Background)), Conni Treantafeles (Art Direction), Conni Treantafeles (Design), Grant Birchard (Engineer), Joe Bombaci (Guitar), Terrence James (Drums), Terrence James (Assistant Music Programming), Adam Ranney (Vocals), Adam Ranney (?), Adam Ranney (Associate Producer), Armaan Prieto (Rap), Mark Alano (Art Direction), Mark Alano (Design), Rey Contreras, Jr. (Project Coordinator), Diane Aiello (Make-Up), David Castillo (?)
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Wikipedia: Psalm 23
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In the 23rd Psalm (Greek numbering: Psalm 22) in the Hebrew Bible/Old Testament, the writer describes God as protector and provider. The text, beloved by Jews and Christians alike, has often been set to music.

Contents

In Jewish tradition

A long tradition ascribes authorship of the psalm to King David, said in the Hebrew Scriptures to have been a field shepherd himself as a youth.

Psalm 23 is traditionally sung by Jews in Hebrew at the third Shabbat meal on Saturday afternoon. It is also sung during the Yizkor service. Sephardic and some Hassidic Jews also sing during Friday afternoon services and as part of the Sabbath night and day meals. It is read at a cemetery funeral service instead of the traditional prayer during Jewish holidays.

The standard Hebrew text used in Judaism is the Masoretic text developed between the seventh and tenth centuries CE. The most widely used English translation among Jews is the New JPS Tanakh (1985). An earlier JPS translation, published in 1917, also remains in common use.

In Christian tradition

For Christians the image of God as a shepherd evokes connections not only with David but with Jesus, described as "the Good Shepherd" in the Gospel of John.

Orthodox Christians typically include the Psalm in the prayers of preparation for receiving the Eucharist.

The Reformation inspired widespread efforts in western Europe to make biblical texts available in vernacular languages. One of the most popular early English versions was the Geneva Bible (1557). The most widely recognized version of the psalm in English today is undoubtedly the one drawn from the King James Bible (1611).

The psalm is a popular passage for memorization.

Metrical versions

An early metrical version of the psalm in English was made in 1565 by Thomas Sternhold. Other metrical versions to emerge from the Reformation include those from The Bay Psalm Book (1640)[1] and a version influenced by Sternholm published in the Scottish Psalter (1650).[2] The latter version is still encountered, with modernized spelling, in many Protestant hymns. Other notable metrical versions include those by George Herbert and Isaac Watts.[1]

A traditional pairing puts a metrical version of the psalm with the hymn tune Crimond, which is generally attributed to Jessie Seymour Irvine.[3] This version, with its opening words "The Lord's My Shepherd", is probably the best-known amongst English-speaking congregations. Other melodies, such as Brother James' Air or Amazing Grace, are also used. Other tunes sometimes used include Belmont, Evan, Martyrdom, Orlington, and Wiltshire.[4]

Use in funerals

All traditions in Christianity feature the psalm prominently in funeral services. The Book of Common Prayer (1662) ensured its place in the memorial rituals of English-speaking cultures.

In the twentieth century, Psalm 23 became particularly associated with funeral liturgies in the English-speaking world. Films with funeral scenes often depict a graveside recitation of the psalm, though the official liturgies of English-speaking churches were slow to adopt this practice.

Musical settings

Liturgical and classical

Song

References in popular media and culture

The psalm is often alluded to, and sometimes modified, in popular media.

Song

Film and television

Fiction

Miscellaneous

Media





References

External links


 
 

 

Copyrights:

Album Review. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
Wikipedia. This article is licensed under the Creative Commons Attribution/Share-Alike License. It uses material from the Wikipedia article "Psalm 23" Read more