Red Riding

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Plot

This most unusual film project from Britain - which clocks in at just over 5 ½ hours - actually consists of three separate features, each by a different director and done in a unique style, recounting the search for the notorious Yorkshire Ripper - a serial killer who terrorized the female population of Yorkshire, England on and off between the mid-1970s and the very early 1980s. Screenwriter Tony Grisoni and directors Julian Jarrold (1974), James Marsh (1980) and Anand Tucker (1983) shape the material into an epic chronicle not simply about the Ripper, but about the depravity that lurks on all levels of society, turning up most potently in the interworkings of law enforcement, big business, clergy and organized crime. The trilogy originally aired on Britain's Channel Four network, but received a theatrical and on-demand release in the United States courtesy of IFC Films. ~ Rovi

Review

The very best film series seem to exist in a place outside of time, even when they're set in a very specific period. With its story ties to feudal Japan courtesy of Akira Kurosawa's The Hidden Fortress, Star Wars played like a classic, mythical adventure set against a vividly realistic futuristic backdrop. The same could be said about The Godfather trilogy or George A. Romero's Dead trilogy, which somehow manage to feel modern and fresh despite the fact they all take place at very specific times in very specific places, some of which -- such as a certain shopping mall -- aren't so glamorous. Bleak and all-brick, with ominous nuclear towers serving as a toxic town gate, Fitzwilliam, West Yorkshire, England, "be fit for naught but dogs" in the words of DCS Bill Molloy. It's also the black center of this gripping, deeply unsettling tale of murder, corruption, and collusion.

Based on the novels by author David Peace, the three films 1974, 1980, and 1983 weave a sordid tale of murder and police corruption around the search for the Yorkshire Ripper, a vicious serial killer who terrorized the city of his nickname-sake between October of 1975 and November of 1980.

Yorkshire, England: 1974. Someone is abducting children, and budding Yorkshire Post reporter Eddie Dunford (Andrew Garfield) suspects he has evidence to link the recent disappearance of Clare Kemplay to a pair of suspiciously similar abductions from recent years. When a young local named Leonard Cole (Gerard Kearns) discovers the body of a murdered girl with swan wings stitched to her back, Eddie and his colleague Barry Gannon (Anthony Flanagan) begin a descent into a dark conspiracy involving ambitious real estate developer John Dawson (Sean Bean) and the local police force.

A tantalizing piece of a larger puzzle that's still a compelling, fully satisfying mystery unto itself, the first installment of the Red Riding trilogy plays like a cross between Twin Peaks: Fire Walk With Me and Zodiac with a splash of giallo to spice things up. Lest anyone doubt the quality of the production, given its small-screen origins, 1974 is a strikingly cinematic experience all around: the period details are exquisite, the cinematography is seductively bold, and Tony Grisoni's screenplay is both richly detailed and paced with the unyielding consistency of a world-class marathon runner. Andrew Garfield is perfectly cast as the ambitious yet naïve Yorkshire Post reporter unraveling a mystery that quickly threatens to swallow him up, and the supporting cast are all top-notch. Bean and Eddie Marsan, in particular, shine as the swaggering real estate magnate and a cynical Yorkshire Post veteran respectively. Much like The Sopranos or Lost, the first installment of the Red Riding trilogy is the kind of television production that raises the bar for everything to follow, and we'll likely be seeing its influence for years to come.

Back in 1974, Senior Manchester detective Peter Hunter (Paddy Considine) was investigating a police shooting in Yorkshire when a family tragedy summoned him away from work. Now, in the second film, it's 1980, and Hunter is back in Yorkshire, this time investigating the case of the Yorkshire Ripper, who's been stalking the streets for six years. The original police investigation was considered a massive failure, and it's Hunter's job to look at the case from a fresh perspective. Recruiting detectives Helen Marshall (Maxine Peake) and John Nolan (Tony Pitts) to assist in the investigation, Hunter begins working alongside Officer Bob Craven (Sean Harris), who had previously been a part of the police shooting that Hunter was investigating back in 1974. When Hunter begins to suspect that a murder originally linked with the Yorkshire Ripper is actually a copy-cat killing, he meets a mysterious young man named BJ (Robert Sheehan), who previously helped Eddie Dunford and who has some startling information about corruption in the local police force.

