Reggae genres

The term reggae, in a proper sense, only covers the period in Jamaican music from 1969 to 1979 (or 1985 depending on opinion).

However in today's vernacular, the term has come to refer to all Jamaican music from the development of ska in the early 1960s up until today. Rather than create a more confusing List of Genres of Jamaican music but not Jamaican R&B or Mento article, it is pertinent to keep everything under the reggae name whether it warrants it or not. The following genres are listed in roughly chronological order.

• Ska is the first major local Jamaican genre, derived from American Jazz and R&B, flourishing from 1961 or 1962 to around 1966. It is characterised by a fast, syncopated rhythm guitar stroke, driving horns and boogie-style stand-up bass. Major ska artists include Laurel Aitken, Derrick Morgan, Prince Buster and The Skatalites. The style influenced the 1980s British 2 Tone ska revival, which was a mixture of ska, punk rock and pop music.

• Rocksteady is a slower musical style, with a tempo in between ska and early reggae (between 1966 and 1968). Besides the slower pace, its main feature is the electric bass, which takes on the position of lead instrument with intricate melodies and a high position in the mix. Rocksteady is known for its Impressions-styled vocal harmonies. Major artists include Alton Ellis, Ken Boothe, The Paragons and Desmond Dekker.

• Early reggae (or skinhead reggae), is generally considered to be the period before the Rastafari movement entered mainstream Jamaican music from 1968 to 1970. It can be distinguished from rocksteady by the slightly faster beat marked out by the drummer using the hi-hat, heavy organ lines, lower mixing of the bass, and electronically doubled rhythm guitar stroke. It met great success in the UK, especially with the skinhead subculture. Major artists include John Holt, Toots & the Maytals, The Pioneers and Symarip.

• Nyabhingi is a roots subgenre related to the Rastafarian grouping of the same name. It's characterised by hand-drumming derived from religious ceremonies. Well known artists are Count Ossie or Ras Michael & the Sons of Negus.

• Dub is an instrumental genre built around the application of electronic equipment on existing recorded tracks. Its sound (built around individual instrumental tracks changing volume, appearing, disappearing, all while various effects and filters are applied to them) has proven very influential on modern dance music. Major artists include King Tubby, Lee "Scratch" Perry and Scientist.

• Deejaying is the Jamaican precursor to hip hop, based on Deejays (Jamaica's emcees) toasting (talking) over instrumental tracks or riddims. Famous deejays from before the dancehall era include U-Roy, Big Youth and King Stitt.

• Roots reggae is perhaps the best-known form of reggae today, with its Rastafarian message. Early reggae production is further developed with electronics and influences from contemporary western music. Although largely supplanted in the popular imagination by Dancehall in 1979, the style continues even today as a minority underground genre. Bob Marley is the internationally most famous exponent of the style, but Peter Tosh, Horace Andy, Black Uhuru and The Abyssinians are also well known.

• Rockers style was created during the mid-1970s by Sly & Robbie, who at the time were the rhythm section of The Revolutionaries. Rockers is described as a militant, mechanical, and aggressive style of playing reggae music.^[1]

• Singjay was the name given to toasting DJ's who added some melody into their otherwise spoken lines. Eek-a-Mouse was the most notable exponent, and subsequently it became part of the Dancehall repertoire.

• Sensi-beat was the name for a rhythm that originated as part of Barrington Levy's hit "Under me sensi" and that was used throughout the follow-up "Here I Come". The first Jamaican style to emphasise the first beat in the bar, it spread from the UK, where Levy had been developing the sound, and became another influence upon dancehall.

• Sleng-Teng was a style of reggae that sounded like early Skinhead, but played on synthesisers. Hugely popular for about 6 months in the middle of the 1980s, the sound was very similar to the mainstream 1990s dance hit "The Macarena". "Under me Sleng Teng" was the original hit, followed by dozens of imitators.

• Dancehall, starting in 1979, is characterised by stripped-down, spacious productions, prominent basslines and the inclusion of dub-style effects, often coupled with bawdy 'slackness' lyrics. The genre spawned a new generation of Jamaican stars, including Barrington Levy, Yellowman and Eek-a-Mouse.

• Lovers rock (also known as British Lover's rock), became popular in the late-1970s to mid-1980s. It is characterized by its smooth, Quiet Storm-type musical style infused with a gentle reggae beat. This genre of reggae began in the UK but spread out quickly; reaching popularity in Jamaica as well. Janet Kay, Audrey Hall and Maxi Priest are some examples of Lover's Rock performers.

• Ragga, or raggamuffin, is electronic dancehall music. Beginning under producer Prince Jammy in 1985, the genre originally was produced on simple keyboards but eventually other synthesisers have been added. Super Cat, Shabba Ranks and Charlie Chaplin are some of the well-known artists of the eighties and early nineties.

• Reggae fusion, or reggaefusion, is a mixture of reggae and/or dancehall with different influential elements of other genres whether it be hip-hop reggae, R&B reggae, jazz reggae, rock 'n roll reggae, Indian reggae, Latin reggae, drum and bass reggae, punk reggae, polka reggae, etc.^[2] It is recognized as a subgenre or fusiongenre of reggae and dancehall music. It is also used to describe artists who frequently switch between the dancehall and reggae genres and other genres, mainly rap and r&b. It first became popular in the late 1990s and originated in Jamaica, North America and Europe.

• Rumble is a mixture of roots reggae, garage, soul and ska first created and popularised by Mandeville the house band of the popular reggae group Me & You.

• Reggae singers or Reggae culture are modern terms for Roots Reggae reggae. This genre of reggae uses many of the same techniques that modern dancehall reggae uses as far as instrumentatation and presentation. However this genre features more singing than dancehall and more socially conscious or Rastafari-oriented themes. Notable performers include Capleton, Sizzla, Morgan Heritage, Tony Rebel, Lucky Dube, Alaine, Jah Cure and Freddie McGregor.

References

See also

• Samples of Anglophone Caribbean music

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