| Realengo 18 (1962 Film), Real: The Movie (2005 Film) | |
| Reality Check (2006 Film), Reality Kills (2002 Film) |
| Reality Bites | |
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Theatrical release poster |
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| Directed by | Ben Stiller |
| Produced by | Danny DeVito Michael Shamberg Bill Finnegan |
| Written by | Helen Childress |
| Starring | Winona Ryder Ethan Hawke Ben Stiller |
| Music by | Karl Wallinger |
| Cinematography | Emmanuel Lubezki |
| Editing by | Lisa Zeno Churgin John Spence |
| Distributed by | Universal Studios |
| Release date(s) | February 18, 1994 |
| Running time | 99 minutes |
| Country | United States |
| Language | English |
| Budget | $11,500,000 |
| Box office | $33,351,557 |
Reality Bites is a 1994 American romantic comedy-drama film written by Helen Childress and featuring the directorial debut of Ben Stiller. It stars Winona Ryder, Ethan Hawke and Stiller, with major supporting roles played by Janeane Garofalo and Steve Zahn. The film was shot on location in Austin and Houston, Texas in 42 days. The plot is centered on Lelaina (Ryder), an aspiring videographer working on a documentary called Reality Bites about the disenfranchised lives of her friends and roommates (Hawke, Garofalo, and Zahn), and to a certain degree, about Lelaina herself. Their challenges, both documented and not, exemplify some of the career and lifestyle choices faced by Generation X.
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Contents
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The film focuses on four friends living in Houston. Long-time friend, temporary roommate and coffee-house guitarist Troy (Ethan Hawke) and budding filmmaker Lelaina (Winona Ryder) are attracted to each other, though it's an attraction that neither of them has really acted upon, one alcohol-influenced event in the past notwithstanding. He's a slacker, nihilist and grunge rock musician by night, losing job after job in a series of minimum wage dead end endeavors during the day – the last of which he loses early in the film for stealing a candy bar from his employer. Lelaina on the other hand was valedictorian of her university, and has aspirations to become a documentarian, although initially having to settle for a position as production assistant to a rude and obnoxious TV host (which is very different from the persona he portrays on his show).
Lelaina meets Michael (Ben Stiller) when she throws a cigarette into his convertible, causing him to crash into her car. The two soon begin to date. He works at an MTV-like cable channel called "In Your Face" as an executive, and after learning about a documentary she's been working on, wants to get it aired on his network.
Lelaina's roommate Vickie (Janeane Garofalo) has a series of one-night stands and short relationships with dozens of guys (In some cases she does not even remember their name), motivated by a fear of being alone compounded by a fear of rejection; her promiscuity leads her to confront a very-real risk of contracting AIDS after a former fling tests positive for HIV. Vickie works as a sales associate for The Gap. She is later promoted to manager (a position with which she appears to be content.) Friend Sammy (Steve Zahn) is gay; he remains celibate, not because of a fear of AIDS, but because forming a relationship would force him to come out to his conservative parents. He later decides to come out to his mother.
After an impulsive act of retribution, Lelaina loses her job, which causes some tension with her roommates. Eventually, Vickie's AIDS test comes back negative and Sammy comes out to his parents (and he even starts dating) and the two manage to resume their lives.
Meanwhile, Lelaina's relationship with Michael dissolves after he helps her sell the documentary to his network, only to let them edit it into a stylized montage that she feels compromises her artistic vision. Lelaina and Troy then sleep together and confess their love. The morning after, he avoids her and, after a messy confrontation, leaves town. After Troy's father dies, he forces himself to reevaluate his priorities, deciding to attempt a relationship with Lelaina.
Troy and Lelaina reunite and make amends after Troy returns from his father's funeral in Chicago. While we do not see what happens to Michael, during the credits there is an abrupt break where two characters, "Laina" and "Roy," who are obvious parodies of Lelaina and Troy, have an argument about their relationship and as the "show's" credits roll, Michael's name is revealed as the producer, implying that he has turned the failed relationship into the subject of a new show on his network.
