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Radley Metzger

 
Director: Radley Metzger
  • Born: Jan 21, 1929 in New York City, New York
  • Occupation: Director, Writer
  • Active: '60s-'70s
  • Major Genres: Drama, Adult
  • Career Highlights: Score, The Lickerish Quartet, The Cat and the Canary
  • First Major Screen Credit: Dark Odyssey (1961)

Biography

Entering the film business immediately after college graduation, Radley Metzger gradually evolved into the "Lord of the Flies" in the field of soft-core sex films. After six years of producing and directing such bachelor-party attractions as The Dirty Girls (1965) and The Alley Cats (1966), Metzger gained respectability when he served as American distributor of the critically acclaimed Swedish feature I Am Woman (1966). Metzger's brand of elegant erotica usually stops short of actual on-screen penetration; when he oversteps his bounds, as in 1981's The Tale of Tiffany Lust, he uses the pseudonym of Henry Paris. Radley Metzger's one and only mainstream film was the stylish and inventive 1978 remake of the war-horse murder mystery The Cat and the Canary; but even when presented with tried-and-true material, Metzger can't resist including a sex-deviate villain, who takes orgasmic delight in describing what tortures he has in store for tremulous (and underclad) heroine Carol Lynley. ~ Hal Erickson, All Movie Guide
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Radley Metzger (born January 21, 1929) is an American filmmaker and distributor. He is also credited under the pseudonym Henry Paris, a name he adopted in the 1970s when he began to direct hardcore pornography.

Metzger was born in New York City. In his early career, he worked primarily as a film editor[1] employed in cutting trailers for European art films. His directorial debut, Dark Odyssey (1958) did poorly at the box office, however was well received by some critics.[1] He cites John Farrow, Michael Powell and Orson Welles as influencing his work.[1] His films have had scores written by composers including Piero Piccioni, Georges Auric, Georges Delerue and Stelvio Cipriani.[1]

Along with Ava Leighton, he founded Audubon Films in the early 1960s, a film distribution company that specialized in importing European features to exploit in the gradually expanding sexploitation film market. Metzger's skills as an editor were employed in re-cutting and augmenting many of the features Audubon handled, including I Spit on Your Grave and I, a Woman.[1] Metzger's second significant directorial effort, The Dirty Girls was released in 1965. The company's first run-away success was Mac Ahlberg's I, a Woman (U. S. 1966).

As an auteur, Metzger is considered to be among the more stylish directors of the sexploitation and porno chic eras. He often shot films in Europe,[1] and collaborated a number of times with cinematographer Hans Jura. Several of his films were adopted from novels or other literary sources, including La Dame aux Camellias, Carmen, Pygmalion, Therese and Isabelle and Naked Came the Stranger, Misty and The Cat and the Canary.[1]

As "Henry Paris,"[1] Metzger is also respected for a handful of explicit pornographic features typified by high production values, especially The Opening of Misty Beethoven (1975) and The Private Afternoons of Pamela Mann (1975). The five films he made as Henry Paris were all made as both softcore and hardcore versions.[1] Score and The Punishment of Anne were released in both soft and semi-hardcore versions in an attempt to reach a mainstream audience.[1]

Metzger retired from filmmaking in 1984.

Contents

Selected filmography

Awards

In 1976 The Opening of Misty Beethoven won the first Award of the Adult Film Association of America (AVN Award) in the categories Best Director (as Henry Paris), Best Film and Best Actor (Jamie Gillis). In 2002 the production won Best Classic Release on DVD.

Notes

  1. ^ a b c d e f g h i j A Talk with Radley Metzger (Interview)

Further reading

  • Legs McNeil, Jennifer Osborne: The Other Hollywood: The Uncensored Oral History of the Porn Film Industry. Regan Books, 1. Aufl., 2006. ISBN 0-060096-60-8

External links


 
 

 

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