Psycho III

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Plot

For his third outing as disturbed innkeeper Norman Bates, Anthony Perkins directed as well as starred in the thriller Psycho III. This time out, Norman is still manning the desk at the Bates Motel, where he now has an assistant, Duane (Jeff Fahey), and a new long-term tenant, Maureen Coyle (Diana Scarwid). Maureen has been seeing Duane and has some issues to resolve in her life; she gave up her vows as a nun not long ago, and she isn't sure just how she feels about either spiritual or earthly matters. Norman takes an interest in Maureen, which may not be good for her long-term health -- after all, the last woman with the initials "M.C." who stayed in that room (and used the shower) met with a rather nasty fate. Perkins played Norman Bates one more time, in the made-for-cable Psycho IV: The Beginning; a short-lived TV series followed, Bates Motel, in which Perkins did not participate. ~ Mark Deming, Rovi

Review

This modest but stylish chiller occasionally dips into slasher movie mayhem, but is otherwise surprisingly witty and inspired. Charles Edward Pogue's tidy script skillfully alternates its gruesome bits of business with plenty of snappy dialogue and works in some clever twists, including a new revelation about Norman's mother. It also incorporates some deliciously macabre bits of humor, the funniest bit being a moment where Norman tries to keep the other characters from noticing a body stashed in a nearby icebox. In terms of acting, Anthony Perkins pulls off the difficult balancing act of being both sympathetic and scary as Norman Bates. His work is nicely bolstered by some excellent supporting performances, including Jeff Fahey's reptilian turn as the amoral, silver-tongued drifter out to rip Norman off and Diana Scarwid's affecting work as the vulnerable ex-nun who falls for Norman. Perkins also does a surprisingly accomplished job as director, working in inspired visual quotes from Vertigo and the original Psycho and also staging some unique sequences of his own design (the best is a stunning moment where the suicidal heroine mistakes a backlit Norman for the Virgin Mary). The only real problems with Psycho III are that it sometimes goes a bit too heavy on blood during its shock sequences and also throws in some gratuitous nudity, the most unusual moment being a bizarre and arty sex scene that feels like it was cut in from a Zalman King production. Despite these occasional lapses, Psycho III is a tight little thriller that is likely to please horror fans. ~ Donald Guarisco, Rovi

Cast

Lee Garlington - Myrna; Robert Alan Browne - Statier; Gary Bayer - Father Brian; Patience Cleveland - Sister Margaret; Juliette Cummins - Red; Virginia Gregg - Mother; Steve Guevara - Deputy Leo; Kay Heberle - Ruthie; Karen Hensel - Sister Catherine; Jack Murdock - Lou; Diane Rodriguez - Nun; Donovan Scott - Kyle; Hugo L. Stanger - Harvey Leach; Brinke Stevens - (uncredited body double); Katt Shea Ruben - Patsy; Lisa Ives - Belltower Nun; Angele Ritter - Bartender

Credit

Nancy Nayor - Casting, Peter V. Saldutti - Costume Designer, Denise Schlom - Costume Designer, Anthony Perkins - Director, David Blewitt - Editor, Carter Burwell - Composer (Music Score), Stephen Bray - Songwriter, Carter Burwell - Songwriter, Syd Dutton - Songwriter, David Sanborn - Songwriter, Stanton-Miranda - Songwriter, Mark Reedall - Makeup, Michael Westmore - Makeup, Henry Bumstead - Production Designer, Bruce Surtees - Cinematographer, Hilton A. Green - Producer, Mickey Michaels - Set Designer, Louis R. Cooper - Special Effects, Syd Dutton - Special Effects, Dan Lester - Special Effects, Karl G. Miller - Special Effects, Bill Taylor - Special Effects, Bob Yerkes - Stunts, Charles E. Pogue - Screenwriter

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Psycho III

Theatrical release poster
Directed by Anthony Perkins
Produced by Hilton A. Green
Written by Charles Edward Pogue
Starring Anthony Perkins
Diana Scarwid
Jeff Fahey
Roberta Maxwell
Music by Carter Burwell
Cinematography Bruce Surtees
Editing by David E. Blewitt
Distributed by Universal Pictures
Release date(s)
  • July 2, 1986 (1986-07-02)
Running time 92 min.
Country United States
Language English
Box office $14,482,000 (USA)

Psycho III is a 1986 horror/slasher film. It is the second sequel to Alfred Hitchcock's Psycho. The film stars Anthony Perkins (who also directed the film), Diana Scarwid, Jeff Fahey and Roberta Maxwell. The screenplay is written by Charles Edward Pogue. The original electronic music score is composed and performed by Carter Burwell in one of his earliest projects. The film was a financial failure, becoming the lowest grossing film in the Psycho franchise. It was followed by the cabler, Psycho IV: The Beginning.