Whenever you're dealing in trilogies, there's always the threat of the second chapter feeling like filling -- and not the sugary good stuff we all like to savor. In fashioning the story of 1980 around Detective Hunter replacing Bill Molloy as the head of the Ripper investigation, it would seem like screenwriter Tony Grisoni had the ideal opportunity to bring the police corruption angle of the tale into painfully sharp focus. But, while a few scenes (including a genuinely unnerving exchange between Hunter and Craven and a murder's shocking aftermath) keep us involved, a side-step into a few aspects of Hunter's personal life make the film less about the investigation than the people who are doing the sleuthing. And when you've got a story this winding, any plateaus become more pronounced. Likewise, the fact that Hunter's personal story is relentlessly depressing adds emotional muck to the already dense proceedings. The main draws here are the performances by Considine and Harris, and a fairly spectacular payoff, leading into an especially satisfying final chapter.

1983: Almost a decade after the first disappearance, Hazel Atkins vanishes without a trace on her way home from school. Leonard Cole is about to take the heat for Hazel's disappearance as Detective Superintendent Maurice Jobson (David Morrissey) wrestles with his conscience over previously framing mentally deficient Michael Myshkin (Daniel Mays) for the Ripper murders under duress from his intimidating superior Bill Molloy (Warren Clarke). Meanwhile, after burying his mother, portly, overborne public solicitor John Piggott (Mark Addy) attempts to draw the truth out of Cole, and follows his inquiries straight to the blighted sprawl of Fitzwilliam, and Reverend Martin Laws (Peter Mullan). Piggott isn't the only one on the trail to Fitzwilliam, though, because BJ is also coming to town with some heavy baggage that's more than just bad memories from a violated youth.

Revelations and redemption both come at a particularly high price in the intense and engrossing final chapter of the Red Riding trilogy. Though the increasing occurrence of flashbacks as the story winds to a close can threaten to buck us off at times, it truly pays to maintain a firm grip on the details, which keep the action from feeling quite as stifled as in the previous installment. Here, the storytelling, direction, and performances come together at a point that's near pitch-perfect, and strikingly cinematic. (It's almost enough to forgive Anand Tucker the transgression of the recent Leap Year, equally as harrowing for altogether different reasons.) Tony Grisoni infuses the story with a compelling study in the corrosive nature of not only collusion and guilt, but revenge as well, ensuring that we remain emotionally transfixed even while we're essentially riding the rails through the dark. The introduction of a psychic angle into the story lends the final chapter a mysterious air that stands in fascinating contrast to the dour, depressingly realistic surroundings while simultaneously offering valuable insight into Detective Superintendent Jobson's long-gestating inner conflict.

Taken as a whole, the Red Riding trilogy is an absorbing crime drama, a fascinating study in the darker aspects of human nature, and a cogent reminder that quality television is still very much alive and well. In the wake of the trilogy's theatrical release in the U.S., it would come as no surprise when, in mid-October 2009, it was announced that director Ridley Scott and screenwriter Steven Zaillian were in talks with Columbia Pictures to adapt the three films into a single feature, scheduled for release in 2012. Given the stellar quality of the original series -- not to mention the time constraints of a single feature film -- the Hollywood veteran will most certainly have his work cut out for him. ~ Jason Buchanan, Rovi

