Public Access is a 1993 film directed by Bryan Singer, who also wrote the screenplay with Christopher McQuarrie and Michael Feit Dougan. It was a joint winner of the Grand Jury Prize at the 1993 Sundance Film Festival.
Plot
A clean cut drifter ends up in a small town called Brewster. Getting wind of the local public access television station, the man decides to host his own show called What's Wrong With Brewster? which becomes a focal point for town citizens to call in and voice their problems anonymously. However, things start to get ugly and tensions rise for the show, which begins to elevate the man's signature catchphrase "What's wrong with Brewster?" into an entirely new subject for the people of Brewster, when the town becomes embroiled in a mess its created, driven by a man whose intentions might be far more sinister than he appears to be.
Cast
- Ron Marquette
- Dina Brooks
- Burt Williams
- Larry Maxwell
- Charles Kavanaugh
- Brandon Boyce
- Margaret Kerry
- Randall Slavin
- Liz Dilts
- Mark Norling
- Jason Valance
Production
Bryan Singer, Christopher McQuarrie, and Michael Feit Dougan wrote the screenplay for Public Access. Singer directed the screenplay in 1992 on a budget of $250,000 and with a schedule of 18 days. The director recalled the production experience, "Chris and I look at that film and wince a little. Part of our reaction is, 'Wow, look what we did then. It was so small and undeveloped.' Part of it is reliving the circumstances of the days we filmed each scene. This production was fraught with 100 times more turmoil than Usual Suspects—every day was a crisis. And then we also feel very nostalgic about it." Singer compared Public Access's themes to his follow-up film The Usual Suspects, "[T]he two films are similar in the notion of things not always being what they seem. They're also about audiences' projections on a stranger. In many ways, Verbal in The Usual Suspects is an extension of Whiley, by being a foil for our projections. Both films are about telling stories and provoking, which segues into my style—using sound and images and music to create tension."[1]
Reception
When Public Access screened at the 1993 Sundance Film Festival, it was one of the two films to win the Grand Jury Prize in dramatic competition, sharing the award with Ruby in Paradise.[2]
Variety called Public Access a "technically proficient" film considering its small budget and schedule. The trade paper observed, "What Singer and his co-scenarists seem to be getting at is a critique of Reagan-era greed, hypocrisy and antihumanism, as well as a commentary on the power of the media and its ability to distract the public from issues with attractive surfaces." It summarized, "This very low-budget study of malaise lurking beneath the tranquil surface of a typical small American town is serious-minded and bounces around some provocative ideas, but is vague about important matters as key story points, motivation and overriding theme."[3]
Time Out Film Guide described Public Access as "this chilly little parable [that] taps into the poisonous well-springs of the middle-American psyche". The magazine reviewed, "The film is overly measured, with lots of slow zooms and slow motion (even the actors seem to be on go-slow), but it's engrossing, and Marquette [who plays Whiley Pritcher] is a genuinely scary customer, a dry-cleaned all-American sociopath."[4] In contrast, The Hollywood Reporter's Henry Sheehan wrote of Public Access as "a virtuosically stylish independent feature that is as full of flourishes as it is devoid of meaning". Sheehan found the film "visually... ingenious" and that the soundtrack had "an inventive sophistication". Despite the highlights, he felt that Public Access's characters were "mere exigencies" and that the film could be "in the service of a more coherent or articulate story".[5]
References
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