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Dictionary:

quantum jump


n.
  1. Abrupt change from one energy level to another, especially such a change in the orbit of an electron with the loss or gain of a quantum of energy.
  2. A quantum leap.

 
 
Artist: Quantum Jump

Representative Albums:

Barracuda, Quantum Jump, Mixing

Similar Artists:

Mr. So & So, Katmandu
  • Genre: Rock
  • Active: '70s

Biography

By 1975, Rupert Hine was already beginning to gain credibility as a producer and session musician, but he had also released two of that era's most cryptic solo albums in Pick Up a Bone and Unfinished Picture. The latter in particular demonstrated that Hine had few peers when it came to shaping elaborate instrumental textures and atmospheres without departing from a song-based format. Most listeners' overriding feeling on hearing them, however, was one of perplexity, and sales were correspondingly minuscule. But throughout his career, Hine has shown himself perfectly willing to rein in his more experimental tendencies for the sake of shifting a few more units. In the '80s, for instance, he largely subsumed the complexities of his three solo albums for Island beneath the hard and shiny surface of his faux band, Thinkman. And that's pretty much what he did in 1975 when he formed Quantum Jump, which is not to say that the band represented a blatant bid for chart success -- far from it. But in stark contrast to the somewhat austere Unfinished Picture, Quantum Jump's first album wasn't afraid to get funky.

The band formed after Hine became a regular visitor to a countryside studio owned by drummer Trevor Morais. The two became the nucleus of Quantum Jump and were soon joined by bassist John G. Perry, recently a member of Caravan and a regular contributor to Hine's solo work and his early productions of albums by Kevin Ayers and Yvonne Elliman. Auditions for a guitarist followed, during which Andy Summers was among those passed over, but the job eventually went to the Washington, D.C.-born Mark Warner. The final ingredient was provided by lyricist David MacIver, with whom Hine had made his first recordings in 1966 as Rupert & David. One song, however ("Starbright Park"), had lyrics by Jeanette Obstoj, marking the beginning of a working relationship that continued long after Quantum Jump's demise, and which would one day find them writing for Tina Turner.

Inspired by Warner's formidable technique and by their love of the Mahavishnu Orchestra, the bandmembers wanted to see if it were possible to combine jazz-rock arrangements with a pop sensibility. Things looked promising when their first single -- the untypically whimsical "The Lone Ranger" (which hinted that the Masked Man had a crush on Tonto) -- became a minor hit in the U.K. The album, though, steadfastly refused to follow suit, and for the band's follow-up, Barracuda, a more polished style closer in spirit to progressive rock was adopted. Needless to say, 1976 was not the year to be launching a new prog rock band, and Quantum Jump folded soon after. ~ Christopher Evans, All Music Guide
 
WordNet: quantum jump
Note: click on a word meaning below to see its connections and related words.

The noun has 2 meanings:

Meaning #1: (physics) an abrupt transition of an electron or atom or molecule from one quantum state to another with the emission or absorption of a quantum

Meaning #2: a sudden large increase or advance
  Synonym: quantum leap


 
Wikipedia: Quantum Jump
See quantum leap for the concept in physics from which this band derived its name.

Quantum Jump was a 1970s British cult band, consisting of Rupert Hine, Mark Warner, John G. Perry and Trevor Morais. (Hine went on to become the successful producer of more than 100 albums for artists as varied as Tina Turner, Bob Geldof, Chris de Burgh, The Thompson Twins, Stevie Nicks, Rush, The Waterboys, Suzanne Vega, Duncan Sheik, The Fixx and Howard Jones.)

Quantum Jump's sound was a hybrid of fusion, funk and jazz rock. Quantum Jump scored a considerable hit in 1979 with their single "The Lone Ranger", which had been widely played by Kenny Everett on both his radio and TV shows. The single features an altered and extended chant of the name Taumatawhakatangihangakoauauotamateaturipukakapikimaungahoronukupokaiwhenuakitanatahu, the Māori name of a hill in Hawke's Bay, New Zealand, but made to sound on the record as if it were Native American, in keeping with the Lone Ranger and Tonto theme. On the record the chant goes:

Taumata-whaka-tangi-hanga-kuayuwo
tamate-aturi-pukaku-piki-maunga
horonuku-pokaiawhen-uaka-tana-tahu
mataku-atanganu-akawa-miki-tora

Hine appeared to form another band in the mid 1980s, called Thinkman; this band was, however, another name for Hine's solo recordings.
In addition, there is the Soundtrack album Better Off Dead on A&M, Rupert Hine, Cy Curnin (The Fixx), Martin Ansell, Terri Nunn, Thinkman, E. G. Daily. The production is centered on Rupert Hine, and this is the first appearance of Thinkman.

Discography

  • Quantum Jump (1976)
  • Barracuda (1977)
  • Mixing (remix collection, 1979)

The first two albums have since been issued on CD. The remixes featured on Mixing have been added as bonus tracks to the original albums.


 
 

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Copyrights:

Dictionary. The American Heritage® Dictionary of the English Language, Fourth Edition Copyright © 2007, 2000 by Houghton Mifflin Company. Updated in 2007. Published by Houghton Mifflin Company. All rights reserved.  Read more
Artist. Copyright © 2008 All Media Guide, LLC. Content provided by All Music Guide ® , a trademark of All Media Guide, LLC. All rights reserved.  Read more
WordNet. WordNet 1.7.1 Copyright © 2001 by Princeton University. All rights reserved.  Read more
Wikipedia. This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Quantum Jump" Read more

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