In 1991, producer Michael Shamberg had an idea to make a film about people in their twenties.[1] He read a screenplay entitled Blue By You written by Helen Childress on spec in 1990.[1] He liked it and met with her where she proceeded to tell him about her life and friends and their struggle to find work during a recession in the United States at the time.[2] For three years she wrote and rewrote Reality Bites, generating 70 different drafts. Childress decided to use her friends, their personalities and experiences as the basis for her film.[3]
The film's producers saw the pilot episode for The Ben Stiller Show and approached Stiller to direct, not act in it.[2] He signed on to direct in 1992 and worked with Childress for nine to ten months developing the script.[4] Initially, Childress, working with producer Stacy Sher, had figured out the characters of Lelaina and Troy but could not come up with a credible character to complete the love triangle. Stiller suggested that he could play that third person.[2] As a result, the Michael Grates character changed from a 35-year-old advertising man trying to market Japanese candy bars in America to a slick television executive in his twenties.[4] They also changed the structure of the film. Originally, Vickie, Sammy and Troy had more fleshed out stories but Stiller felt that he could not tell them fully and decided to focus on the relationship between Lelaina and Troy.[1]
By December 1992, Childress and Stiller had a script that was ready to be filmed for Tri-Star Pictures,[1] but the studio put it into turnaround. Sher, Stiller and Childress managed to convince the Film Commission of Texas to fund a location scouting trip to Houston, Texas despite no studio backing, no budget and no cast.[2] The film had been turned down by all the Hollywood studios because it tried to capture the Generation X market like Singles and that film was not a box office success.[4] When Sher, Stiller and Childress arrived in Houston, they received a phone call informing them that Winona Ryder had read the script, wanted to do it and that Universal Pictures had agreed to finance the film.[2]
After completing several period pieces, Winona Ryder was drawn to Reality Bites because she was looking "for something a little more contemporary because I really wanted to wear blue jeans for a change."[5] She read the script in one sitting while making The House of the Spirits and "found it very true to life."[2][5] She further speculated in an interview, "I think my character is very close to what I would probably have ended up as if I hadn't become an actress".[5] At that point in his career, Ethan Hawke was known for playing clean-cut roles and the actor recalled that his career was in a lull after the buzz from Dead Poets Society had gone away. Ryder was a fan of his work and stipulated in her contract that her involvement in the film was dependent on Hawke starring opposite her.[2]
Janeane Garofalo knew Stiller from working together on The Ben Stiller Show and the film's producers felt that her style of comedy was perfect for the character of Vickie.[2] She said that Parker Posey, Anne Heche and Gwyneth Paltrow were all up for the role. The studio loved and wanted Paltrow but Ryder liked Garofalo after making a connection with her.[2] Before filming began Janeane Garofalo was fired from the role of Vickie because Ben Stiller did not like her attitude during rehearsal. Garofalo was rehired because Winona Ryder stepped in on her behalf. Garofalo stated later that she has a really poor work ethic and hated to rehearse.[6] Stiller met Steve Zahn through Hawke as they were doing a play together and he was impressed by how funny Zahn was. The actor went to Los Angeles and tested for the film. He felt strongly about playing a gay character coming out of the closet.[2]
Principal photography lasted 42-days on a budget of $11.5 million.[4] The filmmakers shot the exteriors in Houston (including a scene on top of the Two Shell Plaza building) where the film is set but most of the interiors were shot in L.A. because it was cheaper.[1] During filming, Stiller encouraged Childress to be on location and talk with the actors about their characters.[2]
Reality Bites went through four test screenings with a fairly decent reaction.[4]
RCA met with the film's music supervisor Karyn Rachtman and Stiller three weeks into filming to discuss the soundtrack album.[7] They finalized a deal and the label opened its roster to the director who picked only one band: Me Phi Me. RCA aggressively marketed the album and had five tracks on rotation on radio and MTV.[7] The video for Crowded House's "Locked Out" was updated to include footage from the film. In addition, the video for "Spin the Bottle" by the Juliana Hatfield Three was directed by Stiller and featured clips from the film as well.[7] The soundtrack sold 1.2 million units and reached #13 on the Billboard 200.[8] The album also earned a no. 1 single with Lisa Loeb's "Stay (I Missed You)".
The film's soundtrack includes songs by World Party, Squeeze, The Knack ("My Sharona" featured prominently in one scene from the film), Juliana Hatfield, Social Distortion, and two contributions from Crowded House ("Locked Out" and "Something So Strong") in addition to the runaway hit "Stay (I Missed You)" by Lisa Loeb, which earned Loeb the distinction of being the only artist to top the Hot 100 before being signed to any record label. It also includes "Conjunction Junction" from Schoolhouse Rock!, another song brought into the foreground of a film full of pop culture references.
Tracks 1–14 appear on the original soundtrack. Tracks 15–20 appear on the 10th Anniversary Edition of the soundtrack.
Reality Bites premiered at the Sundance Film Festival in January 1994,[9] and was released in the United States on February 18, 1994.
The film grossed $5.1 million in 1,149 theaters on its opening weekend.[10] Initially, Reality Bites did not perform as well at the box office as the studio had hoped. In six weeks it grossed $18.3 million which was more than the film's $11 million budget.[11] Bruce Feldman, Universal Pictures' Vice-President of Marketing said, "The media labeled it as a Generation X picture, while we thought it was a comedy with broad appeal".[11] The studio placed TV ads during programs chosen for their appeal to 12-34-year-olds and in interviews Stiller was careful not to mention the phrase, "Generation X".[11] However, the film went on to make $20.9 million in North America and $12.3 million in the rest of the world for a worldwide total of $33.3 million, well above its budget.[10]
The film received mixed to generally positive reviews, currently holding a rating of 66% "fresh" on Rotten Tomatoes. Caryn James in her review for The New York Times wrote, "Like the generation it presents so appealingly, it doesn't see any point in getting all bent out of shape and overambitious. But it knows how to hang out and have a great time".[12] In his review for the Washington Post, Desson Howe wrote, "By aiming specifically – and accurately – at characters in their twenties, debuting screenwriter Helen Childress and first-time director Stiller achieve something even greater: they encapsulate an era".[13] Time magazine's Richard Schickel wrote, "The movie bobs along on this stream of funny offhandedness, never losing its balance. If it's 10 o'clock, and you want to know where your supposedly grownup children are, this is a good place to look for them".[14]
When asked in 2007 how well Reality Bites has aged, Janeane Garofalo replied; ‘I think it means a lot more to people younger than me. I was not the target audience. I was 29 playing a 21-year-old, so I don't think I understand why younger people like it.’ [6]
In 2005, the real Dyer (a film financier), sued writer Helen Childress, producer Danny DeVito and director Ben Stiller.[15] Dyer claimed that after the 2004 release of the tenth anniversary DVD of the film he was "besieged by inquiries from potential clients as to whether he was the fictional Troy Dyer".[15] The defendants attempted to seek shelter under California's anti-SLAPP statutes but in early 2007 the appeals court denied them SLAPP protection.[15] The suit was quickly settled to everyone's mutual satisfaction after Dyer received a written document from Childress stating he was not the person portrayed in the film.[citation needed]
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