Contents

Plot

Maureen Coyle, a mentally unstable young nun, is atop a bell tower and about to commit suicide. Another nun tries to get her to come down, but Maureen accidentally pushes her to her death. Maureen is forced to leave the convent.

Norman Bates is still manning the desk at the Bates Motel and living with the preserved corpse of his "true" mother, Emma Spool. Local law enforcement and Norman's ex-boss, Ralph Statler, are concerned since Mrs. Spool has been missing for over a month. Duane Duke, a sleazy musician desperate for money, is offered the job of assistant motel manager to replace the late Warren Toomey, who was the previous assistant manager who was fired by Norman. Maureen, now a long-term tenant, has some issues to resolve. She isn't sure how she feels about either spiritual or earthly matters.

Sheriff John Hunt and Ralph have a conversation at the diner, when Tracy Venable, a pushy journalist from Los Angeles, interrupts them. She is working on an article about serial killers being put back on the streets. Tracy is trying to back up her theory that Norman is back to his old ways.

Norman appears and Tracy jumps at the chance to talk with him. Unaware of her ulterior motives, Norman opens up to her but is distracted when Maureen enters. He is startled because she strongly resembles his long-ago victim, Marion Crane. Seeing the initials "M.C." on her suitcase, Norman panics and leaves the diner.

After a conversation with "Mother," Norman spies on Maureen as she undresses to take a shower. Keeping "her" word, "Mother" enters Maureen's room. Upon pulling back the shower curtain, it is revealed Maureen has attempted suicide by cutting her wrists, a sight which snaps Norman back to his "normal" side. Due to blood loss, Maureen hallucinates. She mistakes Norman, dressed up as "Mother," for the Virgin Mary holding a silver crucifix.

Norman gets Maureen to the hospital. After she is released, he invites her to stay back at the motel and they begin a romantic relationship.

Duane picks up a girl called "Red" at a bar. They head to Bates Cabin 12 and make love. Red makes it clear she wants more than just a fling and calls him a pig. Duane, infuriated, throws her out. Red calls a cab, but "Mother" shatters the phone booth door and stabs Red to death.

Tourists arrive at the motel, where they plan to watch a local football game. Norman and Maureen go to a restaurant while Tracy searches Mrs. Spool's apartment. She discovers the Bates Motel's phone number written on a magazine cover. Norman and Maureen return to the motel to find most of the other guests engaged in drunken stupor. Norman goes with Maureen to her room and they fall asleep in each other's arms.

Patsy Boyle, the only sober guest, is murdered by "Mother." Norman discovers Patsy's body and he buries her in the motel's ice chest outside the office. The next morning, Sheriff Hunt and Deputy Leo appear to investigate Patsy's disappearance. Norman tries to prevent Hunt from entering his mother's bedroom, when he discovers that "Mother"/Mrs. Spool has disappeared.

Tracy tells Maureen all about Norman's past. This causes Maureen to leave the motel and go stay with Father Brian, who took care of her at the hospital. Norman searches for his mother all over the house and finds a note from her stating that she is in Cabin 12. There he learns it was Duane who took "Mother"/Mrs. Spool.

Duane demands a large sum of money to keep quiet or else he would turn Norman over to the police for the murders. Norman agrees to Duane's blackmail demands, but unexpectedly throws an ashtray at Duane's head. They fight and Norman hits Duane several times with his own guitar, knocking him unconscious while Norman thought he bashed Duane to death.

Tracy talks to Statler and Myrna about Mrs. Spool and discovers she was working at the diner before Statler bought it from Harvey Leach. Tracy meets with Leach, a resident at an assisted living facility, and is informed that Mrs. Spool had also once been institutionalized for murder.