Cast

  • Mark Addy - John Piggott (1983)
  • Sean Bean - John Dawson (1974 & 1983)
  • Cathryn Bradshaw - Marjorie Dawson (1974)
  • Jim Carter - Harold Angus (1980 & 1983)
  • Warren Clarke - Bill Molloy (1974, 1980 & 1983)
  • Paddy Considine - Peter Hunter (1980)
  • Shaun Dooley - Dick Alderman (1974, 1980 & 1983)
  • Anthony Flanagan - Barry Gannon (1974)
  • Julia Ford - Elizabeth Hall (1980)
  • Andrew Garfield - Eddie Dunford (1974, 1980 & 1983)
  • Rebecca Hall - Paula Garland (1974)
  • Sean Harris - Bob Craven (1974, 1980 & 1983)
  • John Henshaw - Bill Hadley (1974 & 1983)
  • Gerard Kearns - Leonard Cole (1974 & 1983)
  • Eddie Marsan - Jack Whitehead (1974 & 1980)
  • Daniel Mays - Michael Myshkin (1974 & 1983)
  • Joseph Mawle - The Ripper (1980)
  • Tony Mooney - Tommy Douglas (1974, 1980 & 1983)
  • David Morrissey - Maurice Jobson (1974, 1980 & 1983)
  • Peter Mullan - Martin Laws (1974, 1980 & 1983)
  • Maxine Peake - Helen Marshall (1980)
  • Tony Pitts - John Nolan (1980 & 1983)
  • Mary Jo Randle - Eddie's Mum (1974)
  • Saskia Reeves - Mandy Wymer (1983)
  • Steven Robertson - Bob Fraser (1974 & 1983)
  • Cara Seymour - Mary Cole (1974 & 1983)
  • Lesley Sharp - Joan Hunter (1980)
  • Robert Sheehan - BJ (1974, 1980 & 1983)
  • Chris Walker - Jim Prentice (1974, 1980 & 1983)

Credit

Hugo Heppell - Executive Producer, Liza Marshall - Executive Producer, Norman Merry - Executive Producer, Andrew Eaton - Producer, Anita Overland - Producer, Wendy Brazington - Producer, Tony Grisoni - Screenwriter, David Peace - Book Author
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Red Riding
Format Crime drama
Created by David Peace
Tony Grisoni
Starring Mark Addy
Sean Bean
Jim Carter
Warren Clarke
Paddy Considine
Shaun Dooley
Gerard Kearns
Andrew Garfield
Rebecca Hall
Sean Harris
Eddie Marsan
David Morrissey
Peter Mullan
Maxine Peake
Lesley Sharp
Robert Sheehan
Laura Carter
Danny Mays
Country of origin United Kingdom
No. of episodes 3
Production
Running time 295 min.
Distributor IFC Films (US)[1]
Broadcast
Original channel Channel 4
Original run 5 March 2009 – 19 March 2009
External links
Website

Red Riding is a television adaptation of English author David Peace's Red Riding Quartet. Published between 1999 and 2002, the quartet comprises the novels Nineteen Seventy-Four (1999), Nineteen Seventy-Seven (2000), Nineteen Eighty (2001) and Nineteen Eighty-Three (2002). Set against a backdrop of serial murders, including the Yorkshire Ripper case, they deal with multi-layered corruption and feature several recurring characters across the four books. Though real crimes are featured, the scripts are fictionalised and dramatised versions of events rather than contemporary factual accounts.

The adaptation into three feature-length television episodes aired in the UK on Channel 4 beginning on 5 March 2009. They are produced by Revolution Films. The three films were released theatrically in the US in February 2010.[2]

Contents

1974

In 1974, Eddie Dunford (Andrew Garfield), a young reporter from the Yorkshire Post, tries to find information on a series of missing girls. Meanwhile, John Dawson (Sean Bean), a local businessman, bribes members of the West Yorkshire Constabulary (WYC) and councillors into letting him purchase local land and gain permission for a mall he has planned. This is done by burning down a Roma camp previously existing in the area. One of the murdered girls is found on Dawson's land, having been tortured, raped, and strangled, with swan wings stitched into her back.

Young, cocky and naive, Dunford conducts his investigation up to a dangerous stage. After the death of his friend Barry Gannon (Anthony Flanagan), he meets an elusive male prostitute, B.J. (Robert Sheehan), who passes along incriminating materials Barry had gathered about local authority figures. Dunford becomes involved with the mother of one of the missing girls, Paula Garland (Rebecca Hall). He then learns that she has a secret sexual relationship with Dawson: she tells Dunford that she and Dawson have known each other all their lives.

