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Qiang

 
Artist: Lei Qiang
Lei Qiang

Similar Artists:

  • Active: '80s, '90s
  • Genres: World
  • Instrument: Erhu
  • Representative Albums: "Chinese Traditional Erhu Music," "Chinese Traditional Erhu Music, Vol. 1," "Chinese Traditional Erhu Music, Vol. 2"

Biography

Lei Qiang is an erhu player (an ancient Chinese violin) with a classical/traditional background. Since he emigrated to Canada in 1993, he has had an active career both in traditional and pop circles, releasing solo CDs, recording on albums by Quebec singers Robert Charlebois, Bruno Pelletier and Gildor Roy, and touring with the widely popular circus troupe Cirque du Soleil.

Born in 1960 in the Shaanxi province of the People's Republic of China, Qiang started to play the erhu at the age of 15. From 1978 to 1982 he studied at the Xian Conservatory of Music, the most prestigious traditional music institution in the province. For the next decade he toured China and made appearances in Japan and Hong Kong with the Shaanxi Provincial Song and Dance Troupe.

Following an invitation to perform in the Chinese Garden at the Montreal Botanical Garden, Lei emigrated to Canada and settled in Montreal in the summer of 1993. In-between rare engagements, he resorted to street playing. It is while he was performing a set on Sainte-Catherine street that record producer Paul Etch noticed him. The encounter turned Etch, once a rock music bassist, to world music. He immediately invited Lei to his studio to record a demo tape of solo erhu. It was well received and the pair decided to record a "real" album. They asked the Shaanxi Provincial Song and Dance Troupe to record arrangements of traditional pieces, to which Lei overdubbed the lead erhu parts in Montreal. The CD Chinese Traditional Erhu Music (Vol. 1) came out in 1995 on Etch's newly incepted Oliver Sudden Productions imprint. It revealed the underground Chinese culture of the city to the masses and attracted well-deserved attention.

Soon Lei was invited to perform at multicultural festivals in Montreal and throughout Quebec. Adult pop singer Bruno Pelletier asked him to perform on his 1995 album Défaire l'Amour. He also appeared on country-pop singer Gildor Roy's Plein l'Dos (1996) and performed at the 1996 Gathering of Nations Pow-Wow in Albuquerque, New Mexico. In 1997, Lei released a second album on Oliver Sudden and toured Canada with pipa player Liu Fang. He also played erhu on some tracks from Cirque du Soleil's Quidam soundtrack and accompanied the Cirque in Las Vegas for the production O in 1998. He has slowed down his activities since then. ~ François Couture, All Music Guide
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Wikipedia: Qiang (spear)
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Qiang (spear)

Xhy0.jpg

Chinese name
Traditional Chinese
Simplified Chinese
Japanese name
Kana やり
Shinjitai
It is also used unofficially
in TW, HK, MO and KR.
Korean name
Hangul 창,쟁
Vietnamese name
Quốc ngữ thương, sang

Qiang (simplified Chinese: traditional Chinese: pinyin: qīang) is the Chinese term for spear. Due to its relative ease of manufacture, the spear in many variations was ubiquitous on the pre-modern Chinese battlefield. It is known as one of the four major weapons, along with the Gun (staff), Dao (sabre), and the Jian (sword), called in this group "The King of Weapons".

Common features of the Chinese spear are the leaf shaped blade and red horse-hair tassel lashed just below.

Qiang event at the 10th All China Games

When the spear is moving quickly, the addition of the tassel aids in blurring the vision of the opponent so that it is more difficult for them to grab the shaft of spear behind the head or tip. The tassel also served another purpose, to stop the flow of blood from the blade getting to the wooden shaft (the blood would make it slippery, or sticky when dried). The length varied from around 7 feet (2 meters) long, commonly used by infantry, increasing up to the length of 13 feet (4 meters) favoured by cavalry. The spear is typically made of wax wood, a strong but flexible wood. It bends to absorb impact preventing breakage. The bending motion combined with the horse hair tassel makes the spear tip very hard to follow.

Although most Chinese spears are about 2 meters long and have one spear head, shorter versions of the spear used in pairs or double-headed spears used singly or in pairs exist as well.

Many Chinese martial arts feature spear training in their curriculum. The conditioning provided by spear technique is seen as invaluable and in many styles it is the first weapons training introduced to students. Moreover, some schools of empty handed fighting in China credit spear technique as their foundation, notably Xingyiquan and Bajiquan.

See also


Contemporary Wushu
Main Taolu Events
Sparring
ChangquanDaoQiangJianGun Sanda
NanquanNandaoNangun
Related
TaijiquanTaijijian International Wushu Federation
World Wushu Championships

 
 
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Artist. Copyright © 2009 All Media Guide, LLC. Content provided by All Music Guide ®, a trademark of All Media Guide, LLC. All rights reserved.  Read more
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