Norman drives Duane's car to the swamp with Duane's and Patsy's bodies in it. Duane turns out to be alive, regains consciousness and attacks Norman, who accidentally drives into the swamp. He struggles out of the car while Duane drowns.

Maureen convinces herself that Norman is her true love and returns to the motel. Norman and Maureen share a tender moment at the top of the staircase when "Mother" shouts furiously at Norman, which startles him. He loses his grip on Maureen's hands. She falls down the stairs into the cupid statue, goes limp and sinks to the floor, revealing the arrow has punctured her skull. Norman screams and promises "Mother" that he will get her for this.

Tracy arrives. She enters the house and finds Maureen dead. Then she sees Norman dressed as "Mother," bearing a knife, but is unable to flee. She tries to reason with Norman by explaining his family history: Emma Spool was his aunt and was in love with Norman's father, but he married her sister, Norma, instead. Mrs. Spool then kidnapped Norman when he was a baby, after she killed Mr. Bates, believing Norman was the child "she should have had with him." When she got caught, Norman was returned to Norma while Mrs. Spool was institutionalized.

Tracy discovers Mrs. Spool's corpse in the bedroom. Norman takes off his dress. "Mother" orders him to kill Tracy, but when Norman raises the knife, he brutally attacks "Mother" instead, dismembering Mrs. Spool's preserved remains.

Sheriff Hunt takes Norman to his squad car, with Father Brian and Tracy following behind. Hunt informs Norman that they may never let him out of the institution again, Norman replies: "But I'll be free...I'll finally be free."

Norman, sitting silently in the back of the squad car, caresses a trophy: the severed hand of Mrs. Spool.

Cast

Music

There were many songs recorded for Psycho III, some of them were performed by Stanton Miranda. Carter Burwell composed the main soundtrack and also some songs that play on the jukebox in the diner and on the radios in cars. The soundtrack for Psycho III was originally released on MCA Records.

The song Scream of Love was released as a single on vinyl only. The dance remixes by Arthur Baker was featured on the 12" vinyl. MCA commissioned a music video featuring Carter Burwell, Anthony Perkins and a Hitchcockian woman. Perkins presented the video on MTV as a guest VJ.

Release

When the film opened on July 4, 1986, it earned $3,238,400 in its opening weekend and went on to gross about $14,481,606 million at the domestic box office, becoming the lowest grossing theatrical film of the Psycho movie franchise.[1]

Psycho III has been released three times on DVD. The initial release came in 1999 when Universal Studios leased the film out to GoodTimes Home Video.[2] This release is currently out of print. The second release came in 2005 from Universal Studios itself.[3] The third release came in 2007 as part of a triple feature package with Psycho II and Psycho IV: The Beginning.[4]

Reception

The film received mixed to positive reviews from critics when first released. Roger Ebert gave the film three out of four stars saying: "Any movie named "Psycho III" is going to be compared to the Hitchcock original, but Perkins isn't an imitator. He has his own agenda. He has lived with Norman Bates all these years, and he has some ideas about him, and although the movie doesn't apologize for Norman, it does pity him. For the first time, I was able to see that the true horror in the "Psycho" movies isn't what Norman does - but the fact that he is compelled to do it." Vincent Canby of The New York Times said: "It has a cast of talented, self-effacing actors, who don't upstage the material, and an efficient screenplay by Charles Edward Pogue, who doesn't beat you over the head to prove that he has a sense of humor." Ken Hanke of Mountain Xpress called the film a "superior horror sequel stylishly made by star Anthony Perkins". Dave Kehr of The Chicago Reader said: "Perkins tries to imitate Hitchcock's visual style, but most of the film is made without concern for style of any kind, unless it's the bludgeoning nonstyle of Friday the 13th." Variery called the film: "dependent almost entirely upon self-referential incidents and attitudes for its effect, and it eventually becomes wearying."

See also

References

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Jeff Fahey (Actor, Action/Drama)
Diana Scarwid (Actor, Drama)
Lee Garlington (Actor, Drama/Comedy)
Carter Burwell (Classical Musician)
Anthony Perkins (Actor, Director, Writer, Drama/Thriller)