Style of decorative arts and architecture produced in England during the rule of George, Prince of Wales, as Prince Regent from 1811 until his accession as George IV in 1820, although it is also generally applied to the period from the 1790s until the death of George IV in 1830. Predominantly a style of interior decoration, it began as an enrichment of the late GEORGIAN STYLE, as typified by the work of HENRY HOLLAND for the Prince Regent at Carlton House (after 1783; destr. 1827-8) and the Royal Pavilion (1787), Brighton; for the brewer Samuel Whitbread (1758-1815) at Southill (1796-1800), Beds; and for Francis Russell, 5th Duke of Bedford, at Woburn Abbey (1787-1802; partially destr. 1954), Beds. Furniture for such interiors was designed by Holland and made in England by such ?migr? craftsmen as Fran?ois Herv? ( fl 1780-90) or in France by such craftsmen as Georges Jacob (ii). Similar styles were published in later editions of both Hepplewhite's Cabinetmaker and Upholsterer's Guide (1788, rev. 2/1789, 3/1794) and Sheraton's Cabinetmaker and Upholsterer's Drawing Book (1791-3, rev. 2/1794, 3/1802). Around the turn of the 18th century, however, the sabre leg replaced the straight or cabriole leg and such lighter toned, more figured woods as satinwood, rosewood and zebra-wood superseded mahogany. Versions of the Greek klismos-chair and other Greco-Roman forms became popular, as illustrated in C. H. Tatham's Etchings of Ancient Ornamental Architecture (1799).
See the Abbreviations for further details.


