




| Rastaman Say (2003 Album by Errol Blackwood) | |
| Rastaman Vibration [Bonus Track] (1976 Album by Bob Marley & the Wailers) |
| Rastaman Vibration | ||||
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| Studio album by Bob Marley & The Wailers | ||||
| Released | April 30, 1976 | |||
| Recorded | Harry J. Studios, Joe Gibbs Studio, Kingston, Jamaica, late 1975–early 1976 | |||
| Genre | Reggae | |||
| Length | 35:21 | |||
| Label | Island Tuff Gong (reissue) |
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| Producer | Bob Marley & The Wailers | |||
| Bob Marley & The Wailers chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic | |
| Robert Christgau | B+[2] |
| Rolling Stone (Not Rated) | (1976)[3] |
| Rolling Stone | |
Rastaman Vibration is a roots reggae album by Bob Marley & The Wailers released on April 30, 1976. The album was a great success in the USA, becoming the first (and only) Bob Marley release to reach the top ten on the Billboard 200 charts (peaking at No. 8), in addition to releasing Marley's most popular US single ("Roots, Rock, Reggae" was the only Bob Marley single to reach the Billboard Hot 100 charts, peaking at No. 51). Synthesizers are featured prominently on this album, adding a breezy embellishment to otherwise hard-driving songs with strong elements of rock guitar. This is one of the three Wailers solo albums released in 1976, along with Bunny Wailer's album Blackheart Man and Peter Tosh's Legalize It.
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Although the album's liner notes list multiple songwriters, including family friends and bandmembers, all songs were written by Marley. Marley was involved in a contractual dispute at the time with his former publishing company, Cayman music.
Vincent Ford, a childhood friend from Jamaica, was given writing credit for "No Woman, No Cry" on the 1974 album Natty Dread, as well as the songs "Crazy Baldheads" (with Marley's wife Rita), "Positive Vibration" and "Roots Rock Reggae" from the 1976 album Rastaman Vibration, along with "Inna De Red" and "Jah Bless" with Marley's son, Stephen.[5][6]
Marley had not wanted his new songs to be associated with Cayman and it was speculated, including in his obituary in The Independent, that he had put them in the names of his friends and family members as a means of avoiding the contractual restrictions and to provide lasting help to family and close friends.[5]
Marley's widow and his former manager Danny Sims sued to obtain royalty and ownership rights to the songs, claiming that Marley had actually written the songs but had assigned the credit to Ford to avoid meeting commitments made in prior contracts. A 1987 court decision favored the Marley estate, which assumed full control of the songs.[6]
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