Representative Albums: "Wunderland," "Inland," "Home Taping Is Killing Music"
Biography
Pyrolator was the solo guise of German synth experimenter Kurt Dahlke, best known as a member of the groundbreaking (if underexposed) post-punk/synth pop band Der Plan. Like that group, Pyrolator was chiefly inspired by the synthetic sleekness of Kraftwerk and the dissident surrealism of the Residents, fitting squarely into the emerging German new wave movement. However, Dahlke also drew from the experimental side of post-punk, employing proto-industrial beats and tape collages for a distinctly off-kilter brand of electronic pop.
Dahlke began his career as a charter member of D.A.F., helping to found the Ata Tak label that issued their first album, but left that group very early on to pursue other projects. He quickly formed Der Plan with Frank Fenstermacher and Moritz "RRR" Reichelt, but actually beat his new band to the punch by issuing Inland, his debut album as Pyrolator, on Ata Tak in 1979. Using found environmental sounds and implicit social commentary in place of lyrics, Inland received positive reviews in Germany and earned Pyrolator a cult following. The 1981 follow-up, Ausland, was even more acclaimed, expanding Dahlke's audience, and got some positive notice in England as well. Third album Wunderland appeared in 1984, the same year Dahlke teamed up with A.K. Klosowski for the groundbreaking sampling experiment Home Taping Is Killing Music. Meanwhile, Dahlke continued to record extensively with Der Plan, and also served as a producer for numerous other German artists. His final album as Pyrolator arrived in the form of 1987's Traumland, although he did team up with Linda Sharrock and Frank Samba for Every 2nd, a collaborative album of music for the German Olympic pavilion at the 1988 Seoul Games. A similarly conceived single, "Ficcion Disco," appeared in 1992.
Other than that, Dahlke stayed with Der Plan into the mid-'90s, and also continued his production work. When Der Plan disbanded, Dahlke and Frank Fenstermacher reteamed under the name A Certain Frank, issuing the first of several albums in 1996. Still involved with Ata Tak, Dahlke also served as producer and remixer for contemporary electronica artists, including Kreidler, To Rococo Rot, and Stereo Total, among others. ~ Steve Huey, All Music Guide