Dunford ignores threats from corrupt WYC officers to keep away from Paula and Dawson's institutionalized wife. However, he continues his investigation until he is ultimately arrested after storming into a private party at Dawson's house. Paula is also abducted and murdered. After being severely beaten and tortured by two police officers, Tommy Douglas (Tony Mooney) and Bob Craven (Sean Harris), Dunford is given a gun and abandoned in a desolate area.

Dunford seeks out Dawson, finds him at the Karachi Club and challenges him about the murders. Dawson makes a confession to having “a private weakness”, indicating that he was connected to the girls' murders. Dunford shoots him repeatedly then flees by car. He then deliberately drives into a head-on collision with two police cars that were pursuing him; a vision of Paula appears by his side before his death.

A bag full of documented evidence of police corruption, left by Dunford with a seemingly trustworthy officer before his death, is brought by the latter to Detective Superintendent Maurice Jobson (David Morrissey), who destroys it.

This episode was shot on 16 mm film and broadcast with an anamorphic aspect ratio of 16×9. It was directed by Julian Jarrold.

1980

In 1980, following a public outcry concerning its failure to catch the Yorkshire Ripper, the WYC brings in Inspector Peter Hunter (Paddy Considine) to aid the investigation, much to the chagrin of Bill Molloy (Warren Clarke). Hunter had previously worked on the Karachi Club massacre, a case he had to abandon due to his wife's miscarriage. The two cases are linked by Officer Bob Craven (Sean Harris). Hunter correctly deduces that the Ripper inquiry is being side-tracked by the Wearside Jack tapes, and feels that the real Ripper has been interviewed and missed.

Hunter suspects that one of the Ripper's supposed victims, Clare Strachan, was killed by a copycat murderer. Hunter receives information on the murder from B.J., who is introduced through Reverend Laws. B.J. claims that Strachan was a prostitute working for Eric Hall, a now-dead WYC policeman. Hall's wife requests that Hunter meet her, and after visiting her house—where Reverend Laws also present—she provides Hunter with proof of Hall's work as a pimp, and that she gave Hall's documents to Jobson. Jobson claims to have lost the files.

Hunter interrogates Prentice and Alderman, who lets slip that the Strachan murder was probably performed by Hall, covered-up to look like a Ripper murder. Hunter also visits the now debilitated Tommy Douglas who later phones him demanding that they meet at his house. However, Hunter arrives to find Douglas and his daughter killed.

Near the end of Hunter's Christmas holiday, his house is burned down. When he returns to West Yorkshire, he learns that the WYC has taken him off the Ripper case, leading to a confrontation with Jobson. Hunter tracks down B.J. and forces him to reveal that five masked policemen burst into the Karachi Club minutes after Dunford's revenge, killing all civilian survivors and finding Bob Craven and Tommy Douglas wounded by Eddie. Clare and B.J., two of the waiters at the club, witnessed the whole scene while hiding behind the bar, and were spotted by Angus and Craven as they fled the premises. B.J. is, therefore, the only surviving witness of the Karachi double massacre, which forces him to flee town. B.J. also implies that Craven was the murderer of Clare Strachan.

Peter Hunter returns to Millgarth Station, Leeds to reveal this new information to Nolan; Nolan takes Peter down to the cells where Nolan says Craven is. Hunter enters the cell to see Bob Craven slouched back in a chair, a bullet through his head. Nolan reveals that he was one of the five who took part in the Karachi Club shootings and shoots Hunter dead. Detective Inspectors Dickie Alderman and Jim Prentice make it look like Hunter and Craven shot each other. Joan Hunter is seen comforted by Reverend Laws after Hunter's funeral.

This episode was shot on 35 mm film and broadcast with an anamorphic aspect ratio of 2.35:1. It is directed by James Marsh.

