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Ralph Rosenblum

 
Director: Ralph Rosenblum
Home > Library > Entertainment & Arts > Actors
  • Born: Oct 13, 1925 in Brooklyn, New York City, New York
  • Died: Sep 06, 1995 in New York City
  • Occupation: Director
  • Active: '60s-'80s
  • Major Genres: Drama, Comedy
  • Career Highlights: Annie Hall, The Producers, The Pawnbroker
  • First Major Screen Credit: Country Music Holiday (1958)

Biography

A former shipping clerk and messenger, Ralph Rosenblum served with the Office of War Information during World War II. Rosenblum worked as an apprentice editor in the OWI's film department, which led to a postwar assignment as assistant editor on Robert Flaherty's The Louisiana Story (1948). He spent most of the 1950s as a TV film editor, graduating to theatrical features with 1958's Country Music Holiday. In the early 1960s, Rosenblum was one of the most trusted associates of filmmaker Sidney Lumet, editing such major Lumet productions as Long Day's Journey Into Night (1962), Fail-Safe (1964) and The Pawnbroker (1965). One of Rosenblum's favorite devices was to insert nouvelle vague-style flashbacks and flashforwards to break up otherwise static scenes, or to provide crucial plot points that the director had overlooked. He also had a fondness for using seemingly incongruous background music as comic punctuation: in both A Thousand Clowns (1965, which he also co-produced) and The Night They Raided Minsky's (1967), he pepped up slow-moving scenes with rousing renditions of "The Hallelujah Chorus." In his autobiography When the Shooting Stops...the Cutting Begins: A Film Editor's Story, Rosenblum claimed to have saved the maiden directorial efforts of Mel Brooks (The Producers) and Woody Allen (Take the Money and Run) by ruthlessly pruning miles of chaotic footage and imposing strict rules of continuity. While Brooks would later refute Rosenblum's claims, it is clear that Allen appreciated the editor's artistic "intrusions," since he employed Rosenblum as editor of his subsequent features Sleeper (1973), Love and Death (1975), Annie Hall (1977) and Interiors (1978). Annie Hall won Rosenblum the British equivalent of the Academy Award. Rosenblum turned director himself in 1980, helming several of PBS' American Playhouse projects ("The Man Who Corrupted Hadleyburg," "Greatest Man in the World," "Any Friend of Nicholas Nickelby is a Friend of Mine") and one theatrical feature, Stiffs (1986). Ralph Rosenblum spent his last years working out of his New York headquarters as an editorial consultant. ~ Hal Erickson, All Movie Guide
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Wikipedia: Ralph Rosenblum
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Home > Library > Miscellaneous > Wikipedia
Ralph Rosenblum
Born October 13, 1925(1925-10-13)
Brooklyn
Died September 6, 1995
Manhattan
Occupation film editor

Ralph Rosenblum (October 13, 1925 – September 6, 1995) was an American film editor who worked extensively with the directors Sidney Lumet and Woody Allen. He won the 1977 BAFTA Award for Best Editing for his work on Annie Hall, and published an influential memoir When the Shooting Stops, the Cutting Begins: A Film Editor's Story.[1]

Towards the end of the Second World War, Rosenblum worked as a filmmaking apprentice in the U. S. Office of War Information; among his mentors there were Sidney Meyers and Helen van Dongen.[2] Following the war he became van Dongen's assistant while she was editing Robert Flaherty's film Louisiana Story (1948). Much of Rosenblum's work in the 1950s and early 1960s was in television; he worked on shows such as The Search, Omnibus, The Guy Lombardo Show, and The Patty Duke Show. With Sid Katz and Gene Milford, he formed a company, MKR Films, that provided editorial services for television shows, spots, and corporate films.[3]

In the 1960s, Rosenblum edited five films directed by Sidney Lumet, starting with Long Day's Journey into Night (1962). These films, which were all serious dramas, were very important to Rosenblum's career; as John Gallagher has noted,[3]

Fail-Safe and The Pawnbroker demonstrated Rosenblum's editorial finesse. The montage ending of Fail Safe, depicting the last few moments of life on earth, and the use of concentration camp flashbacks in The Pawnbroker, brought Rosenblum his first industry recognition.

Paul Monaco has summarized Rosenblum's editing innovations on The Pawnbroker, as well as their influence, as follows, "In his work on The Pawnbroker, Rosenblum imitated devices from several French films of the previous decade, but he also extended them. Like Dede Allen, Rosenblum broke editing conventions and rules. More importantly, and like her also, his innovations shifted editing away from its traditional reliance on telling a story to the creation of a new and penetrating subjectivity in the feature film."[4]

In 1966, Rosenblum was nominated for an American Cinema Editors "Eddie" award (Best Editing of a Feature Film) for A Thousand Clowns (1965), which was directed by Fred Coe.

In 1968, Rosenblum was hired as an "editorial consultant" to help a young Woody Allen hone a large amount of footage into what became Allen's first film, the mockumentary Take the Money and Run. Rosenblum went on to edit the next five of Allen's films, including Annie Hall, for which he won the 1977 BAFTA Award for Best Editing (with Wendy Greene Bricmont). Interiors (1978) was Rosenblum's last film with Allen. Rosenblum declined to edit Allen's 1979 film, Manhattan. Susan E. Morse, who had been Rosenblum's assistant editor on several of Allen's films, became his successor and edited Allen's films for the ensuing twenty years.

In 1979, Rosenblum published a book written with Robert Karen, When the Shooting Stops, the Cutting Begins: A Film Editor's Story.[1] Gallagher described the importance of this book as follows:[3]

Ralph Rosenblum did a service to editors everywhere with the 1979 publication of his memoir When the Shooting Stops . . . the Cutting Begins, a popular volume which gave the first insider's explanation of what really goes into film editing. ... In the book Rosenblum revealed that he had saved several films by creatively reshaping the footage, such as William Friedkin's The Night They Raided Minsky's and Woody Allen's first major film as a director, Take the Money and Run. Rosenblum's revelations helped bring credit to the film editing profession, and forced scholars to reconsider editorial contributions.

Rosenblum worked as a director for about five years, commencing with the documentary film Acting Out (1980). His films included Summer Solstice (1981), which was made for television and which was actor Henry Fonda's last film.

Rosenblum taught film and film editing at Columbia University for a number of years until his death in 1995.[5]

Selected filmography (editor)

The director of each film is indicated in parenthesis.

References and external links

  1. ^ a b Rosenblum, Ralph; Karen, Robert (1979). When the Shooting Stops, the Cutting Begins: A Film Editor's Story. New York: Viking Adult. ISBN 978-0670759910. 
  2. ^ Miller, Loren (undated). "Remembering Ralph Rosenblum," webpage archived at WebCite from this original URL on 2008-03-02.
  3. ^ a b c Gallagher, John A. (2000). "Ralph Rosenblum". in Pendergast, Tom; Pendergast, Sara. International Dictionary of Film and Filmmakers, Edition 4. St. James Press. ISBN 978-1558624498. http://www.filmreference.com/Writers-and-Production-Artists-Po-Ro/Rosenblum-Ralph.html. Retrieved December 24, 2007. 
  4. ^ Monaco, Paul (2003). The Sixties, Vol. 8 of the History of the American Cinema, Charles Harpole, general editor (University of California Press, ISBN 978-0520238046), pp. 92-94.
  5. ^ "Ralph Rosenblum, Film Editor, 69". The New York Times. September 8, 1995. http://query.nytimes.com/gst/fullpage.html?res=990CE6DF143EF93BA3575AC0A963958260&sec=&spon=&partner=permalink&exprod=permalink. 

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