1983

In 1983, Maurice Jobson is plagued by guilt over his reluctant participation in the corrupt activities within the WYC. It is revealed that it was he who tipped off Dunford about the arson in the Roma camp, in which Jobson took part under pressure by Molloy. It is also revealed that he knew about the innocence of Michael Myshkin (Daniel Mays), a mentally challenged man who was accused of the serial killings in 1974. Jobson is aware of a conspiracy within the WYC protecting high-profile figures, including Dawson, from public exposure. Jobson's pangs of conscience are brought upon by his investigation into the recent disappearance of a young girl named Hazel Atkins, and lead him to open previous cases. He also starts an intimate relationship with a medium (Saskia Reeves), who seems to be in possession of valuable information concerning the more recent crimes.

Meanwhile, John Piggott (Mark Addy), a solicitor and the son of a notorious WYC officer, decides to explore the Atkins case himself. His inquiries lead him to Leonard Cole (Gerard Kearns), the young man who found the swan-stitched victim in 1974 and who is now being framed for Atkins' disappearance. Cole is tortured and murdered by the police, his death disguised as a suicide. Using information given by Myshkin, Piggott finds a mine shaft hidden in a pigeon shed near Laws' home, where he discovers that a paedophile and child-murdering ring was run in West Yorkshire by Reverend Laws.

It is implied that only when children with known, stable local families were abducted was the criminal structure partially compromised—perhaps the main reason for the constables' indirect assistance in Dawson's demise. Laws counted on the complicity and even direct collaboration of high-ranking officials in the WYC. It is also revealed, through Piggott's imagination and flashbacks by other characters, that the clients of this ring included significant figures of society, among them businessmen such as Dawson and policemen such as Piggott's own father.

Finally, it is also revealed that B.J. was the first child abducted by this criminal enterprise, and perhaps the only one who survived. He ends up returning to Laws' home to enact revenge, but in the last moment finds himself unable to do so due to Laws' mind-numbing, domineering influence on him. Seconds before Laws is about to trephine B.J. with an electrical drill, Jobson appears with a shotgun and shoots the reverend three times, killing him. He then opens the hidden entrance to the mine shaft just in time for Piggott to emerge from it with a still-living Hazel Atkins in his arms. B.J. flees southward by train, reflecting on his upbringing, his experiences, and his “escape” from the past of West Yorkshire.

The third episode of the trilogy aired on 19 March 2009 on Channel 4. It was shot using the Red One digital camera. It was directed by Anand Tucker.

Awards and nominations

The films won The TV Dagger at the 2009 Crime Thriller Awards.[3]

Theatrical film adaptation

Columbia Pictures has acquired the rights to adapt the novels and films into a theatrical film. The studio was negotiating with Ridley Scott in October 2009 to direct it, Rebecca Hall and Andrew Garfield might reprise their roles.[4]

The Trilogy was released on DVD and Blu-ray in the US by IFC Films on 5 February 2010.[5]

References

  1. ^ Kay, Jeremy (14 May 2009). "IFC Films acquires cult drama Red Riding". ScreenDaily.com (Emap Media).
  2. ^ See the Complete 'Red Riding' Trilogy in New York
  3. ^ Flood, Alison (22 October 2009). "British readers vote Harlan Coben their favourite crime writer". guardian.co.uk (Guardian News & Media). http://www.guardian.co.uk/books/2009/oct/22/british-harlan-coben-crime. Retrieved 28 October 2009. 
  4. ^ Fleming, Michael (15 October 2009). "Columbia caught 'Red'-handed". Variety (Reed Business Information).
  5. ^ Blu-ray and DVD Art – The Red Riding Trilogy

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Mentioned in

The Brothers Grimm Fairy Tales (1979 Children's/Family Film)
Fairy Tale Classics, Vol. 6 (1988 Children's/Family Film)
Fairy Tale Favorites (1988 Children's/Family Film)
Captain Kangaroo: Fairy Tales and Funny Stories (1985 Children's/Family Film)